Synths used:

Synapse Audio - Dune 3 (Patch: Blue Oceans KS)
Nexus 4 - Black Hole Piano (Expansion "ROM Extension")
Nexus 4 - Heroic Horns (Expansion "Hollywood 2 - Winds & Brass")
Vocals by ANNA MIA (see information below)

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Watch the Video here: https://youtu.be/30sE-IRFAFA

ANNA MIA:
No Need To Be Afraid

When the darkness turns to light
All the trouble fades away into nothing
When the moon can touch the sky
All the love in your heart I can see it rising

When the cloud cover starts to break
You can feel the sun rays over your shoulder
When a storm moves in your head
Close your eyes and don’t be waiting but hold on

It’s not to late to fight the game has just begun
When you’re done once in a while you can climb the path again
And every day and night moments never go away
There’s no need to be afraid 

When it’s raining all the days
And you long for a smile that was almost forgotten
When you’re searching for a change 
You will find in you’re life what is kept you from falling

It’s not to late to fight the game has just begun
When you’re done once in a while you can climb the path again
And every day and night moments never go away
There’s no need to be afraid...

Here you can find ANNA MIA -
https://youtu.be/RtCiofKyynU

https://soundcloud.com/a2na_mia

🎞️ Video

No Need To Be Afraid (Silent Version)

Welcome to my page.

I appreciate all the comments, likes and repost that you leave me in my compositions.

I make music for fun and to get away. I have multiple styles, although my biggest influence is in electronic music.

I am self taught and learned with Music Studio 2 on a first generation ipad 11 years ago. I have never composed before. Perform more than 80 songs a year for the first 6-7 years to learn about the program and develop creativity to compose. I have listened to different types of music throughout my life and maybe that has helped me.

I still compose only with an ipad (last generation), but I no longer work only with native MS2 instruments since I have expanded my instrument library with programs such as Audiokit, Digital D1, kv331, Sunrizer, etc ...

My music can be downloaded, but not used for commercial purposes (my authorization is required).

During the last two years I have encouraged myself to collaborate with professional or self-taught musicians like me. Are these:

Annie Smart

Dan DT

Loue ghazi

Lukowig

Mirjam Keijnemans

Nathalie B20

Subzero

Osc Project

Vicent

Winkanwoo

Wypernet

Thanks to them for their generous timeshare and patience.

You can contact me by sending me a message through SC.

Thanks for visiting.

-Boston Area storytelling.  Remember you are only a true artist if you recognize the genius in somebody's else's work. Keep your ears open there is genius all around us.

"Thoughts and actions are the building blocks that create your life. So, Kreate."
_Calyx Kre 


Calyx Kre: Sixth Octave Coloratura Soprano Opera Singer.🪽✨🩷

Calyx Kre has studied Recording Arts and Development, Ableton Music, Music Marketing. Basics Of Astrology and Advanced Astrology. 

Calyx Kre has Sensory Integration Disorder, Autism, Epilepsy and Generalized Anxiety Disorder (she is ten years behind in physical, emotional and intellectual development), that she has turned struggle into strength.

🎤 6-Octave Coloratura Soprano | Opera x Pop x Hip Hop
✨ Opera Cover Requests – $30
https://www.calyxkreationsmusiclabel.com

At home producer of electronic tracks in varying styles - I really enjoy experimenting with melding different genres. 
Been writing songs since the mid 70's whilst playing bass & drums in various bands (the first one was a punk band) and digitally writing since 2006. Retired now, so much more time for having fun with music :) It's just a hobby for me these days; Soundcloud is just a great place to share music & connect with people who have the same interests.  All my recent music is free to download - if you want to download any that don't have a download link, just let me know :)
I appreciate - and love to listen to - all genres, from orchestral through to metal. 

Thank you for reading, and hope you enjoy the music.
Fiona x

A small note on my own behalf: I have noticed that my playback figures have dropped dramatically. The statistics show that the number of playbacks has dropped from 2000 per week to just under 200.
On the one hand, this is frustrating, as everyone sees this as an indicator and confirmation of their work. On the other hand, figures are not particularly important, but one wonders what is wrong. In my opinion, SC has changed a lot, uploading tracks has become more complicated and constant security queries are annoying.
In addition, great artists are disappearing from the platform, partly by their own choice, partly because they have been banned, the algorithm has “recognized” them as spam and mercilessly deleted their account. I'm still a paying member, but my attitude towards this has changed...

Please let me know your experiences and impressions.

😮‍💨😔


When I don't have the time to actively listen to my favorite artists on soundcloud, I just leave the stream running...while washing up in the kitchen, for example 😆

By the way: this user-92853963 was my old link address and leads to the empty.... I AM NOT A ROBOT!

********************************************************************

A long, long time ago, there was an organ in the Christmas-decorated living room in his parents' house, where Frank grew up. Originally bought by his father for his two older siblings, they showed no interest in playing the organ. Frank, however, did. White and black keys and giving off strange sounds. 

