Selection of 2023-01 | Chapter 1

How many time have you held the hand of the Devil and kissed his lips, traded your dreams for a pocket full of lies and what would you give to go back there and change that moment in time.....would you kiss the lips of the Devil again just one last time.....join me ....

The beast is my Les Paul  and i promised her that i would set her free in the new year , so being a man of my word here she is in all her glory...The beast kisses the devils lips...Its another fun song... Paly it loud if you really want to meet the Beast ...

JOhnny

Kiss The Lips Of The  Devil

落陽  Setting Sun.mp3

This is the main theme of the previously unreleased game Anthador. 
My intent was to create an adventurous, mysterious and heroic track that draws the player right into the game.

Anthador Main Theme

Re-uploaded track 1 from Spectrum LP (originaly released on 6th October 2021) 
Download/buy: patros15.bandcamp.com/album/spectrum
All links: https://ffm.to/patros15-spectrum

Support me: linktr.ee/Patros15
Thank you for support!

Spectrum

Impressions (Intro)

Buy / Stream

Another composition recorded before the war. I hope one day I will return to my home studio. Any support from you is much appreciated on these extremely hard times for our country, our family. 
I could have recorded much new music for the last 9 months... unless russians came to our yard to "save" us with their tanks, missiles, bombs and war planes at 4 a.m. on Feb 24th. And yes, they saved us from our house, from our normal life, from our dreams and plans. They saved my elderly parents from their home and peaceful life in retiring, saved my daughter from happy childhood, from school, from her friends and vacation by the sea. We'll never forget and never forgive it! I'm sure that russia will get what it deserves - each rocket they launch on Ukraine will turn to another 10 years of disaster for their cowardly people.
 Special thanks to Houman (@houmans) for mastering the track! Please check out his wonderful soundtracks.
Please sub for my Facebook artist page: https://www.facebook.com/syntaleta/

Gone

Happy new year 2023 !!

Music to sleep by. Turn out the lights. Put in your earbuds and close your eyes in the dark. Enjoy.

London Bridges

Rabbit Rock

This is one of the battle tracks of the yet unreleased game Anthador.
After I had finished the first attempt of this composition there was something missing. A lack of energy, character and vitality. So I decided to rework the composition and add another instrument that I'm quite familiar with from the past years as a singer-songwriter and frontman of my band: my voice.

Singing in this completely different style was a challenging but very exciting and fun experience. You may want to check out a short "behind the scenes" video: https://www.youtube.com/shorts/4zvCrhwvero

Point Of No Return

Here is a new track written with a new collaborator, vocalist Elvya. @elvyadulcimer brings her wonderful heavenly vocals to this Celtic track and Jordi Storm lends his voice on harmony.  We hope Willows Waltz will transport you to a peaceful spring day, laying by a river bank under the gently swaying boughs of a willow tree.

Elvya - Vocals and Harmonies
Philleann - Music and Instruments
Jordi Storm - Harmony Vocal

Written by Philip Dale & Elvya

Willow's Waltz (Philleann & Elvya)

On The Trail

Like  Sisyphus who lifts his stone every day and begins to climb, knowing that, inevitably, the stone will end up rolling down the slope, and he will have to start over.

EVERY DAY I TRY...

Absolutely happy to be able to record with my daughter 

Mia Monterde: transverse flute.
Gaspar Monterde: guitars & keyboards.

impermanence

This track is the fourth (of the five longer than ten minute pieces mentioned we'd be uploading) from the Self care reflective pieces released earlier through our website's spiritual enlightenment journey. As with all of our tracks, you may find the full individual song blog by clicking the link below and scrolling down to the appropriate song title. 

As always, we thank you and appreciate you Blessing us and our music with your time and listening ears... and we hope you enjoy this journey with us.

https://channeltherain.com/music

Logic Pro X
2022 Copyright/Sound Recording/All Rights: One Stop. 
For Licensing Contact:
Rainier Daze
Rainierdaze@gmail.com

Longevity

17 January 2023

Transylvania Forever Dark (The Return Of Prince Vlad)DEMO

Crucial

Strange coincidences

Strange Coincidences

Adrift

I had a great time and learnt a lot about mixing, stems, and Vocal Laments, while working with my good friend Fiona.
Elvenland - The Capture will be the first in a series of fantasy tracks from the two of us, combining dark electro with synthwave.
In chapter one, Raewyn is imprisoned and chained in the Viking fortress, lamenting her destiny.
John Buckle: Synths, Mood Sound Layering
Electrometis: Original composition, mix/master
Vocals: Ghosthack
Free download if you like it :)
Thank you for listening ♥

