love that sub bass stuff, incredible compositions here\

Frank!  The strings and dreamy piano melody is terrific, awesome work on the harmony...super emotive!

@bdrosa: Great that you write to me. I don't know what to write back except "Thank you"! 🤗

LE NUVOLE VOLUBILI INTERLUDIO Amorese

The Crown Duckshoot - Cover Version

Immense collection of sixty orchestral tracks set in frozen and glacial environments, covering a wide range of moods, intensities, and focuses, and serving as the perfect companion for documentaries and any other content set in Arctic or glacial regions. Whether for playful moments on the ice, majestic views of icy panoramas, adventurous expeditions among glaciers, or capturing the beauty of wildlife in extreme cold, this album provides a vast array of soundscapes to bring frozen worlds to life, helping to shape narratives, enhance visuals, and capture the many sides of the planet's coldest realms.

Frosted Soul

noxpox - simulacre 1

She Made You by Mark Devries 

M Walker - Lead Guitar & Vocals
Mark Devries - Rhythm Guitar & Bass 
Paul Janszen - Drums, Mix & Master

She Made Me - Half Blind Lucy

Das Leben ist wie ein Puzzle; fehlt nur ein Teil zum Vervollständigen, dann ergibt der Rest keinen Sinn mehr!

Life is like a puzzle; if only one piece is missing to complete, the rest doesn't make sense anymore!

Missing Link

Australian Retro--Canberra Band-- Plutoastia

Grooveclowd Presents---Plutoastia--Happening Again

Mighty Fine

A privilege to work again with the supremely talented Gary Rees.
@gary-rees-since-87

Tribrid Vamp  -  WBE | Gary Rees

... this is beyond genres :-) just an idea :-) the nice streetart photo is by Jon Tyson on unsplash (of course with a bit retouching) The title is less esoteric than it might sound like.  We are certainly connected to the cosmos, one way or the other :-) All is vibration. :-D EnJoy !

Third Eye

On their new LP, LIKE A REAL SHADOW (Mandinga Records), the pair maintains their garage squall and dives even further into hypnotic blues riffs and throbbing insistent drum pulse—what one listener called the “car with one square wheel” rhythm. Their choice of cover songs—obscure blues and sanctified numbers—show them moving even further from anything like “listener expectations.”

The Luxurious Faux Furs - Send Me Your Pillow

A small note on my own behalf: I have noticed that my playback figures have dropped dramatically. The statistics show that the number of playbacks has dropped from 2000 per week to just under 200.
On the one hand, this is frustrating, as everyone sees this as an indicator and confirmation of their work. On the other hand, figures are not particularly important, but one wonders what is wrong. In my opinion, SC has changed a lot, uploading tracks has become more complicated and constant security queries are annoying.
In addition, great artists are disappearing from the platform, partly by their own choice, partly because they have been banned, the algorithm has “recognized” them as spam and mercilessly deleted their account. I'm still a paying member, but my attitude towards this has changed...

Please let me know your experiences and impressions.

😮‍💨😔


When I don't have the time to actively listen to my favorite artists on soundcloud, I just leave the stream running...while washing up in the kitchen, for example 😆

By the way: this user-92853963 was my old link address and leads to the empty.... I AM NOT A ROBOT!

********************************************************************

A long, long time ago, there was an organ in the Christmas-decorated living room in his parents' house, where Frank grew up. Originally bought by his father for his two older siblings, they showed no interest in playing the organ. Frank, however, did. White and black keys and giving off strange sounds. 

So at the age of 9 he began to let his fingers circle on this instrument, searching for the right keys like on a typewriter. And another 9 years would pass before he could buy his first own instrument. Already at the age of 13 he made notes about the then current synthesizers, bought one magazine after the other and visited music fairs in Frankfurt, Germany.

His first keyboard was the Yamaha DSR-2000, which he bought in a music store near his hometown Biebertal. In installments! Finally he could develop himself further - away from the limited tonality of the small organ. The built-in 8-track sequencer helped him to reach unimagined heights. 
Little by little his equipment expanded and his ambition to create music like that of Jean-Michel Jarres came closer. Influenced by this and countless other musicians of the time, his interest grew, but he taught himself everything. Not even having attended a music school or being able to read music at all, he wrote one song after another and recorded them on the only medium available to him at the time: audio cassettes.
Many of these recordings are unfortunately lost forever, because cassettes are and were not the best recording medium. He has to try to play many of his songs from memory. 

In 2007, he fulfilled a long-awaited wish: to buy a KORG. He had always wanted to own one, but with the latest synthesizers at the time of their release having a purchase price of over 6000 D-marks (the currency of the time in the 1980s and 1990s), that dream of owning one was far away. So in 2007 he bought a used KORG 01W/FD at ebay. And as before with the purchase of the Yamaha keyboard, a completely new world opened up to him.

In addition, there were expanders and sound modules from Kawai, Roland and Yamaha (K1m, SC-55, QY10). Six years later his enthusiasm for making music ebbed and rediscovered his hobby (which it always was and still is). In 2018 in April he decided to present his music to a wider audience and uploaded his first song on the platform soundcloud. Since that time, thanks also to the ever-evolving software, he continues to evolve, experiment and relive his times through music.

Missing Link

Frank Mehl

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