So at the age of 9 he began to let his fingers circle on this instrument, searching for the right keys like on a typewriter. And another 9 years would pass before he could buy his first own instrument. Already at the age of 13 he made notes about the then current synthesizers, bought one magazine after the other and visited music fairs in Frankfurt, Germany.

His first keyboard was the Yamaha DSR-2000, which he bought in a music store near his hometown Biebertal. In installments! Finally he could develop himself further - away from the limited tonality of the small organ. The built-in 8-track sequencer helped him to reach unimagined heights. 
Little by little his equipment expanded and his ambition to create music like that of Jean-Michel Jarres came closer. Influenced by this and countless other musicians of the time, his interest grew, but he taught himself everything. Not even having attended a music school or being able to read music at all, he wrote one song after another and recorded them on the only medium available to him at the time: audio cassettes.
Many of these recordings are unfortunately lost forever, because cassettes are and were not the best recording medium. He has to try to play many of his songs from memory. 

In 2007, he fulfilled a long-awaited wish: to buy a KORG. He had always wanted to own one, but with the latest synthesizers at the time of their release having a purchase price of over 6000 D-marks (the currency of the time in the 1980s and 1990s), that dream of owning one was far away. So in 2007 he bought a used KORG 01W/FD at ebay. And as before with the purchase of the Yamaha keyboard, a completely new world opened up to him.

In addition, there were expanders and sound modules from Kawai, Roland and Yamaha (K1m, SC-55, QY10). Six years later his enthusiasm for making music ebbed and rediscovered his hobby (which it always was and still is). In 2018 in April he decided to present his music to a wider audience and uploaded his first song on the platform soundcloud. Since that time, thanks also to the ever-evolving software, he continues to evolve, experiment and relive his times through music.

⚡️ 575.000  ⚡️ plays since 2013*
https://www.youtube.com/@joerxworx7299
___ Drumax PROJECT with @docfritz
___ the Lunatics project with @cosmic-ratzzz
A playlist of collabs which should be updated :-))
https://soundcloud.com/joerxworx/sets/joerxworx-collabs-the-big
.......... band/jam cloud: https://soundcloud.com/pland-jammin
.......... my old account: www.soundcloud.com/joerxtune
.......... Also on https://hearthis.at/joerxworx-8v/
My bio (to copy) written by me in the third person :-)
"Jörg S. born in Cologne, from youth on, is fascinated by all kinds of art, so he taught himself the saxophone very early. Nowadays flutes of all kind are also part of the equipment, as are jaw harps, percussion, bass, guitars and keyboards.
He was and is always involved in many band projects and session events.
In the 80s he was a saxophonist in the Adam Noidlt Intermission Orchestra with gigs in Berlin, Cologne, Düsseldorf and Basel. Very early on he also worked as a writer with live readings in the Cologne area and was a painter with large formats for many years, all in addition to his job as a graphic designer. Now, retired, he is devoted solely to music: home recording with the platform of choice, Soundcloud and global collaborations."

*32K before 2016

Wow, hadn't realised what a journey SoundCloud would take me on.  After many years of passive listening to music I've dieted on a variety of tastes. My appetite for new sounds is undiminished and SC provides plenty of food. I am not a musician and have only recently started to listen positively to the sounds. My early years began listening to music from ABC, The Beatles, The Carpenters Dire Straits Eagles Fleetwood Mac Genesis Elton John Led Zeppelin Gilbert O'Sullivan Rod Stewart Supertramp Tangerine Dream Vangelis The Who and many more.
If you can't spot a trend in my current likes it may be because it is diverse. I love listening to all my playlists which contain tracks that I like and if you like any of the music you must thank the artists not me.

My music is dependent on where inspiration takes me. I hope you enjoy something here!

I make electronic music (and also Pop, Rock etc).

Musical influences;
Tangerine Dream, Ozric Tentacles, Plaid, Air, Younger Brother, Kraftwerk, Laurent Garnier, Djrum, Orbital, Grandbrothers, Banco De Gaia, Enigma, Vangelis, Pink Floyd, The Orb, Azmari, Weval, Underworld, New Order etc.

🎧 The New Of The Tower
Welcome to a new, underground, dark world...

🎭 Musical Style & Artistic Evolution

🚀 Avant-Garde Dance Music Without Borders
The New Of The Tower is an independent, self-taught project that fearlessly pushes the limits of dance music with a unique fusion of genres. Officially described as a mix of dark techno, tech-house, electro, and experimental pop, it also incorporates elements of trap, punk, and even classical music.

In practice, each track oscillates between club anthems and conceptual sonic experiences. For instance, “Velvet Guillotine” (2025) is a hypnotic techno hymn built on heavy percussion and distorted vocals—a true “surreal sonic ritual” under neon lights.

The sound is always matched by a cinematic, underground aesthetic: strobe lights, cyberpunk visuals, and immersive atmospheres define every release.

🌍 Eclectic Influences & Genre Alchemy

The New Of The Tower draws from a wide range of sonic traditions:

🏴‍☠️ Dark techno and industrial groove infused with gothic textures and anarchic punk (e.g., “BRUTAL!!” — a chaotic journey of distortion and rebellion).

