If you want to see me perform in your city text 'live' to 708-734-6086

MGMT- dan@goodluckhavefun.media

'THE CAMPILATION' ~ An Audio Project To Help The Camp {{{<3 }}} Now Available On Bandcamp! 
http://campquestionmark.bandcamp.com/album/the-campilation
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'Camp Questionmark' is a bay area based, Burning Man sound community. Focusing more on the art & community, rather than the straight up business. More like a lifestyle than a job, trying to retain the joy for the process. We are appreciators doing it because we love it so everything goes back into making it exist. We do events all year round, to facilitate a week of free events at Black Rock City. Thank you for listening!
WEST•COAST•BASS•CULTURE
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Tayu "Patumaba" Remixes by Makossa & Modumodi, Gobi Desert Collective, UsAndThem  : https://go.protonradio.com/r/rlCLQ9QDHdQgQ

Arada - The Seduction:  https://go.protonradio.com/r/rlVT5Z9MIm64g

Mirach - The Live Album: 
https://go.protonradio.com/r/rlIwI0hdWsoK8

"Nemo" by Arsankhan Live & Digital: https://go.protonradio.com/r/rl8kJHHri_sw0

Uniting artists from across the globe, we believe in creating culturally diverse soundscapes, which capture ethnically rich musical inspirations; from driving rhythms and hypnotic percussion to enchanting melodies and often spellbinding vocals… We hope to entrance the listeners and dancefloors with multiplicity of sounds.

Bass Booster for popular Hip-hop and Rap songs

Bookings: peter@minttalentgroup.com
313-513-6677 

https://biglink.to/GolfClapDet

Label: https://soundcloud.com/country-club-disco
Facebook Group: https://www.facebook.com/groups/CountryClubDisco
Weekly Radio Show: https://soundcloud.com/countryclubdiscoradio
Promos: golfclappromos@gmail.com


Detroit has long been a hub for electronic beat lovers and speaker freakers, but Golf Clap’s Hugh Cleal aims to lead a new generation. For nearly a decade, he’s hustled the project and its Country Club Disco label to the forefront of house music’s funkiest dimensions. The project (formerly a duo with Bryan Jones), works tirelessly to conjure a palpable energy, one fans can feel at every gig, be it a hot-and-heavy club set or an energetic takeover of a festival stage. Golf Clap feeds off the crowd, spinning the hottest songs of the moment while breaking new records - and this isn’t any press play, hands in the air fair. You're likely to hear a lot of cutting up between facefulls of funk and bass. 

Fueled by a relentless passion, when Cleal isn’t behind the decks, he’s likely pulling all-nighters in the studio. Bodies dancing in real-time is an addiction, but when it comes to original productions or high-profile remixes, Golf Clap wants to create something for every moment. Recent singles “Freak It Out” [Country Club Disco] “Mystery Scene” [mau5trap/Insomniac] and “Gravitate” [Toolroom] showcase their deft and dark grooves, while 2018 EPs  Vices  and  Machines  showcase club-ready attitudes. High-profile remixes for Zeds Dead and Illenium, Zhu and Tame Impala, Louis The Child, and Hotel Garuda give the music makers a chance to showcase stylistic variety. 

While 2020 has been a year of great change, Cleal has never stopped working. With loads of new tunes in the wings and a dedication to the Country Club community, Golf Clap is and always will be, in his own words, “about creating a community.”

Without doubt, DJ ICON has become an iconic figure in the U.S. dance music industry and beyond. With a career spanning 25 years, she has captivated audiences the world over with her bass-heavy cross-genre House, Breaks and Bass Music sound; magnetic stage presence, skillful DJ mixes and productions. It’s no wonder why she’s been dubbed one of the leading ladies of this domain.  

Starting in 1996 at age 16, ICON diligently rose through the ranks of the San Francisco underground at a time when female DJs and promoters were few. In just a few years, her skills and growing reputation had already landed her numerous residencies in San Francisco, as well as a steady flow of stateside and international bookings. ICON has also gained success in radio and television in addition to rocking dancefloors. Among her accolades are releases on well-known labels, features in two TV series, a spot in Shejay’s “Top 100 Female DJs”, being voted one of San Francisco’s best in the Nitevibe “Top 10 DJ Dreamteam”, scoring a coveted sponsorship from Pioneer Pro DJ and building a huge fanbase on her social media pages and Soundcloud.

