Pete Furniss: bass clarinet
Niamh Gallagher: viola
Katie Grout: flute
Jay Keys: upright piano
Madhuri Marina Martinez: violin
Frank Withers: vibraphone
Fernando Yada Rodrigues: grand piano

May 2021, Deptford Town Hall, London

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See, this is just the song folded up together into a neat parcel. It's a letter fashioned into its own envelope. All of it is still in there, it's just pocket-sized now. Not that it was all that big before - people have been carrying it around for years of course. Really I've done nothing at all worth talking about, just a little folding up. I should probably say that it'll sound a bit different though, but I suppose you can see that already. You might have to listen carefully for a while, but that's a nice way to listen, isn't it? I think so, at least. It'll take a bit of patience, and then you might hear it or you might not. Or you might find something else instead. But that would be just as good, wouldn't it? The only other thing I'll say, though I'm not sure that I should, is that it's not really a chord. It's just some notes happening together. It's the song on pause and play at the same time. I'm not sure that made sense. . . all I mean is that it's not so much about balancing them as letting them balance themselves. Or letting them not balance themselves. It's about being careful, but not because it's fragile - the opposite, I suppose. Maybe I've said too much. Or maybe I just haven't said anything useful. . . Well, either way, here it is. Feel free to ignore all of this.

yours,
James M. Creed, summer 2020

Lomond (2020): Outline Ensemble; London; 2021

https://orvillepym.xyz/

past:
24/09/19 -> Not Waiting, Amersham Arms, New Cross 7.30-12.00
11/08/19 -> XOLO 110819 Alexandra Hamilton-Ayres Onin Orville Pym ADJ
6/07/19 -> Daylight Music 312 - Space in this Place: Goldsmiths, Union Chapel 12-2pm
27/05/19 -> Terraforming vol.I

Glasgow-based researcher and composer of experimental music exploring silence, quietude, fragility, and the in-between.

I co-host @essential-blends podcast and lead @soundthoughtglasgow.

Community and Engagement Manager, College of Arts & Humanities at the University of Glasgow.

"I'm a mellow artist, ageing 69. I love and release eclectic music, from post-classical to drone. My fave instrument is the Mellotron."

Così, sinteticamente, di solito mi presento.

In genere compongo musica partendo dal suono delle tastiere, ma il mio vero strumento è il registratore.

O i software di registrazione.

"I was made for loving and making recorded music."

Confido da sempre nel potere evocativo e orfico della musica, nella sua capacità di riconsegnarci a mondi più veri e più giusti, più belli di quelli in cui di solito viviamo.

"Ich bin ein kosmische Kurier"

I'm using these tools: Mellotron micro, Waldorf Blofeld synthesizer, Behringer Crave, IK Multimedia Uno synth, Roland Juno synth, Volca keys, Casio digital piano, micropiano Korg, Manetron (iPad app), iTampura (iPad app), Eko 11 (...) string acoustic guitar, electric violin, Orla analogic expander, tenor, treble and descant recorders, soprano and tenor tin whistle, Akai, Roland, Alesis and Arturia controllers, upright piano, Squier 3/4 electric guitar, melodica, Bubble Harp (iPad app), Schoenhut toy harp, soprano ukulele, Eko acoustic guitar, Peavey Composer acoustic guitar, Kurzweill micropiano, Boss and JamMan loop stations , Behringher multi-fx, Olympus portable digital recorder, Phonic, Behringer and Yamaha mixers, Audacity, Paulstretch, various players and plug-ins .. (that's all, folks, I think ..)

latest releases:

https://whitelabrecs.bandcamp.com/album/the-book-of-dreams
https://chitrarecords.bandcamp.com/album/lieder-ohne-worte 
https://ambientologist.bandcamp.com/album/suggestiva
https://ambientologist.bandcamp.com/album/venusia
https://hibernate.bandcamp.com/album/as-riddled-as-the-tide

for further works please go to my bandcamp page
https://marcolucchi.bandcamp.com/

and to 
http://webbedhandrecords.com/
http://www.laverna.net/home/
https://silentflow.org/

iTunes and Spotify as well ..
feed and share ..
https://open.spotify.com/artist/1TRilVaDaQw0ksGqU5tuCh?si=zXD-0xFWS-2yrUs542SH9A

SoundCloud è la piattaforma musicale che preferisco perché è soprattutto il regno degli ‘amateurs’, di quelli che fanno musica per sé e per gli amici .. come quando da ragazzi si condividevano con gli altri le invenzioni e le creazioni .. io sostanzialmente sono rimasto lì e così .. non sempre, ovviamente, ma spesso ci trovo delle cose che valgono altrettanto - se non di più - rispetto a quelle più affermate e conosciute

composer, fiddle player and bog enthusiast
they/them

I'll follow you back when SC lifts the follower limit (!)
Loving listening to everyone's music on here :-))))))))))

Iranian-American composer and performer. 
Work is about clear forms, economy of material, cycles, openness, and layers, often drawing upon or referring to found objects from other musical sources.
Performing experimental repertoire, drone, and improvisation.