A vivid and in your face production with a larger-than-life vibe coming from the well-delivered sonic brushstrokes that splashed onto your audio canvas here !!

Super grateful for the download offerings !!

Love that reverse 'whiplash' synth doing the bass

There's a bit to be said for 'masking' though - it's often not a good idea to let people see your true emotions, I can see lots of circumstances where that would work against your best interests. We all do it though I guess

this chugging soundscape is awesome guys, beautiful and sinister - that's one of my favourite musical combinations! Another top collab from two of the greats of Soundcloud

like it a lot ,mix so spacious!! a great collab

super cool electro organic vibes!! it's ok to not be ok :)

The Twist of the Tale

"Take aim at his heart now!" he yelled. "And shoot for the head!" shouted back his armed colleague. But with tears in the formers' eyes, he knew he had already lost the fight. The longer he wore on in the battle with his foe, the greater his uncertainty. 
This song is about a mercenary remembering an encounter with a fellow mercenary. They were both after the same target and the first, unarmed mercenary was forced to kill his armed colleague with a car.
Listening to the story of the song, one may get the sense that betrayal and regret are central themes; however, they are only one of the many threads unfurled in the song. Violence and mercy are more central, especially within the mind's eye of the protagonist re-living what had occurred on one fateful day.
A violent mind may not breed mercy, but mercy will never hold a place (or a candle, if you will) in the minds of those whose idea of violence is not honourable and just -- in a moral sense, of course. Moral compasses change direction from person to person, from time to time, and from situation to situation. They can even, sometimes, point to one's own fate -- mercifully or not.

LYRICS:
Somebody once told me
In a ripped-up rage
Had eyes like a monster, and it came
Like the wind against my head.
So Drive Like You Stole It
With nothing to say
Eyes runnin' like water, to this day
I could not relate.

Hearing slowed-down sounds
Of an engine roaring,
Wheels rollin' to a cliff's end
And shot out in escape.
So it seemed
Was a blow to my youth.

Somebody once told me
In a ripped-up rage
Had eyes like a monster, and it came
Like the wind against my head.
So Drive Like You Stole It
With nothing to say
Eyes runnin' like water, to this day
I could not relate.

Seeing moving parts
As it comes upon him,
Devoted locomotion
To bring about elimination.
What I've seen
I have created.

Somebody once told me
In a ripped-up rage
Had eyes like a monster, and it came
Like the wind against my head.
So Drive Like You Stole It
With nothing to say
Eyes runnin' like water, to this day
I could not relate.

Take aim at his heart now
And shoot for the head
A backstabber grieving his existence,
So tortured.
Hold up a candle
In a darkened cave
Canot fix what cannot be seen:
I refuse to replay.

Like You Stole It

Similar to R I.P.  A bit of fun with a Dylanesque type blues.

A Little While

Greg Hurley: Composition / Arrangement, Lyrics, Vocals, Slide guitar, Guitar, Keys, Bass and Drum programming, mix and mastering.
If you have the time.... Please repost! .........Also Link to Video below.
Video: https://youtu.be/B_7cJXsGLWs?si=DMFdXgbov5SWRT92

A Foolish Heart / Video link in Description

Greetings and good afternoon to my SC friends. This is the 10th and final song intended for my upcoming album ‘What Color Is Your Paradox’. It is also my 7th mind-blowing collaboration with our dear friend Carlos Vivanco (https://soundcloud.com/carlosvivanco-1, https://carlosvivanco1.bandcamp.com). 

This piece was highly entertaining and challenging to work on. We started with clearly defined regions (mine being the more techno sounding stuff… Carlos building the traditional instrument sections). I then mangled the whole thing, and tried to blur the lines more as the song progresses, until both worlds felt fully merged by the end. At least, that was the goal. I’ll let you decide if the structure succeeds in that regard. :)

The title is also quite significant to me at this point in my life; based on the idea of ‘masking’, and our growing inability to do so. 

