Classic Audric killer tone tasteful outside playing.

The piano is a perfect foil to Audric’s guitar here and that ending note is killer tasty!

I appreciate the bassline and other sound elements! Psychodelic, acid Jazz as its best! Nice work my friends!

Back to revisit this fusion masterpiece..

The burning eternal question - do you love me?
Do you love me, you love me?
Well so do people who sell ice-cream
They'll say anything, they think I'd like to hear

Do yo love me like they do?

Hey girl, you better watch out
cos people care not for what you may
Though it's written on their faces
They hide behind sweet words

Anybody for ice-cream (or tennis)?
(a nod to @nic_nic_nic: Nic for tennis suggestion)

Live Studio recording, engineered by Darren Flynn
Drums Steve O'Keeffe (The Pale/BluesConfidential  www.bluesconfidential.com
https://soundcloud.com/bluesconfidential) 
Bernard Byrne (The Pale)
Lead vocals, BV, guitar, art by Suzanne Ledwith

Change of Address

Hey Ho

Mia Monterde, transverse flute
Gaspar Monterde, guitars

A wish of happiness for all.

Parets del Vallès, Barcelona 15/05/2022

Happiness (for Núria & Mia)

Campers  

My parents were campers, we wandered around
We washed in the river and slept on the ground
With a kerosine lantern to see by at night 
And aluminum cups full of Crystal Delight

They’re all gone forever after only awhile
To me it was not about nothing
It was more than a signature style

I gave him a hundred, which was all that I got
I fired her up and I drove off the lot
She was painted by hand, but tipping the scales
Was a sticker that showed my concern for the whales

She’s all gone forever after only awhile
To me she was not about nothing
She was more than a signature style

My mind is in order my soul is inspired
In robe and in sandals I’m simply attired
And I live in this place with these brothers of mine
Where we think, and we pray, and we fast all the time

Till we’re all gone forever after only awhile
To me it is not about nothing
It’s more than a signature style

Copyright Scott Culver Thomson

Campers

Song composed during a Fredericton Arts Alliance Residency. Joint composition with Bryan McDaniel. Guitar Bryan McDaniel.

There is nothing wrong with you because you are different. Everyone is different.

We do not have to be homogeneous; we do not have to be the same. There is distance and difference between even the closest of human beings. We do not have to walk the same path to share the same vision: that all view points are valuable; except for hate, which is not a viewpoint at all but a dark glass some people see through… losing all clarity and beauty.

We do not need to stand above someone. We can stand side by side and not be in each other’s shade…so that we all receive the same amount of sunlight. 

Two great things we can do in life: Have the courage to be yourself, your unique self and embrace what is different about you; and the second thing is to embrace what is different about everyone else …what is their unique contribution to the world?  (And maybe doing the second will only come from doing the first. Maybe you can’t accept everyone else’s differences unless you accept your own). 

Every power struggle, abuse, and essentially all inequity in the world is related. We need to solve the inequities in our own lives in order to impact the world’s inequities and essentially set a good example so that others will follow, not you; but your behaviour, by making changes on their own.

Differences are very important. We need them to understand things…without differences we cannot compare, understand, and get perspective. We wouldn’t even have a concept of time without differences! Differences create understanding if we embrace them and only difference can create change and growth…the concepts of change and growth are also not possible without differences! 

The ironic thing is that humans sometimes think that rejecting differences and striving to be the same will create unity. But the opposite is true: only through accepting all our differences and celebrating them can we truly unite and move forward. 

Maria

Difference

This simple piece is based on a piano tune I originally wrote in 1994. I've modified it a bit and added a second instrument, but it wouldn't let me do more than that.

Spitfire Audio's BBC Symphony Orchestra Core and XLN Audio's Addictive Keys Studio Grand Piano

Before This, Beyond That

Dance In The Dust

Hello Mama # 01==Gene Jumper, ( Original )

hello mama

Collaboration work, a new version of this track with a talented guitar player and composer Neno J.
Please enjoy his awesome works here: https://soundcloud.com/user-442202241/tracks
Initial track: https://soundcloud.com/syntaleta/in-solitude-1
Welcome to my Facebook artist page: https://www.facebook.com/syntaleta/

In Solitude by Syntaleta/Collab version (Feat. Neno J. on electric guitars)

When I found this sound, it reminded me so much of Alan.s breakfast at Atom Heart Mother, that I couldn´t resist.
By the way, do you know what this sound is really made of?

JOE´S PSYCHEDELIC BREAKFAST

Unwavering Devotion

Some ambient improvising and repeating…

Gear:
novation Summit
DSI Prophet rev2
ASM Hydrasynth


30.06.2023
Image and Title reference Zelda botw ©nintendo

carbon-footprint

Farodra

Some heavy fusion for some heavy times...
Audric is the consummate musician, a musician's musician, and the top guitar expert in Philadelphia.  So I was again thrilled when he joins me here on our original, It's Not What It Seems.  With a handoff of the framework, Audric went to work - completely inspired - and turned it into this.   Not only the guitar, but additional keys, percussion, structure and ideas.   There's a lot to listen to here - from the spectacular initial guitar work to the harmonic structure and lines.  
And check out Audric's impressive galleries:
https://soundcloud.com/audric-jankauskas
https://soundcloud.com/audric-and-friends
The award winning photo of an ice cave in Iceland was taken by our son Tyler

Thanks as always for your generous time listening, for your comments and you shares

It's Not What It Seems - Audric Jankauskas / Jamie Rhind

Jazz/Fusion keyboard player, composer and producer.  Marketing, advertising, publishing and sales career.  Originally from Chicago, where I developed a strong appreciation for the blues and classical, and moved to New York, where jazz and the fine arts are so deep.  Key musical influences include Miles Davis, Herbie Hancock, Jimi Hendrix, Joe Zawinul and Weather Report, Chick Corea and Return to Forever, John McLaughlin and the Mahivishnu Orchestra, Stanley Clarke, Scott Henderson and Tribal Tech, Jeff Beck and Jan Hammer, Mike Stern, John Scofield, Pat Metheny, Emily Remler, McCoy Tyner, Bill Evans, John Coltrane, Jimmy Smith, Joey DeFrancesco, Larry Young, Buddy Guy, Santana and Earth Wind & Fire.   Former classical clarinet and piano player.  Unless noted, my music on SoundCloud was composed, recorded and performed using only keyboards.  An avid photographer.  Many covers here are my shots.  To see my photography look for Herbiejazz on Instagram or search for Herbiejazz on Google.  And a big thumbs up to SoundCloud and the SoundCloud community, and so many friends who have joined me to create.  Thank you all.

It's Not What It Seems - Audric Jankauskas / Jamie Rhind

Jamie Rhind

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