🌍 Afro-Tech House meets rock guitars à la AC/DC in “Love Letters” (124–126 BPM).

👺 “Masquerade of Bass” blends melodic techno, dark psytrance, and retro synth-pop.

💃 Spanish-language tracks like “Marionetas” and “Vidas Rotas” fuse flamenco sorrow with trap beats and deep 808s.

🎷 “2:59 AM” evokes Amy Winehouse-inspired jazzy cloud-rap, while “She Danced Through Storms” travels through deep house and jazz fusion with a cinematic touch.

🧊 “Still Echoing” merges melodic trance with nostalgic 80s synth-pop.

🧬 Each track is a bold cross-genre experiment: from industrial club bangers to dark electronic ballads, always rich in texture and emotion.

🎛️ Sonic Palette: Instruments & Effects

🎹 Synths & Melodies
Analog pads & leads (often vocoder-enhanced) create retrofuturistic atmospheres.
Punk-style distorted guitars and 80s synthwave textures bring cinematic depth.

🥁 Percussion & Rhythms
Hard techno kicks, metallic hi-hats, tribal drums, and trap-style 808s.
Layered acoustic and electronic elements make for dynamic and precise beats.

🌀 FX & Processing
Rich in glitchy clips, VHS noise, deep delays, and reverb-soaked vocals.

Examples: “Love Letters” is drenched in lo-fi and VHS textures; “4 Malos Polvos” features glitchy ambient layers and emotional auto-tune.

🎨 Each sound is carefully crafted to contribute to a vivid, cinematic soundscape.

🎤 Vocal Treatments: A Sonic Chameleon

Vocals range from:
🎙️ Melodic singing (English & Spanish)
🔥 Punk shouting & spoken rap
🤖 Vocoded retro textures (“Still Echoing”)
💔 Melancholic auto-tuned lines (“4 Malos Polvos”)
💣 Confessional, emotionally intense deliveries
🗣️ The voice becomes another instrument of emotion, soaked in effects like reverb, delay, filters—ranging from ghostly whispers to ecstatic screams.

🌑 Emotional Climate & Storytelling

The overall emotional tone is dark, introspective, and visceral.

Themes revolve around:
💘 Passion, heartbreak, rebellion
🧠 Subconscious states & urban alienation
🕯️ Ritualistic, trance-like experiences (e.g., “Velvet Guillotine”)
🌆 Social suffering (“Marionetas”, “Vidas Rotas”)
😈 Raw eroticism & shame (“4 Malos Polvos”: “each drop is a stab disguised as a caress”)
🎞️ Romantic melancholy in cinematic settings (“2:59 AM”, “She Danced Through Storms”)
🎬 Each track unfolds like an emotional chapter, offering catharsis, vulnerability, and mystery.

📽️ Conceptual Artistry & Vision

The New Of The Tower is not just music—it's an immersive audiovisual concept.

💀 Explores themes of dystopia, poverty, guilt, rebellion
🏙️ Brutalist club visuals, cyberpunk aesthetics
🕯️ Emotional depth with non-commercial intent
🎭 “4 Malos Polvos” = a “dark confession for love sinners,” cinematic and raw
🌀 Each release = a journey through shadow and rhythm
🕺💀 Dance meets darkness—a kind of electronic film noir where each beat tells a deeper truth.

📈 Style Evolution: From EDM to Darkness

🟢 2019–2022: EDM & electro-pop beginnings (Feel EP, “You And Me” — catchy and bright)

🟡 2024: Transition into melodic techno (“Not Living Without You”)

🔴 2025–Present: Shift to dark techno, darkwave, flamenco-trap, and experimental storytelling (“Velvet Guillotine”, “Marionetas”)

🎭 From mainstream dance-pop to raw, conceptual electronic music—always evolving, always fearless.

🎼 Comparable Artists & Influences

🧩 The New Of The Tower resonates with:

🧨 Brutalismus 3000 (techno-punk dystopia)
👾 Perturbator (dark synthwave)
🌘 Mind Against / Recondite (melodic techno & melancholia)
🎤 Boy Harsher, Massive Attack (dark vocals, trip-hop moods)
🔥 Anyma (techno emotion), Latin trap/fusion for its flamenco-trap leanings
🌌 But ultimately, it defines its own world—one built from dark techno, darkwave, nu-jazz, and trap-rock fusion.

🔍 Sources
All analysis is based on official content from:
📻 SoundCloud & YouTube, where each track’s genre, BPM, and atmosphere are detailed, along with the project’s self-described tags and narratives.

📎 Verified by direct observation of mixes like:

“Velvet Guillotine”

“Marionetas”

“4 Malos Polvos”

“Still Echoing”

“Love Letters”

“2:59 AM”

and more.

🎧 The New Of The Tower: Not just a sound, but a dark, immersive, and emotional experience.
Let the beats confess what words cannot.

No Need To Be Afraid (Silent Version)

Frank Mehl