Well, I figured this'd have the spoken word sample from the Batman movie.... oh well

wow so epic gets me hyped thanks for uploading

Super dynamic - definitely looking for a movie scene to accompany the music.  Nice!

I could definitely hear some parts of this being used as part of a score for a film!

lovely slow build enjoyed listening to this also great production work

This is exciting and dramatic. The percussion is so well done and the mastering is inspirational.

An mid-tempo singer songwriter style song that involves a question a guy was once asked as a schoolboy....

The Question

Live recording of my single called Save Your Words!

Save Your Words

Neutrino offers an immersive 3:19 minute auditory experience, inviting listeners on an ethereal journey through space. The track unfolds with captivating arpeggios set against a backdrop of slow, harmonic chord progressions, complemented by a unique, rhythmically arpeggiated texture that mimics the vastness of the cosmos. Swelling pads enhance the track's minimalistic ambiance, embodying the serene expanse of space. Mid-track, semi-arpeggiated bell tones emerge, adding timbral depth with melodies that evoke the wonder of interstellar exploration. Its engaging yet tranquil rhythm makes it an ideal backdrop for space-themed content, syncing beautifully with visuals or providing a soothing atmosphere for voice-overs.

For commercial and derivative licences, please visit our Pond5 profile, where you can buy this track for a number of additional uses. http://www.pond5.com/artist/covertacoustics

Neutrino

Beneath the Surface" offers a 5:03 journey into the depths of a dark, ambient soundscape, characterized by its minimalist yet profound approach. Anchored in deep bass undercurrents and enveloped in slow-moving synth textures, this track masterfully conveys a sense of menace and unease. Designed for filmmakers, video game developers, and podcast producers, it serves as the perfect backdrop to scenes brimming with tension, mystery, or psychological drama. The composition's hypnotic bassline, resonant bass synths, ethereal pads, and subtle arpeggiated textures create a spacious and immersive auditory experience. Delicate piano notes and haunting Rhodes accents, coupled with atmospheric pads' rattles and swells, contribute to the soundscape's richly layered tension. Ideal for narratives exploring suspense, drama, and introspection, "Beneath the Surface" invites listeners into an engaging, unsettling ambiance without overwhelming the tranquil void it creates.

For commercial and derivative licences, please visit our Pond5 profile, where you can buy this track for a number of additional uses. http://www.pond5.com/artist/covertacoustics

Beneath the Surface

Beneath The Surface

This track was inspired by the stream of news scenes about war and destruction, early 2024. Tried to capture the peculiar mix of darkness, resignation, persistence, watchfulness, rational assessment, hurt, helplessness, sadness, drifting away, and anger triggered by these images. The result is a modular trip to Symbolica base after the attack. You map the extent of destruction from a drone's view gliding across the main road down the former space colony. Peace to you all, the Shaman.

Destruction at Symbolica Base

Dive into the soul-stirring echoes of 'A Hero's Last Stand,' where every chord whispers tales of valor and every beat thunders like the heart of the earth. 

This track weaves a rich tapestry of sounds: the deep embrace of strings, the clarion call of horns, the harmonious plea of choirs, and the primal roar of drums. It's an odyssey in melody, capturing the essence of a lone warrior's resolve against the impossible. 

As you listen, let your imagination roam free across landscapes where heroes are forged and destinies are shaped. 'A Hero's Last Stand' is more than music; it's a key to worlds unseen, an invitation to journey beyond the horizon of your thoughts. Let this symphony guide your spirit to the epicenter of adventure and awe.

A Heroes Last Stand

Translation above

CQFD
(chanson à récapitulation)

Pourquoi faut travailler ?
C’est la faute au pêcher
Qui s’ prend pour un pommier !
Si y avait pas eu d’pommier / Y aurait pas eu d’serpent
Si y avait pas eu d’serpent / Y aurait pas eu d’pécher
CQ CQ CQFD CQFD

Mais pour tout démêler
Il suffit de penser
C’est la faute au verger !
Si y avait pas eu d’verger / Y aurait pas eu d’pommier
Si y avait pas eu d’pommier / Y aurait pas eu d’serpent
Si y avait pas eu d’serpent / Y aurait pas eu d’pécher
CQ CQ CQFD CQFD

Mais Dieu, incorruptible,
Dit : « c’est inadmissible,
C’est la faute à la Bible ! »
Si y avait pas eu de Bible / Y aurait pas eu d’verger
Si y avait pas eu d’verger / Y aurait pas eu d’pommier
Si y avait pas eu d’pommier / Y aurait pas eu d’serpent
Si y avait pas eu d’serpent / Y aurait pas eu d’pécher
CQ CQ CQFD CQFD

La Bible manuscrite
Sous l’encore qui s’agite
Dit : c’est la faute au scribe !
Si y avait pas eu de scribe / Y aurait pas eu de Bible
Si y avait pas eu de Bible / Y aurait pas eu d’verger
Si y avait pas eu d’verger / Y aurait pas eu d’pommier
Si y avait pas eu d’pommier / Y aurait pas eu d’serpent
Si y avait pas eu d’serpent / Y aurait pas eu d’pécher
CQ CQ CQFD CQFD

Mais l’encre sans crier
Maudit le parolier
Et sans un parolier
Y aurait pas eu d’chanson / Y aurait pas eu d’chanson (3 X)
Chanson qui tourne en rond / Chanson qui tourne en rond (2 X)
CQ CQ CQFD CQFD

