Very lovely atmospheric composition. 🎶😊

Lovely sounds and production, nice guitar effect...

love it its so chill and a pleasure to listen to

https://www.youtube.com/watch?v=CnR1vugWdEk
Free download--> https://www.zabirski.art/library/tracks/224
Photograph pixabay-AngelaL_17

Zapałki/Matches

My remix of my favorite track from Spaceschneider's album "Psychedelic Breakdown".  I think I just wanted to stretch this groove out for a few more minutes.  Please check out the album here:  https://spaceschneider.bandcamp.com/album/psychedelic-breakdown-ep

Criminal Jazzo- Spaceschneider (J.M. Remix)

This short piece just came up after I heard that Foundation Guitars is now available at Heavyocity (for free, by the way!) in addition to Foundation Piano and Foundation Strings.

Thanks to https://soundcloud.com/bj-rn-cloppenburg, who brought this to my attention through one of his songs (https://soundcloud.com/bj-rn-cloppenburg/nocturne-of-love?utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing). Don't miss out on visiting him!!!

Now let yourself be enchanted by fairies watching over the moon, by goblins and pixies.... 🧚🏻‍♀️

The Ballet Of The Fairies

Tea plantations on the planet Athoek, the location of some intrigue in Ann Leckie's book, Ancillary Sword.
I took inspiration from the early work of Evangelos Odysseas Papathanassiou (Vangelis)RIP. I loved how he combined traditional Greek instruments with electronics on "Earth".  "Heaven and Hell"  remains a personal favourite. 



All rights reserved 2022

Plantation On Athoek

Part 100 of 266
37% of the way through this musical storybook! I really want to thank each and every one of you that have tuned in to any or all of this project. The wonderful feedback I've received really does push me onward.

Chapters released every weekend. All TAFFETA tracks are created within seven days. 

I use a complete hybrid of organic & electronic sounds within the scope of the Taffeta project. Nothing is out of the question and no limits are set on how things may evolve one way or another.

If you want to hear everything that has come before:
The TAFFETA Albums are available for free on Bandcamp.
Released in 15 part/chapter increments:

TAFFETA VOL. 6 is now available on Bandcamp:
https://belialpelegrim.bandcamp.com/album/taffeta-vol-6

TAFFETA VOL. 5
https://belialpelegrim.bandcamp.com/album/taffeta-vol-5

TAFFETA VOL. 4 
belialpelegrim.bandcamp.com/album/taffeta-vol-4

COVER YOUR TORSO WITH TAFFETA! Check out the official TAFFETA 2022 t-shirt!
https://belialpelegrim.bandcamp.com/merch/belial-pelegrim-official-taffeta-design

TAFFETA Volume 1:
belialpelegrim.bandcamp.com/album/taffeta-vol-1

TAFFETA Volume 2:
belialpelegrim.bandcamp.com/album/taffeta-vol-2

TAFFETA Volume 3:
belialpelegrim.bandcamp.com/album/taffeta-vol-3

The TAFFETA Playlist is always kept up to date:
soundcloud.com/belial-pelegrim/sets/taffeta-a-266-part-musical

TAFFETA 100

TAFFETA | 100

Taking five, waiting for the time to arrive, searching for the will to survive, on the drive of your lives
Taking four, chilling for another cold war, dreaming of the broken dance floor, falling through another trap door, hoping for more
Taking three, dominoes are falling over me, imprisoned in the land of the free, submerged in a fake reality
Taking two, power trippers calling after you, looking for another breakthrough, rejoicing at the callous menu, it’s true
Taking one, mad dogs running for the sun, fat cats have only just begun, creaming cream, having fun

Counting Down

It was an honor and a pleasure to sing to the sound of a delightful composition by two wonderful artists such as Debra Buesking(@debra_buesking) on piano and David Dunham(@david-dunhamuser589535203) on guitar. Thanks for this priceless opportunity.
Below the Italian / English lyric

Dimmi dove sei
Torno a casa e non ti trovo più
Le tue calze sopra il letto
Sempre accesa la TV

Non dimentico 
Le tue promesse in bilico
e le domeniche
Sempre spese solo dove decidi tu
Forse ho il cuore troppo piccolo
Per lasciarti la tua libertà
casca il mondo 
quando te ne vai

Mille baci e poi
All’improvviso il vuoto fra di noi 
Non so perché rimango appeso qui
Il tuo canto mi ha ingannato 
e come Ulisse mi salverò
Ma poi ricadrò
nella tua tela ancora

Sei sparita ormai
irraggiungibile
ma è sicuro io ti troverò per dirti che
che non mi arrendo e voglio solo te
Puoi scommetterci
Vorrei sentire ancora i brividi
Mentre stringo la tua mano
 per non lasciarti più
………………..
Dimmi dove sei 


