Epic ... I can imagine this scored to King Solomon's Mines, envisioning Allan Quartermain ... Really beautiful music, Jens! Always, my friend.

Wonderful composition and orchestration. A fabulous cinematic piece!

Incredible composition wich absolutely describes the theme in a perfect way!

Wow..Jens 😲 Mal wieder eine wunderschöne Komp.🎶❤️🎶Landet sofort in meiner Playlist!

Einfach grandios, Jens!👏 Die Tempowechsel sind besonders bemerkenswert und fantastisch umgesetzt. Deine Musik begeistert mich immer wieder!👏💫

This playlist is a tribute to all the amazing musicians and friends who support me on my journey. Here you’ll find their tracks – each one representing creativity, passion, and community. Music connects, inspires, and builds bridges – and that’s exactly what this collection is about.

Circle of Sound

Hello everyone,

Many of you probably know this feeling. You start making music and completely lose track of time. The hours fly by, and suddenly it's late in the evening or even nighttime. I wanted to capture this theme in a lighthearted and humorous way.

I'm really happy that I was able to produce this song together with Mike Fox. Mike liked my idea for the arrangement and lyrics right away, and he was immediately on board. How much we appreciate each other can definitely be heard in the lyrics.

For this song, we were also able to bring in two guest singers—but just listen for yourselves! What they sing is probably something everyone in a relationship has heard at some point – or am I wrong?

Mike and I certainly hear it very, very often! 😆

------------------------------------------------

"We Should Be Asleep By Now"

Axel walks in, right on time,
Says “let’s rehearse” – I pour some wine.
He’s got a plan, I improvise,
But rock ain't played by suits and ties!

Mike plugs in, makes feedback scream,
Calls it “tone,” I call it a meme.
He swears his solos shake the land,
But his hands shake more—he can’t withstand!

We should be asleep by now,
But here we are, we rock somehow!
One more song, then one more beer,
Proud and loud we still are here!

You press one key, a full band plays,
No fight, no sweat—just modern ways!
I bend my strings, I break my bones,
You sip green tea and check your phone!

Oh please, Rockstar, not so loud,
Last night you snored and shook the crowd!
You call my sound too clean, too bright,
But at least my back don’t ache at night!

We should be asleep by now,
But here we are, we rock somehow!
One more song, then one more beer,
Proud and loud we still are here!

My riffs still shake my hometowns sky!

My chords still make the neighbors cry!

Six strings, raw soul, full of might!

But my keys sound’s programmed right! (Here we go)

We should be asleep by now...

Come on, Mike, let's listen to the backing singers.

You should be asleep by now!

Oh Axel, put on your glasses, these are our wives.

You should be asleep by now! 
You should be asleep by now!

Alright, Axel, your keys ain’t bad…

And Mike, your solos (still) drive ‘em mad!

We battle, we clash, we push the fight,
But side by side, we light the night! 

We should be asleep by now,
But here we are, we rock somehow!
One more song, then one more beer,
Proud and loud we still are here!

__________________________________

Credits:
Guitars / Vocals: Mike Fox
Keys / Vocals: Axel Menningen
Background-Choir: „The wives“

We should be asleep by now

We Should Be Asleep By Now

82_ Lovely Punch - released on 12 August 2025

I was trapped in dreariness. And that in the middle of summer! So, get out of there! With a really punchy beat and beautiful guitar sounds ;-)#electronic #techno #trance #liverecording

(produced with BlocsWave & LaunchPad)

Lovely Punch

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Credits and Copyright Notice

Credits regard the entire fragmenta project and not individual content.

Project Direction: Yokai
Project 2D Illustrator: Azure
Project 2D Graphic Designer: Yokai
Project 2D Motion Designer: Yokai
Project 3D Motion Designer: GoFox
Project Music Vocalist: SaKy
Project Music Lyricist: SaKy
Project Music Composer: Yokai, Sadao E
Project Music Production: Yokai, Sadao E
Project Music Vocal Engineer: CK
Project Music Mixing Engineer: CK
Project Music Mastering Engineer: CK
Project Music Quality Control: Daniel
Project Management: Fenja M
Project Marketing Manager: Fenja M
Special Thanks: Funkel

Nocturne Studios A: Production, Composition, and Engineering
Nocturne Studios B: Management, Marketing, Direction, Motion and Graphic Design
DocMaKlang Studios: Quality Control

UPC: 199348110424

© [2025] Nocturne.
All rights reserved.