Elvenland - The Capture First Full Collaboration With Electrometis

Das letzte Werk aus dem "Apokalypse"-Zyklus. Hier wird der Hörer in eine Gegenwelt entführt, nicht das Elysium wartet hier auf die in Gnaden aufgenommenen Seelen, sondern die Hölle und die Verwandlung jedes letzten Restes Menschlichkeit in die Fratzen von Dämonen, Fabelwesen, Unholden und Ungeheuern. Satan lässt sich von allen Treue schwören, die er nach seinem Ebenbild (und das in tausendfacher Gestalt, die unmöglich alle zu beschreiben sind) erschaffen hat, und sie umjubeln, umtanzen und umhüpfen ihren Meister, der sie über den Kuppeln seines unterirdischen Palastes gen Himmel aufsteigen lässt, um dort Haß, Tod, Zwietracht, Verderben und Untergang zu stiften. Dreimal enteilen neue Diener seiner salbenden Hand, und dreimal geniesst es der Fürst des Bösen, dass nichts ihn aufhalten, niemand ihm Einhalt und niemand je erfährt, wessen Gestalt er wirklich vor sich hat.
Die Musik lebt von einer für mich phantastischen Streicherfigur, Blechkaskaden, Röhrenglocken und der dunklen Majestät des Gong als Schlagzeug. Die Holzbläser treten eher zurück. 
Die Musik habe ich frei nach John Miltons "Paradise Lost" aus dem Jahr 1667 und einem Ölgemälde aus dem Jahr 1825 ausgestaltet. Das Ölbild findet Ihr bei Wikipedia, wenn Ihr den Begriff "Pandemonium" eingebt. Pandemonium. Die Hauptstadt der Hölle. Der unterirdische Palast Satans. 
Na denn.
Ich wünsche einiges Schaudern und Gruseln.
Euer Thorsten

opus 117,4 - Pandemonium. Viertes, letztes Bild der Abfolge phantastischer sinf. Dichtungen

A small note on my own behalf: I have noticed that my playback figures have dropped dramatically. The statistics show that the number of playbacks has dropped from 2000 per week to just under 200.
On the one hand, this is frustrating, as everyone sees this as an indicator and confirmation of their work. On the other hand, figures are not particularly important, but one wonders what is wrong. In my opinion, SC has changed a lot, uploading tracks has become more complicated and constant security queries are annoying.
In addition, great artists are disappearing from the platform, partly by their own choice, partly because they have been banned, the algorithm has “recognized” them as spam and mercilessly deleted their account. I'm still a paying member, but my attitude towards this has changed...

Please let me know your experiences and impressions.

😮‍💨😔


When I don't have the time to actively listen to my favorite artists on soundcloud, I just leave the stream running...while washing up in the kitchen, for example 😆

By the way: this user-92853963 was my old link address and leads to the empty.... I AM NOT A ROBOT!

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A long, long time ago, there was an organ in the Christmas-decorated living room in his parents' house, where Frank grew up. Originally bought by his father for his two older siblings, they showed no interest in playing the organ. Frank, however, did. White and black keys and giving off strange sounds. 

So at the age of 9 he began to let his fingers circle on this instrument, searching for the right keys like on a typewriter. And another 9 years would pass before he could buy his first own instrument. Already at the age of 13 he made notes about the then current synthesizers, bought one magazine after the other and visited music fairs in Frankfurt, Germany.

His first keyboard was the Yamaha DSR-2000, which he bought in a music store near his hometown Biebertal. In installments! Finally he could develop himself further - away from the limited tonality of the small organ. The built-in 8-track sequencer helped him to reach unimagined heights. 
Little by little his equipment expanded and his ambition to create music like that of Jean-Michel Jarres came closer. Influenced by this and countless other musicians of the time, his interest grew, but he taught himself everything. Not even having attended a music school or being able to read music at all, he wrote one song after another and recorded them on the only medium available to him at the time: audio cassettes.
Many of these recordings are unfortunately lost forever, because cassettes are and were not the best recording medium. He has to try to play many of his songs from memory. 

In 2007, he fulfilled a long-awaited wish: to buy a KORG. He had always wanted to own one, but with the latest synthesizers at the time of their release having a purchase price of over 6000 D-marks (the currency of the time in the 1980s and 1990s), that dream of owning one was far away. So in 2007 he bought a used KORG 01W/FD at ebay. And as before with the purchase of the Yamaha keyboard, a completely new world opened up to him.

In addition, there were expanders and sound modules from Kawai, Roland and Yamaha (K1m, SC-55, QY10). Six years later his enthusiasm for making music ebbed and rediscovered his hobby (which it always was and still is). In 2018 in April he decided to present his music to a wider audience and uploaded his first song on the platform soundcloud. Since that time, thanks also to the ever-evolving software, he continues to evolve, experiment and relive his times through music.

Selection of 2023-01 | Chapter 1

Frank Mehl