ICON has toured the world performing throughout the United States, Canada, United Kingdom, Europe and Asia at world renowned clubs such as 1015 Folsom and Ruby Skye in San Francisco, Limelight in NYC, Fabric and Matter in London, and Avalon in LA; as well as world-class music festivals such as Coachella Music Festival, Ultra Music Festival, Burning Man and Fuel Festival in Singapore. ICON has shared stages with top tier artists such as Underworld, The Chemical Brothers, The Crystal Method, Ladytron, Paul Oakenfold, Adam Freeland, Armand Van Helden, Deekline & Wizard, The Stanton Warriors, The Freestylers, Evil Nine, Elite Force, Uberzone, Bassbin Twins, DJ Icey, DJ Rap and many more. 

Aside from being busy behind the decks, ICON has also been busy behind the scenes promoting events in SF and NYC over the years. Currently she is a core member of Opulent Temple, a predominant DJ collective that is responsible for producing a large scale sound camp annually at Burning Man Arts and Music Festival, as well as year-round events that are staples in the San Francisco nightlife. 

ICON has had extensive history on the radio waves with past residencies and guest spots on respected dance music programs such as Thump Funk and Boombox Mix Sessions on SiriusXM, Liquid Todd’s Solid State on K-ROCK in NYC (Infinity Broadcasting); IBreaks and NuBreaks in London, Radio Record in Russia; and a plethora of dance music radio shows in her hometown, including House Nation on Wild 94.9 FM, Subsonic on Live 105, Zendada on Energy 92.7, and Future Breaks on KUSF. She has also made her way onto the small screen: In 2001, she was featured as one of twelve up-and-coming American DJs in “Disc Jockey,” a 12-part documentary series that aired on Showtime™. In 2004, she was the DJ on the internationally syndicated MTV™ series “The Wade Robson Project,” a dance competition hosted by the self-titled choreographer.

Lastly, ICON’s production endeavors have proven to be as exciting as her DJ career. Her releases on Illeven Eleven Records: “Welcome To My Dancefloor” with Dustin Hulton featuring Nikki Carabello and “Wha?” a collaboration with Bay Area producer Ground_Control had steller reviews and support by leading artists in the industry. “Dancefloor” charted at #8 and #22 on the Beatport Breakbeat and Electro charts with a great review in Mixmag. The KMFX remix of “Wha?” charted at #12 on the Beatport Breakbeat chart. ICON & GC have also done remixes of “Reload” for Deekline and Ed Solo feat. Million Dan on Rat Records and “Draggin” for Enough Weapons on Vibrance Recordings.

So what’s next for this powerhouse bass princess? More mixes, productions and remixes are in the works, as she continues to make her mark in the worldwide dance music industry.

For the unexposed, the Opulent Temple started as a Large Scale Art & Music theme camp at the annual Burning Man arts festival that takes place in the Black Rock desert of Nevada the week before Labor Day. We throw nightly parties showcasing underground, world class electronic dance music in a setting of art and creation we've made ourselves. Our community and fund raising events are based in San Francisco, and though our production is associated with the BM event, you can find us in many settings wherever there's fun to be had.

The Vision of the Opulent Temple is to gift a space for sacred dance to world class dance music. It is our intention to create the space for peak experience, community development, and inspiration that serves as a road map for what's possible in the so called 'default world.' The effort is self generated by the tribe, ie., no one gets paid to create our production. On the contrary, key members put a lot of their own time, effort, and sometimes money all year around to bring it back every year.

It's not just about partying.

It is our view that social change will not happen without individuals doing their part to elevate our collective spiritual center of gravity. Thus, it is our responsibility to nudge our own evolution to catch up with the outpaced growth of technology without the soul getting left behind. It's within this community of creative seekers that coalesces around the playa tribes that leaders must emerge to help steer this nation and this world towards a better day.

To create a space for Sacred Dance is to create a playground for connection with the Eternal, but in our case, still infused with the need for social action in the real world. Big beats and community are the launching point for insight to remind us there is a point to evolution. Transcendence, and nothing less. It might sound like hippy New Age shit, but in this case that doesn't mean it isn't true...

The Musical Vision
We're obviously firm believers in the beat, the transcending properties of mind blowing electronic dance music (EDM), both to open the heart and make the ass shake depending on one's preference and the moment. We value diversity in the range of world class artists that play our camp, as well as the camp dj's who build it so get to play what they feel. Most nights are fairly cohesive unto themselves, but day to day it can be all over the place. Our past line ups speak for themselves.

We'll see you in the sweet spot, under the stars...

Ian Walbert 1 is following