So today, I decided to create the longest piece of Ambient I've done to date, in C Phrygian, and this is the result.  I used Cubasis 3 to bring everything together.

For the "acoustic" instruments, I used an Upright Piano and Cello from the Halion IAP (both driven by Ioniarics), and the Glockenspiel from Iconica Sketch (I programmed those notes).  For the synths, I used Moog Model D for the bass, ToneBooster's Flowtones for the pads, and Bleass Monolit for the arps.  Finally, I used one of Cubasis' Classic Machines for the ambient "Trap" drums.  (Not to worry, the beat fits nicely in the background rather than obnoxiously ruining the Ambient vibe.)

Mastered with the usual suspects of Doctor Vibe, Grand Finale 2, Cubasis' Brickwall Limiter set to -2dB instead of -1dB (a "dumb brain" error, but the result sounds fine to my ears), and Youlean's Loudness Meter.

Cheers and enjoy.

JWM - Spending Time at the Coffee Shop

A track created whilst on holiday on the beautiful Isle of Lismore in the Inner Hebrides.
GeoShred playing SWAM Viola over a Piano Motifs / Decent Sampler (Felt and Fog) backing.
Sounds of nature recorded on Lismore this morning.

Lismore 1

(⅒ ¾ ½) 
Meester smeeeth + JanKun. Music by Meester Seeeth, additional music, lyrics, vocals and guitars by JanKun.

What I Want (with JanKun)

“It is said that there is a border between our reality and those… other… realities which press upon it. And that there is a house there, a house of refuge for travellers in the Dark Ways, a place of respite from the impossible horrors which await. But the house itself is impossible, and the refuge it offers comes at a terrible price.” - The Seer

The House Of Apparent Refuge

The thing with tapping is

The First Level

There is no air in space from film composers can’t turn in silence based on the physics so the just seek to describe the vastness which on earth is large chambers where the sound comes from everywhere and becomes an audio lake… this is just such a lake. Swim at your own risk.

Sounds from Cinema Space

End Of Days (Part 1)

An experiment in semi generative composition in AUM on iPad, with multiple sequencers working from an initial live input, driving the BS16 SoundFont player ‘Grand Piano’ preset. Hilda synth on quasi-guitar backing. No actual keyboards were harmed in the making of this noise.

Recursive

An experimental Mozaic Script that generates Melodic content being driven by 2 Lumbeats Drummer apps

Mozaic Random Melody Generator

End Of Days (Part 2)

Everything here is created, recorded and mixed on an IPad Pro using AUM.

I use GeoShred to play everything that is not generated or sequenced.

I also have some tracks on my YouTube channel

Lismore 1

GeoTony

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