This collaboration between Marco Lucchi and Ilaria Boffa creates a beautiful symphony of sound!

So beautiful and moving 🥰🙏 grazie mille Ilaria 🙏 very much appreciated

nice job/way to collaborate/sounds great/no mistaker

Bass guitar(s) Trevor Thompson
Drums by Eric Wiegmann https://www.bandlab.com/ericwiegmanndrums/her-storm-d3d879c5?revId=1766b78a-67fe-ea11-96f5-501ac5b31de6

Her Storm

Hiding away again, Vera starts to feel her psychological stability falling apart.  She continues to pray to anything that will hear her pleas to save her from losing herself while trapped alone so far away from home, and no sign of hearing from Vincent and his team.

Project Umbriel

HIMOS (Hiding Inside My Own Space)

HIMOS - Hiding Inside My Own Space

Just a track about being playful with your mind.

Meditating in a dream

I have allways loved this song. there are many versions of it but this is my take on it ,I hope ypo guys like it ,,,

01 - Jerry Baker - Reubins Train

Inspired by Eloy and Yes, this is my first finalized song of the year. It wouldn't be possible without Blessed Studio, Indonesia. More info soon.

Words and Music by Adam Majdecki-Janicki.
Arrangement and Production by Blessed Studio, Indonesia.

Look around
What you see
It is quite another view
What you are
What you'll be
It's the mystery of you

You don't know
Try to find
But you'll never know the truth
There's a lock
On your heart
If you tear this lock apart

You will see
The daybreak rainbows
Waiting for
Showers of your rain
You are not insane
You are not insane
You are not insane

No

Pedestals of greatest minds caught in acid blast
Temples crumble, masses rumble to the Neverlast
Storm is coming, hide you child in your endless dream
Reality is a monster, it ain't what it seems

Crash you down and paint you gray, that's what she would do
But reality is over now, the dream belongs to you
A better life inside your mind, learn to make it real
Heal the masses, let them see, let them live and feel

Someday
I'll find a light there
Inside my soul so blue
I'll find a path that's true
I'll tramp it all the way

Slowly
I'll step inside this
Door to ancient light
Forget the concrete night
And follow to the day

Maybe
You will follow
And you will go my way
All pain will go astray
And we will be as one

"Daybreak Rainbows" (2023)

The sound of elementary particles

Tiefe Gedanken !

Double Sonnet/Sonetto Doppio on One-Hand Piano # 2 

One-Hand Piano # 2 music by https://soundcloud.com/marcolucchi
Poem and Field recording by Ilaria Boffa
pic Anfiteatro del Venda 2018

Double Sonnet
A sniff of the daffs, the scarab crossing the trail
a dance through the wheat then wetting the coat 
even the crows halt to clear their throat
for that digging they can tell from your tail.

Vulnerable, a stage to classify the risk of no longer
the assessment report was data deficient 
as those plants whose future shows no certain coefficient
and the urge for a spot in the wild to reconquer.

Unyielding the cycle that clamps the years to go 
it clasps one’s hands, tight, behind the back
the leash is torn and it’s pointless to sew.

A list of instructions to order them all in a row
antiemetics in disguise, strenuous to check and track 
injecting misery is the tough task of woe.

When I watch your slow pace, two mothers
I wonder what unsaid and undone grip your hearts
secrets that howl, nocturnal, pierced by darts
the nudity of presence, hope thinning out its feathers.

At times you stare at the void, and then quickly searching
as if you don’t belong here, as if you don’t know why
and there’s more than meets the eye
a mystery and a quest, the predicament of being.

And while your teeth like Doric columns grasp that’s true
the mouth gets lost in imperceptible spasms
all experienced and learnt, yet everything new.

Inside, the yelps that ail what you lived through
tales and indictments refracting like prisms
what narrative shall I pass on and pursue?

Sonetto Doppio
Una fiutata ai narcisi, lo scarabeo che passa la strada
danzare nel grano poi bagnare il pelo che cuoce
anche i corvi si arrestano a schiarire la voce
che quello scavare ben si evince dalla coda.