Tell me where you are
I come home and I can't find you anymore
Your socks over the bed
Still on the TV

I do not forget
Your promises in the balance
and Sundays
Always spending only where you decide
Maybe my heart is too small
To leave you your freedom
the world falls
when are you leaving

A thousand kisses and then
Suddenly the void between us
I don't know why I'm hanging here
Your singing deceived me
and like Ulysses I will save myself
But then I'll fall back
in your web again

You're gone now
unattainable
but it's sure I'll find you to tell you that
that I'm not giving up and I just want you
you can bet
I wish I could still feel the chills
As I hold your hand
  not to leave you anymore
……………… ..
Tell me where you are

"Easy to Please" Debra Buesking and David Dunham (vocal version)

Theatre theme for the play Iphigenie auf Tauris by Goethe performed in Straubing in 2008

Iphigenie

(ever too late to shine )    



Now she lives among the stars
                                          
and the night is too dark without her
         
all the light from then till now
                                          
hasn’t found its way back to her

*



I had no heart to hear

all the bells that call on Sunday

just like a waterfall

they’ll stop falling someday

*


refrain:

       
Is it ever too late to shine

ever too late to shine
         
my love


     
Is it ever too late to shine
                      
ever too late to find
      
my love

*


I see her in a crowd 

I see her in the mirror

Her face is like a shroud

as my own grows dimmer 

*


If you find yourself a star

don't lose it in the wishin' 

you're still while it moves far

far beyond your vision

*


refrain

TASCAM DR-05

ever too late to shine (co-written with my friend)

Chris asked me to do a grunge version of this Beatles classic… fantastic idea!… he sang and played guitar… I played drums, percussion, bass guitar and added Lennon’s harmony.. Will mixed it phenomenally!… hope you enjoy an original version!

We Can Work It Out Cosmic Keanu/ K2 and the Three ( Mix by Hobocop) The Beatles Cover

This song is a love story of sorts, a temptress who is luring in this man with her wild ways, getting him to leave his normal mundane life behind and live with her in the forest of blue. In my mind this had a fairy tale feel to it but with a darker element...  The music I feel works great with the piano and strings, giving it a great atmosphere and really fits in well with the storyline

Cat's Whiskers

the forest of blue (2 Rightly/Aine Parkes)

When I don't have the time to actively listen to my favorite artists on soundcloud, I just leave the stream running...while washing up in the kitchen, for example 😆

By the way: this user-92853963 was my old link address and leads to the empty.... I AM NOT A ROBOT!

********************************************************************

A long, long time ago, there was an organ in the Christmas-decorated living room in his parents' house, where Frank grew up. Originally bought by his father for his two older siblings, they showed no interest in playing the organ. Frank, however, did. White and black keys and giving off strange sounds. 

So at the age of 9 he began to let his fingers circle on this instrument, searching for the right keys like on a typewriter. And another 9 years would pass before he could buy his first own instrument. Already at the age of 13 he made notes about the then current synthesizers, bought one magazine after the other and visited music fairs in Frankfurt, Germany.

His first keyboard was the Yamaha DSR-2000, which he bought in a music store near his hometown Biebertal. In installments! Finally he could develop himself further - away from the limited tonality of the small organ. The built-in 8-track sequencer helped him to reach unimagined heights. 
Little by little his equipment expanded and his ambition to create music like that of Jean-Michel Jarres came closer. Influenced by this and countless other musicians of the time, his interest grew, but he taught himself everything. Not even having attended a music school or being able to read music at all, he wrote one song after another and recorded them on the only medium available to him at the time: audio cassettes.
Many of these recordings are unfortunately lost forever, because cassettes are and were not the best recording medium. He has to try to play many of his songs from memory. 

In 2007, he fulfilled a long-awaited wish: to buy a KORG. He had always wanted to own one, but with the latest synthesizers at the time of their release having a purchase price of over 6000 D-marks (the currency of the time in the 1980s and 1990s), that dream of owning one was far away. So in 2007 he bought a used KORG 01W/FD at ebay. And as before with the purchase of the Yamaha keyboard, a completely new world opened up to him.

In addition, there were expanders and sound modules from Kawai, Roland and Yamaha (K1m, SC-55, QY10). Six years later his enthusiasm for making music ebbed and rediscovered his hobby (which it always was and still is). In 2018 in April he decided to present his music to a wider audience and uploaded his first song on the platform soundcloud. Since that time, thanks also to the ever-evolving software, he continues to evolve, experiment and relive his times through music.

The Ballet Of The Fairies

𝐹𝓇𝒶𝓃𝓀 𝑀𝑒𝒽𝓁

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