Name: Rendezvous by FunkGalaxy
Duration: 3 min 15 s
Description: Thanks to @HopelesslyHype for the cover art!

Wow, absolutely cool groove. And so unique!

This a great funky and groovy track. My fave+++++

that sax is great glue along with the bass.....jazzy rare groove throwback.

Fantastic jazz funk piece, beautiful sound, great groove (obviously)... makes me want to ride a camel : )

what a tune! love these samples (assuming creative use of samples 🤷‍♂️) - love it 👍👍👍

Re-Dead Unicorns Can Dance w/My Nocturnal Twin #https://soundcloud.com/mynocturnaltwin is a joint effort instigated by Jacob's -aka My Nocturnal Twin https://soundcloud.com/mynocturnaltwin/deadunicorndance - lovely moody industrial trance like track, Dead Unicorn Dance. Jacob asked if I would like to collaborate and I agreed and here is the result.

Re-Dead Unicorns Can Dance w/My Nocturnal Twin ©2022 
My Nocturnal Twin: guitar and echo fx as a live performance, mastered later for the original one.
Re-Evolution Cafe' Orchestra: Drums, Percussion, Acoustic Piano, Electric Piano, Synth, Vox Fx, Vocal Loops, Fx

Recorded and Re-mixed at Broken Glass Ranch, Colorado 2022.

Re-Dead Unicorns Can Dance w/My Nocturnal Twin

The Bottom Drawer

Depression of the craniometrist

Ryu / Acoustic guitar, Program, Voice
Pablo D. Martin Fontana / Electric guitar
https://soundcloud.com/pdmf-2023

Just ask questions and get answers to everything.
But it's just an algorithm that crosses search and probability.

Depression of the craniometrist.
Once the intellect was ours.

Many have complained about the dangers of the technology.
But it's too late.　It has already begun to change the world.

Depression of the craniometrist.
Aren't we trying to make God?

I'm a believer in the cursed science.
I'm a descendant of a hateful culture.

When we stop thinking, will we feel happier than we do now?
Will war, hunger, poverty and discrimination disappear?

Depression of the craniometrist.
Is this human evolution?

Depression of the craniometrist.
Of course, these lyrics are auto-generated.

Depression of the craniometrist / collaboration with Pablo Dario Martin Fontana

J-Cape Peninsula

Beat Me With Your Beat

Thanks to @HopelesslyHype for the cover art!

Rendezvous

method: Sending back and forth, reworking and creating in collaboration with re-evolution café orchestra who composed all the music and played all the instruments. To enjoy more, listen here:  https://soundcloud.com/re-evolution_cafe. Apart from the poem, I added field recordings and partook in the editing.
narration: I live in a region that is home to some space industry – more importantly however, this region is also home to marvellous nature. This poem is nourished by many concepts and theories, most notably the colonial ideology of space as the „new frontier“ as well as Whiteheads „fallacy of misplaced concreteness“ and Nagel‘s thoughts expressed in „What is it like to be a bat“. It is also fed by the human-tamed beauty of reed landscapes around lake Federsee which can be seen in the photo I took.

gedicht / copyright jo richter:

welch unvorstellbare macht
muss die masse im erdkern
beleben, das wasser, die erde,
die wurzeln sicher zu halten

zu wahren, die landschaftsfalten
wie eine große gebärde
ins weltall zu richten, das fern
sternlicht um sternlicht entfacht

des tags wuchert das grün
höher und höher empor
bis der wind braune samen
biosphärenweit streut

welch wuchskraft, die sich nicht scheut
sich bis zum astralen
zu wenden aus schwarztiefem moor,
anarchisch und kühn

so müsse auch mensch sich recken,
heißt es, sich loszulösen,
zu den sternen zu streben,
geballte planetenmassen

mit erdensproßsinnen zu fassen,
sich aus den symbiosen zu heben
und seine bedürfnisblößen
xenobiotisch zu decken

welch trugschluss, den leib
dort zu bewegen, wo geist
sich angleicht und fragt: wie
ist es, so zu erleben

die saat darf und muss schweben,
sich aus massewucht lösen, die
sie hielt, doch wie weit sie auch reist,
das schilf, das sie treibt, verbleibt



interlinear rendition:
reeds at lake federsee // what incomprehensible power / has to inspire the mass in earth‘s core/ to hold, to keep the water, the earth / and the roots securely // the folds of the landscape / akin to a giant gesture / directed into the cosmos which lights / star after star in the distance // during the day, the lush green rises / higher and higher / until the wind distributes brown seeds / across the biosphere // what power of growth, not hesitating / to turn towards the stars / from the black deep of the moor / anarchic, courageous // thus man would have to strech as well / people say, to loosen their ties / per aspera ad astra / to measure dense planet masses // with earth-grown senses / detach themselves from symbioses / and cover their bare and many needs / with xenobiosis // what a fallacy of misplaced concreteness to move the body / where the mind adapts and queries / what it is like / to experience like that // mind‘s pollen may and will hover / free itself from the power of mass which / had held it but however far it will travel /  the reed that grows it remains where it is //

schilf am federsee -  with re-evolution café orchestra

I wrote this song about Johnny Cash who is one of my favorite singers

the man in black

Composition, production and sound engineering: Carlos R
Instruments: Roland Juno D6 keyboard, loops and soundpools

For more details visit my website www.carlosrodrigues.ch

Rendezvous

FunkGalaxy

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wooddrum

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