Live extract of Licheni 
Composed by Zeno Baldi (with the support of the Ernst von Siemens Stiftung and Fondazione Spinola - Banna)

Live at Transart 2021

Zeno Baldi - Licheni (live excerpt)

Agnieszka Podłucka – viola
Andrzej Karałow – piano

Live performance 21.02.2022 UMFC in Warsaw (Melcer Hall)

Sonata for viola and piano (2021) – Andrzej Karałow

Ensemble Dal Niente, Amanda DeBoer Bartlett, soprano, Michael Lewanski, conductor, Dan Nichols, recording engineer
Recorded on portrait album Without Words by Ensemble Dal Niente. Carrier Records 022, 2013.

Without Words for soprano, 11 instruments & electronics

Maestro: José Eduardo Gomes
Orquestra: Jovem Orquestra de Famalicão
Gravação do concerto ao vivo pela Antena 2 a 3 de setembro de 2022

"Marco Polo descreve uma ponte, pedra a pedra.
- Mas qual é a pedra que sustém a ponte? – pergunta Kublai Kan.
- A ponte não é sustida por esta ou por aquela pedra – responde Marco -, mas sim pela linha do arco que elas formam.
Kublai Kan permanece silencioso, refletindo. Depois acrescenta:
- Por que me falas de pedras? É só o arco que me importa.
Polo responde:
- Sem pedras não há arco."
In, “As Cidades Invisíveis” de Italo Calvino

Sem pedras não há arco

Frantz Loriot - viola
Marina Tantanozi - flute, bass flute
Philipp Eden - prepared piano

Recorded by Jonas Häni on 15 December 2022 at Rote Fabrik, Zürich
Mixed by Philipp Eden

Eden/Loriot/Tantanozi live at STUENZI

Neurotransmits (anagram of ‘number stations’) is an electroacoustic composition that explores the eerie and mysterious world of number stations. Featuring sounds from ‘The Buzzer’, ‘The Pip’, Lincolnshire Poacher, among others from different countries. The sounds of the number stations are woven together with the electronic hum and other electronic apparatus, evoking a sense of cold war operations. Other sounds mimic capacitors discharging such as bullets and bouncing balls.

Cláudio de Pina is a sound artist, improviser, organist and composer. He is the Titular Organist of the historical organ at the Parish of Ajuda in Lisbon and a researcher in GIMC (CESEM). He holds a DAS in contemporary organ music and a MA distinguished with the Dean’s Honour Roll 2018. Currently he is a PhD candidate and FCT fellow in the same field (ESML/FCSH). He has studied at the Gregorian Institute of Lisbon, Hot Jazz Club and in Physics Engineering (FCUL) along with further studies with Adrian Moore, Åke Parmerud, Annette Vande Gorne, Barry Truax, Gilles Gobeil, Hans Tutschku and Trevor Wishart.

The Deep Wireless 18 Compilation Album is produced by New Adventures in Sound Art (NAISA) for the 2024 edition of the annual Deep Wireless Festival of Radio & Transmission Art. The works on the album 'reimagine' the voices and sounds of broadcast transmission and uncover the ghosts of the ether and the latent musicality between station signals. Featured on this album are works from Canada, Portugal and the UK by Bekah Simms, Keith de Mendonca, Cláudio de Pina, Martín Rodriguez, Kat Estacio, AJ Cornell and Rutmeat.

Editions 9 through 17 of the Deep Wireless Compilation are available on NAISA's Soundcloud site. Previous compact disc editions can be heard online at naisa.ca/media-archive/compactdiscs/

Copyright of the works belongs to the artists who have agreed to have their work on this compilation album.

Note that Deep Wireless 18 is not available for download. Community and public radio or internet broadcasters should contact NAISA directly for access to the works for airplay. Contact naisa@naisa.ca for more information.

Artistic Director: Darren Copeland
Executive Director: Nadene Thériault-Copeland
Image Illustration: Prashant Miranda

New Adventures in Sound Art acknowledges that it is located on the traditional territory of the Anishinabe peoples covered by the Williams Treaty (1923) and Robinson-Huron Treaty (1850). New Adventures in Sound Art recognizes the significant ongoing contributions of First Nations, Inuit, and Métis peoples to aural culture in the country known as Canada.