Yokai - vow 💎 | (Album - 「fragmenta/フラグメント」)

ANARS ! La ville des échos

Utnyttjar du mig. 631 ( 1983 ) Margareta Theorin ( Margareta )

Dark Ambient with synth, noise and Bass Drums. Theremin & Kaospad played in noise lines

1 - B

Si les plus beaux paysages sont au-dessus de la ligne d’horizon chaque continent a son génie du ciel ....  Le ciel change chaque jour et imprime d’imperceptibles nuances grâce à ses nuages aux mille et une forme. Tout ciel nuageux en forme de gaze longiforme donnent cette « mélancolique lessive d’or du couchant » dont parlait si bien Rimbaud .... La fin d'été approche et nous pouvons observer maintenant un ciel plein de gros nuages blancs et aux nuances de gris, bourgeonnants, rembourrés, cotonneux, mais aussi lumineux comme des lampes au reflets lactescent …. 
J'ai essayé d'être représentatif de ce phénomène avec les nuances harmoniques de ce concept ….

**************************************************************************************************************************
 
If the most beautiful landscapes are above the horizon line each continent has its genius in the sky .... The sky changes every day and prints imperceptible nuances thanks to its clouds with a thousand and one shape. All cloudy sky in the shape of a long gauze give this "melancholic laundry of the sunset" of which Rimbaud spoke so well .... The end of summer is approaching and we can now observe a sky full of large white clouds and shades of gray, budding, padded, cottony, but also luminous like lamps with lactscent reflections …. I tried to be representative of this phenomenon with the harmonic nuances of this concept .... 

Towards The Clouds ....

In the dusty attic of his grandfather’s old house, Dan, who suffers from insomnia, finds a yellowed parchment in the middle of the night. Part of the old eccentric’s legacy? Long ago, he had roamed dark forests, crossed deserts, and explored inaccessible mountains.

The parchment shows, though only faintly, a location in El Caramar — the legendary place his grandfather had told so many stories about. Without delay, Dan sets out in search of further clues. The route leads across the storm-lashed Horka Sea, inhabited by dark creatures. Upstream, through narrow gorges, he must face the natives who guarded the entrance to El Caramar and the secret it conceals.

Watch the video: https://youtu.be/Q4sya2M4UdQ

This purely orchestral music draws on the clichés of film scores from the 1980s to the 2000s. Instead of a clearly recognizable theme or leitmotif, I tried to express rapidly shifting moods through specific instrumentation.

A gentle melody with harp arpeggios immediately transitions into a menacing rhythmic section with chromatic harmony, followed by a tension-filled passage with a strong element of aleatoric writing. The now accelerating tempo leads to the main motif but shifts directly into an action-packed part with string staccatos.

The motif is then varied and played at half speed by solo strings, taking on a very sorrowful tone. But then the mood turns serious. Low brass and a string ostinato lead to the climax of the piece, another variation of the theme in which the choir joins in at full volume.

Call of Adventure

https://oorlab.bandcamp.com/album/lighthouse-songs
Sideways

Hearing shots again
What can be done?
Sometimes it feels
like there is no room for reason.

In the days of punk
'79
Wine and dine, all seemed fine 
but times were changing

  Sideways down the slope
  Sliding into the rope

They pawned the truth out
and bartered the facts
These moodswings hit me sideways
no happy ending these days.

Cover my back, wipe the tracks
It seems wise, 
not to blow 
this disguise yet 

  Sideways down the slope 
  Sliding into the rope 

You cancel me
I cancel you
what we're gonna do now?
try to get out somehow

Fingers crossed
hope for the best
but prepare for the worst
in these present troubled times

  Scattershots matter not
  Sideways down the slope
  Sliding into the rope

Lighthouse songs

bandcamp

Sideways

"What Remains Unspoken" is a melancholic, cinematic piece inspired by Thomas Newman and James Newton Howard. 