If you aren’t familiar with the term ‘masking’, one Mental Health Care website I found defines it this way: “Masking often involves suppressing or hiding true emotions, which can lead to a buildup of unresolved feelings and contribute to increased stress, anxiety, and emotional turmoil in the long-term. In the context of mental health and neurodivergence, masking refers to the actions or coping strategies that individuals use to conceal their genuine thoughts, emotions, or challenges.”

It didn’t really occur to me at first that I was masking when I was younger. I guess that idea doesn’t resonate when you’re deeply lost in the illusion; at least, until something makes it obvious. But in hindsight, I’ve worn many masks over the course of my life (Art Director, Technician, Pre-Press Specialist and Graphic Artist would be some of my professional masks. And I would even go so far as to include Husband, Father and Son, since I was on auto-pilot during the earliest stages of those as well). 

As my life progressed, I felt more and more insincere in those roles. I felt something was wrong. I just couldn’t put my finger on it. Then COVID (something that actually required us to wear real masks. What irony!) came along, and miraculously changed that for all of us. We gained the necessary space we needed, to finally see the illusion more clearly. Now, that illusion grows more fragile and transparent by the day. So while I’m still in the early stages of trying to figure out the new paradigm… I suspect the really critical takeaway at this point is just recognizing when we’re being our genuine selves, and when we’re lost in a role; especially if that role is debilitating to our personal growth and well being.

Another thing I’m thinking a lot on these days…. Society is dependent on me playing those roles. And society doesn’t really care whether I’m happy or not (as long as I keep paying my bills, and buying their products, and believing their lies). So maybe, just maybe, society doesn’t have my best interests at heart (as I had originally hoped). Maybe… just maybe… we’re going to need to redefine who we are personally, as we stop playing along with this globally unconscious and ultimately destructive agenda.

Thick and chunky topic, I know. But that’s the way the world feels to me these days… like we needed a brisk slap across the face to wake us all up. COVID was that slap (and probably just the first of many still to come). It’s time to prioritize our own self interests; because if we don’t, they certainly won’t. So rip off those masks, and let your freak flag fly. It’s our life, and we’ll be the ones sitting on our deathbed, asking ourselves if we lived life true to ourselves…. or if we just fulfilled the role demanded by this illusion.

We hope you enjoy “Cracks In The Surface”; and it inspires you to think about what aspects of your reality are cracking. Keep in mind… if you still have a pulse, there is always time to change things up. :)

Paradox?

Cracks In The Surface | Carlos Vivanco & GrevusAnjl

Art Expressed in Music – Picasso's Brilliance
March 2024
Duration: 3:05
Listen to the Playlist: soundcloud.com/bruce-klepper-1/sets/art-expressed-in-music-i
Painting: Les Demoiselles d’Avignon 
John-Marc Ventimiglia: jagged shards sound effects 
Visit: @john-marc-ventimiglia
Pablo Picasso (October 25, 1881 to April 8, 1973) was a Spanish expatriate painter, sculptor, printmaker, ceramicist, and stage designer, one of the greatest and most-influential artists of the 20th century.  The enormous body of Picasso’s work remains, and the legend lives on—a tribute to the vitality of the “disquieting” Spaniard with the “sombre…piercing” eyes who superstitiously believed that work would keep him alive.  Picasso's output, especially in his early career, is often periodized.  The most commonly accepted periods in his work are the Blue Period (1901–1904), the Rose Period (1904–1906), the African-influenced Period (1907–1909), Analytic Cubism (1909–1912), Synthetic Cubism (1912–1919), Neoclassicism to Surrealism (1921-1937) and Post-War Work (1937 – 1970s).  Les Demoiselles d’Avignon, from his African–influenced period, marks a radical break from traditional composition and perspective in painting. It depicts five naked women composed of flat, splintered planes whose faces were inspired by Iberian sculpture and African masks. The compressed space they inhabit appears to project forward in jagged shards.  Picasso unveiled this monumental painting, that precursors Cubism, in his Paris studio after months of revision.  Picasso said the ethnic primitivism evoked in these masks moved him to "liberate an utterly original artistic style”.  The Avignon of the work’s title is a reference to a street in Barcelona famed for its brothels.  Exceptionally prolific throughout the course of his long life, Picasso achieved universal renown and immense fortune for his revolutionary artistic accomplishments, and became one of the best-known figures in 20th-century art.  Picasso died on April 8, 1973, at the age of 91, from heart failure, reportedly while he and his wife Jacqueline were entertaining friends for dinner.  Considered radical in his work, Picasso continues to garner reverence for his technical mastery, visionary creativity; paralleling the entire development of modern art in the 20th century.
For morin khuur violin, dudek, bansuri, bamboo flute, hecklephone, bassoon, kalimba, marimba, double bass, ethnic percussion and jagged shards sound effects