Deep Wireless 18

Neurotransmits by Cláudio De Pina

Micro Images for Guitar by Hugo Vasco Reis 
· Hommage à Bartók 
· Hommage à Lutoslawski
· Hommage à Ligeti 
· Hommage à Kurtag 

--

Live in October 2023 at the VIII Festival de Jóvenes Guitarristas José Luis Rodrigo in Madrid. 
Audio by RCSMM sound design students.

Micro Images for Guitar - Hugo Vasco Reis (live)

Music for Serge Modular, inspired by Maryanne Amacher's music and research. 

PLEASE USE SPEAKERS, NOT HEADPHONES.

Perceptual Geography (excerpt)

Gerard Pape "Le Fleuve Du Désir VI"

Rizoma (2018)
for violin, cello and piano

Composed by Hugo Vasco Reis
Performed by Luís Pacheco Cunha, Catherine Strynckx and Jill Lawson

Cover by Yari Ostovani

Supported by
Ministry of Culture of Portugal, Antena 2 (portuguese classical radio) and Escola Superior de Música de Lisboa

Program Note 
The reflection for the creation of this work, follows the descriptive model of rhizome proposed by Gilles Deleuze and Félix Guattari. In this model (as I imagined the formalization, realization and result of this work), the rhizome proliferates without hierarchy, in a multiplicity of lines that bind in infinite ways, always in the same horizontal plane. Its structure of labyrinthine passages, without beginning or end, without center or periphery, continues. It dives into a random and constantly changing system. An unpredictable meeting space, dedicated to carrying out multiple exchange processes in its environment. Its elements, always autonomous, remain focused on finding new beginnings, mobility and multiplicity of lines in all directions. "The question is to produce unconsciousness and with it new statements, other desires: the rhizome is this production of unconsciousness." (Deleuze & Guattari, A Thousand Plateaus)

Nota de Programa 
A reflexão para a criação desta peça, atende ao modelo descritivo de rizoma proposto por Gilles Deleuze e Félix Guattari. Nesse modelo (tal como imaginei a formalização, realização e resultado desta peça), o rizoma prolifera sem hierarquia, numa multiplicidade de linhas que se ligam de maneiras infinitas, sempre no mesmo plano horizontal. A sua estrutura de passagens labirínticas, sem princípio nem fim, sem centro nem periferia, continua. Mergulha num sistema aleatório e em constante variação. Um espaço de encontros imprevisíveis, dedicado a realizar múltiplos processos de troca no seu ambiente. Os seus elementos, sempre autónomos, continuam focados em encontrar novos começos, mobilidade e multiplicidade de linhas em todas as direções. “A questão é produzir inconsciência e, com ela, novos enunciados, outros desejos: o rizoma é esta produção de inconsciente mesmo.” (Deleuze & Guattari, Mil Platôs I)

www.hugovascoreis.com

Rizoma - Hugo Vasco Reis

I Sing the Body Electric (2020)
by Claudia Jane Scroccaro
Florentin Ginot, double bass
Claudia Jane Scroccaro, live electronics
Arnaud De la Celle, sound engineer
Mikhail Malt, Encadrement Pédagogique

Recorded the 1st of July 2020 in the Grand Salle du Centre Pompidou
Manifeste Festival 2020 - IRCAM, Paris

I sing the body electric (2020) for Double Bass and Electronics - Florentin Ginot

Hugo Vasco Reis is a composer, researcher and PhD candidate at KUG (Graz, Austria), based in Zurich and Porto. His artistic practice extends to acoustic music, electroacoustic music, sound art and installations, making collaborations with ensembles, musicians, fine and visual artists.

His recent compositions include an investigation into the sound and perception phenomena, approaching agencies of listening and mediation, with the aim of including apparently silent sounds from the sonic environment in artistic practice.

Rizoma - Hugo Vasco Reis

Hugo Vasco Reis

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