The piece will be available on all major streaming services from September 19.

https://open.spotify.com/intl-de/track/1sVtFKWKwYSsa7nb9ZgpPt

Instrument libraries:
Piano: Pianoteq 8 Hamburg Steinway
Solo Cor Anglais: Berlin Woodwinds
Strings: Spitfire BBCSO Core, Cinematic Studio Solo Strings
Woodwinds: Spitfire BBCSO Core
Brass: Spitfire BBCSO Core, Spitfire Symphony Orchestra (Solo Trumpet)

What Remains Unspoken

And lonely when she left. 712 ( 1994 ) Margareta Theorin - Eddy Mango ( Margareta )

Error enthralls in the bonds of iniquity
Flattering tongues love a lie
Misleading minds love denying reality
Injustice rules every mind 

Soothing false smiles all around, no integrity
Everywhere blind leading blind                
Carelessly living in mindless prosperity
All living on borrowed time 
  
The watchmen are blind 
The shepherds are weak 
The dogs never made a sound        
Their lives are facades and hearts never seek
Then I heard the lion’s roar 
       
God’s dawn breaks, he’s drawing nigh
Improve your time each moment
Build up his kingdom within you
Receive his blessings promised

People are pleasing themselves and each other
Think kindness is flattering tongues
Draped in facades no one sees who they really are
He’ll not know them when he comes

Fire of reality strikes at security
Piercing the clouds with it’s might
Comfort is gone truth will strike at impurity
Darkness cannot stand God’s light
        
The watchmen are blind 
The shepherds are weak 
The dogs never made a sound     
Their lives are facades and hearts never seek
Then they heard the lion’s roar 
         
Wolves soothe peace, peace, but there is no peace
And they speak with bowed tongues
God says cease, cease from iniquity
Be clean, for the Lion comes
       
God’s dawn breaks, he’s drawing nigh
Improve your time each moment
Build up his kingdom within you
Receive his blessings promised
              
Turn from your sins; do them no more for
God’s mercy is here for a time
Through Christ our Lord be forgiven, be justified
Sinless, become sanctified

Improve your time while you can night is drawing nigh
Value the truth and God’s fire
When justice comes there is no time to work or cry out
For you’ll hear his roar
                 
The watchmen are blind 
The shepherds are weak 
The dogs never made a sound       
Their lives are facades and hearts never seek
Then we heard the lion’s roar 
      
God’s dawn breaks, he’s drawing nigh
Improve your time each moment
Build up his kingdom within you
Receive his blessings promised

Music/Lyrics/Vocals/Instrumentals by Layna Glantz

Isa. 56:10-11
1 Ne. 15:30
Luke 17:20
https://upwardthought.org/media/917?t=62735

The Lion's Roar

So, our friend (assuming he really is our friend) is no longer alone at home. The work week is over, it’s been a hard one. Maybe for both of them: for him, and for the woman now leaning out the window. There’s a touch of unease in the air, and it’s not necessarily connected to how things are going between them. Maybe something is about to happen. Or maybe not. The only sure thing is that they’re not interested in finding out.

This is the fourth in a series of eight easy, acoustic, rather short, and deliberately inconclusive tracks, assembled by combining new ideas with reworked older material, adding parts and sounds along the way. This time I struggled to make it to the end, adding and removing, changing and restoring and working to the mix. I probably messed things up a bit (thirty recorded tracks, twenty of them muted...), but never mind.

Part 1 here: https://soundcloud.com/michele-ansani/in-case-nothing-happens-part-1-night
Part 2 here: https://soundcloud.com/michele-ansani/in-case-nothing-happens-part-2-dawn
Part 3 here: https://soundcloud.com/michele-ansani/in-case-nothing-happens-part-3-noon

Composed by Michele Ansani (2025).
All the ambient noises are taken from public sound archives. Saxophone is courtesy by Diamond Hues. Male vocals are mine, female by Spitfire Labs.
Posted on SoundCloud: 2025, September 19.