Vulnerabile lo stadio che classifica il rischio del non esistere
la valutazione del referto offre un quadro insufficiente
come quelle piante il cui futuro mostra uno scarso coefficiente
e l’urgenza di un angolo selvatico per cui combattere.  

Inflessibile il ciclo che serra gli anni mancanti
costringe le mani, strette, dietro la schiena
il guinzaglio si è rotto, inutile cucirne i tiranti.

Una lista di istruzioni a sistemarli tutti in fila, come passanti
antiemetici in incognito, faticoso controllare e tracciar la pena
iniettare miseria è il compito di dolore e pianti.

Quando guardo il passo rallentato, due madri
mi interrogo sui non detto e non fatto che attanagliano i cuori
segreti che ululano, notturni, trafitti da dardi aggressori
la nudità della presenza, speranza dai piumaggi radi.

A volte fissate il vuoto e poi rapide cercate
come non appartenere, come non sapere perché
e vi è più di quel che pare in sè
un mistero e una ricerca, precarietà che abbandonate.

E mentre i denti come colonne doriche sanno che è vero
la bocca si perde in impercettibili spasmi
il tutto provato e appreso, ancora tutto straniero.

Dentro, i guaiti che affliggono un vissuto sincero
racconti e atti d’accusa a rifrangere come prismi
che narrazione porterò, quale respiro?

Double Sonnet Sonetto Doppio (Marco Lucchi & Ilaria Boffa)

K G G - Digital Worlds (Complete)

Seasonal Affective Disorder
SAD is sometimes known as "winter depression" because the symptoms are usually more apparent and more severe during the winter.

Some people with SAD may have symptoms during the summer and feel better during the winter.
Electronic Track using Omnisphere and  Arturia

We Are The Light Bringers

Experimental, electronic soundscape by Spasmodular and VCO (Vincent Carlton Overdrive). This composition was created from field recordings, shortwave radio noise, and multiple synthesizers. 
c) 2023

Salapärane Tunnel

Poetry, Field recording and the Human Human

'I use this space to offer an experience of Sonopoetry, the voice of verses combined with field/sound recording and music collaborations.
Writing and composition marked the passage from pre-history to history for human beings. I firmly believe that writing&listening (active care/empathy and full attention to each and every sound from each and every living and non living being) could inform, guide and represent the Posthuman era that I'll call Human Human era -from sapiens sapiens to human human.
The contemporary alliance between the disciplines of Art, Science and Philosophy elicits the conceptualisation of the Posthuman that to me also implies the transition from the Anthropocene to the Age of Art as a driver of thought and vision. I advocate the responsibility to assign a 'more than human' meaning to the Posthuman concept, that's why Human Human, in order to emphasise the human core, the genetic connection to bio and non-bio diversity as per the Biophilia Hypothesis.
Are we listening?'

Born 6 January 1972, Ilaria Boffa is an Italian poet and sound recordist. 
She has published four poetry collections and she is one of the eight authors included in the North East American Association publication ‘Writing in a Different Language’ Vol XL 2018.
Over the last years, she has been experimenting with field recording, blending her spoken word with sound.
Publications:
Beginnings & Other tragedies/Inizi e Altre Tragedie, 2023, book of poems (Eng/Ita)
https://www.valleypressuk.com/shop/p/beginnings-tragedies

About Sounds About Us/Di Suoni e di Noi, 2019, book of poems (Eng/Ita)
http://www.samueleeditore.it/about-sounds-about-us-ilaria-boffa/

Writing in A Different Language, volume XL NeMLA publications (Northeast Modern Language Association), College of New Jersey, 2018
http://www.buffalo.edu/nemla/publications/nis/past/volume-xl.html

The Bliss of Hush and Wires/Periferie, 2016, book of poems (Eng/Ita)
http://www.samueleeditore.it/periferie-the-bliss-of-hush-and-wires-ilaria-boffa-2/

Double Sonnet Sonetto Doppio (Marco Lucchi & Ilaria Boffa)

Ilaria Boffa

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