Myckaël Marcovic, le 14 mars 2024

CQFD = Ce Qu’il Fallait Démontrer

CQFD
(recap song)

Why do we have to work?
Blame it on the peach tree
Who thinks he's an apple tree!
If there hadn't been an apple tree / There wouldn't have been a snake
If there hadn't been a snake / There'd be no sin
CQ CQ CQFD CQFD

But to untangle it all
Just think
It's the orchard's fault!
If there hadn't been an orchard / There wouldn't have been an apple tree
If there'd been no apple tree / There'd have been no snake
If there hadn't been a snake / There'd be no sin
CQ CQ CQFD CQFD

But God, incorruptible,
Says: "It's inadmissible,
It's the Bible's fault!"
If there had been no Bible / There wouldn't have been an orchard
If there'd been no orchard / There'd have been no apple tree
If there'd been no apple tree / There'd have been no snake
If there hadn't been a snake / There'd be no sin
CQ CQ CQFD CQFD

The handwritten Bible
Under the agitated still
Says: it's the scribe's fault!
If there had been no scribe / There would have been no Bible
If there'd been no Bible / There'd have been no orchard
If there'd been no orchard / There'd have been no apple tree
If there'd been no apple tree / There'd have been no snake
If there hadn't been a snake / There'd be no sin
CQ CQ CQFD CQFD

But ink without shouting
Curses the lyricist
And without a lyricist
There wouldn't have been a song / There wouldn't have been a song (3 X)
A song that goes round and round / Song that goes round and round (2 X)
CQ CQ CQFD CQFD

Myckaël Marcovic, March 14, 2024

CQFD = Ce Qu'il Fallait Démontrer = What had to be demonstrated

CQFD

melodic rock instrumental feat. guitars & synths

virgo

Mir Bredberg Weber: Main vocal/composer
Henrik Nybo: Akk.guitar/el.guitar
Palle Hjort: Piano/Hammond/accordian
Jeppe Gram: Drums
Jakob Falgren: Bas
Carsten Sindvald:  alto saxophone
Finn Henriksen: saxophone/baritone/tenor
Kaj Schmidt-Boisen: Trumpet
Dave Hennessy: Classic guitar

Live Out Loud

Spoken For

Translation above

Sur un texte de Lucien Corma https://www.leproscenium.com/PresentationAuteur.php?IdAuteur=2814

C’est fou

C'était un soir
Entre chien et loup
Sans trop d'espoir
Pour ce rendez vous
Mais viendrez-vous
Mais viendrez-vous
Me dire que je suis fou
Un fou 
Que vous aimeriez 
Avoir près de vous
Que vous aimeriez 
Photographier
Sur du papier buvard
Sur vos rêves blafards
C’est fou
C’est fou
On peut rêver

C'était un soir
C'était même très tard
Et j'attendais
Que votre regard
Jamais revu
Jamais revu
Me dise que j'étais fou
Un fou
Que vous aimeriez 
À ce rendez vous 
Que vous aimeriez 
Envelopper
Dans du papier crépon
Dans une boîte en carton
C’est fou
C’est fou
On peut rêver

C'était un soir
D’café en cafard
J’broyais du noir
Le long des trottoirs
Où êtes-vous
Où êtes-vous
Vous qui me rendez fou 
Un fou
Que vous voudriez
Rendre plus jaloux
Que vous voudriez
Époustoufler
Par vos coquetteries
Par vos taquineries
C’est fou
C’est fou
On peut rêver

C’était un soir
Ou peut-être un matin
J’sais plus très bien 
Tout ça, c’est tellement loin
C’est fou 
C’est fou
Je dois rêver

Paroles de Lucien Corma, novembre 2023
Musique de Myckaël Marcovic, 22 mars 2024

It's crazy

It was an evening
Between dog and wolf
Without much hope
For this rendezvous
But will you come
But will you come
To tell me I'm crazy
A fool
That you'd like
To have near you
That you'd like
To photograph
On blotting paper
On your pallid dreams
It's crazy
It's crazy
We can dream
It was one night
It was very late indeed
And I was waiting
For your gaze
Never seen again
Never seen again
To tell me that I was crazy
A fool
That you would like
On this date
That you'd like
Wrap
In crepe paper
In a cardboard box
It's crazy
It's crazy
We can dream
It was an evening
From coffee to cockroach
I was brooding
Along the sidewalks
Where are you
Where are you
You who drive me crazy
A fool
That you would like
To make more jealous
Than you would
Dazzle
With your coquetries
With your teasing
It's crazy
It's crazy
We can dream
It was an evening
Or maybe a morning
I don't know anymore
It's all so far away
It's crazy
It's crazy
I must be dreaming

Lyrics by Lucien Corma, November 2023
Music by Myckaël Marcovic, March 22, 2024

C'est fou (Lucien Corma / Myckaël Marcovic)

Extended cover version of "Why Do we Fall?" by Hans Zimmer.

HZ Strings/Percussion Professional/Albion One/Zebra HZ and Zebra 2 were libraries used.

v2 - Extends ending and changes EQ and compression settings to optimise for Soundcloud streaming.

Why Do We Fall? (Xtended Cover )

James Mark

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