In case nothing happens - part 4 (late afternoon)*

Auteur : Claude Moine \ Compositeur : Pierre Papadiamandis
ISWC : T-003.027.119-2
Editeur : EM Production
Sortie : Octobre 1977

**********************************************************************
English translation below the French
Lyrics link : https://www.google.com/search?sca_esv=637c0e90f834ed3d&q=paroles+de+eddy+mitchell+la+derni%C3%A8re+s%C3%A9ance&si=AMgyJEv17PWw0XQW3IlwXAKl7dSlPQF61q4qYdeyP6OamT3IFLvfsHCnTLI6T2AU5LF_XJ4OKyr6tEmG0ZJsdUWQElQ8NnRIp-z2Hek1emPY8Pj1C2qrK7U93ENbHWPLErKRx-DCe27eXLWdj15N3v-U80CJ6cJ1IflPjmzacLsAwgSPShJgsUp8ONjbP55km6uSH10vz30m&sa=X&ved=2ahUKEwi4it-1wu6PAxWQfaQEHXChD_MQv_UKegQIDBAD&biw=1406&bih=685&dpr=1.25

**********************************************************************
Encore une fois, je fais honneur à la chanson Française.
_________________________________________________

J'aime bien ce morceau et cet artiste qui est très connu,
mais on n'entend pas beaucoup parler de lui...
Ce morceau est un extrait de l'album
"La Dernière Séance" enregistré à Nashville (Tennessee)

Cette chanson figurait dans le générique et
donnait son nom à une émission de télévision
animée par Eddy Mitchell lui même, de 1982 à 1998
qui était consacrée aux classiques du cinéma américain.
(dont je raffole)

J'adore aller au cinéma et toujours à la "dernière séance"...

**********************************************************************
Once again, I honor French songs.
_________________________________________________

I like this track and this artist, who is very well-known (in France),
but we don't hear much about him...
This track is taken from the album
"La Dernière Séance" recorded in Nashville, Tennessee.

This song was featured in the credits and
leaved its name to a television show
hosted by Eddy Mitchell himself, from 1982 to 1998
dedicated to American cinema classics.
(which I love)

I love going to the movies, and always to the "last screening"...

------------------------------------------------------------------------------------

Vocal : Anh
Arrangement (Yamaha PSR-SX900) : Phong
Recorded : August 26, 2025

__________________________________________________

La Dernière Séance - Cover (Eddy Mitchell)

I hear your voice in the noise but I can't see you. Sad.

I Can Hear You, But Where

Lover of orchestral film scores and epic music.

I had started making music in the 90s with my Amiga 500 but it wasn't capable (me neither) of producing the sound of a whole orchestra.

The diverse musical expressions in filmscores have a bigger emotional impact than any other genre I can think of. My music is heavily inspired by the great composers around 1980-2000, like John Williams, Jerry Goldsmith, James Horner, Basil Poledouris and Hans Zimmer.

With synthesizers, a whole new world of sound has entered the arena and merges with the orchestra to a fantastic sonic experience.

I try to tell stories and convey emotions in my pieces to take you onto a journey into unknown territory.

🎶 About My Music — DestKorn

My music tells stories without words—rooted in emotion, shaped by melancholy, quiet strength, and cinematic depth.
With piano, strings, understated electronics, and expressive vocals, I craft soundscapes that move you and leave space for your own thoughts.

Every piece is handcrafted: I write, arrange, and produce using professional virtual instruments and real elements.
I work with Spitfire Audio, Virharmonic, Kirk Hunter Studios, Native Instruments, EastWest, and 8Dio, combined with my own recording and sound-design workflow.

I use voice synthesis (ACE Studio) only in rare cases—specifically when no suitable singer can be found.
Whenever synthesis is used, I state it clearly in the track description.
It’s a subtle color, never a substitute for composition or expression, and always within a framework I fully compose myself.

The creative vision, the musical structure, and the emotion are 100% mine.
I believe in music that sounds real—because it is real.

Thank you for listening—and for feeling.

– DestKorn 🎶❤️🎶

هر نغمه‌ای که از دل برخیزد، بر دل نشیند
(Every melody born of the heart speaks to the heart.)

℗ 2025 DestKorn | © 2025 DestKorn. All rights reserved.
Unauthorized use, reproduction, modification, or distribution of these works is strictly prohibited and will be prosecuted under applicable law.
Artist & Publisher: Matthias K. / DestKorn
SenneRecord — established 2012

Call of Adventure

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