Art Expressed In Music - Picasso's Brilliance

The tone of the saxophone melts away. It is a world of music where humans are not involved. A complex world of melted tones and gathered tones. After I start making music, someone else has the power to make decisions on my behalf.


Am I going to play or who is playing?（256）

Music by Keiton
https://soundcloud.com/keitblues

Vocals & Lyrics by Cosmic Keanu

The Puppet Master

The father of lies
Is no one’s friend
But the media tells you
he’s not so bad

Looks like an angel
If it suits his design
Looks good on paper?
Sign the dotted line

[chorus]
Puppet master
Pulls the strings
Leads you on
Into the flames
Lake of fire
His domain

New world order
Deception grows
Follow the world
And you sell your soul

Ascend upside down
Headfirst into the ground
Death and darkness
Is all to be found!

Don’t follow the crowd
Snake charmers and liars
False prophets abound
Flames rising higher

Pied pipers mislead
People to the void
The liars and thieves
They’ve made their choice

Without Jesus as lord,
Thrown into the fire
Bound in evil accord,
Fall into the pyre

Where the worm does not die
An unquenchable fire
great chasm divides
Kingdom from hellfire

The Puppet Master (Music by Keiton)

JIM ANDERS _Jetzt

Moon Shadow

This is one of my favorite singles. I wanted to showcase the depth of complexity I can create using the same key and still be able to bring it back from the depths of another song. I hope you all enjoy this little project of mine. It is by far my favorite piece I have mixed and mastered I hope you all enjoy and <3 as much as I do.

I 3 U

MESSAGE TO MY SC FRIENDS: I regret to admit, the Soundcloud bugs have grown too tedious for me… and it’s now effecting my mood and my creative energy. But there are a lot of you out there still putting forth the effort; and I realized (on my 5th write-up attempt)… I need to stop complaining about the details, and just accept that the tool is no longer working for me in the capacity I wanted it to (and that I greatly admire those of you who have the wisdom/patience to look past that).

Honestly, one of the main reasons I chose SC was the ability to connect with you, and support and celebrate your new songs as well. I can’t do that effectively anymore. And speaking from the heart (with a definite bias coming from my autistic wiring)… it feels insincere and wrong to me, to keep uploading my music here, if I can’t support your music as well. 

So long story short, as much as this sucks, I decided to cancel my subscription (which ends on June 29th). The way the world is going, my time (and money) need to go toward things that promote happiness. Clearly… buggy software does not. o.o

If SC miraculously gets these bugs sorted out by then, I will happily reactivate my subscription. If they don’t, the solo works will need to be deleted a few days before June 29th, to ensure there is room for all the collabs (I don’t want my collab partners to suffer any losses, because of my choice). 

Before that happens, I urge you to grab free downloads of anything you want. Please help yourselves to copy/pastes of any liner notes you enjoyed as well. And I will also mention, all my current and future works will still be found on Bandcamp (original liner notes included in each song description). Those are truly the best versions of the songs anyway (finalized for the albums), and they will remain free to download there as well.

If the Pro Account does go poof in June, it goes without saying, I would love to stay in touch with you via other methods. You are always welcome to message me at GrevusAnjl@mac.com, and let me know how things are going in your world. :)

Your friend,
Justin (aka: GrevusAnjl)

Cracks In The Surface | Carlos Vivanco & GrevusAnjl

GrevusAnjl

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