Lend Me Your Radio - Apr 21

From Jeremy Young - "Amaro" (LP/digital, Thirsty Leaves Music)
Album release: 7 May, 2021

Pre-Order: 
(North America) https://jeremyyoung.bandcamp.com/album/amaro
(Europe/ROW) https://thirstyleavesmusic.bandcamp.com/album/amaro

Jeremy Young, on oscillators, found 1/4" tape, captured radio & EMF signal, amplified surfaces & objects, composition by trial & error, late nights, weird thoughts, glasses of amaro on ice.
Deanna Radford, on word events ("Mythy")

Montreal-based electroacoustic composer Jeremy Young's new record, Amaro, is more like a suite of meaningful multi-disciplinary duets than a new addition to his growing catalog of pure solo material. Yet it centrally documents an iterative, systems-based approach to making music that Young has been developing and refining through live performances and improvisations in his studio for close to 3 years. This sonic "system" is not modular but tactile, performable, and tourable, and includes: 3 individual oscillators (sine, square, triangle) tuned microtonally by hand in real time and filtered, amplified surfaces and objects that make up the pieces' rhythmic foundations, tape loop fragments of found tape, and EMF signal captured and routed across the tonal and textural signal paths.

Amaro includes contributions from artists here in Montreal such as Deanna Radford, Markus Floats, and Ida Toninato, and those based in New York and beyond, like Vito Ricci, Dolphin Midwives, Pauline Kim Harris, Tomonari Nishikawa, and Johannes Bergmark. The album's beautiful cover visuals come courtesy of frequent collaborators, China Marsot-Wood and Thaïla Khampo. It's an experimental suite of sonic material, adventurous, and not over-produced; neither ambient nor noise, synthesized yet performed in real time as if it were an instrumental record.

"Mythy" (with Deanna Radford)

Taken from Burning Pyre (@burningpyre) and Canadian Rifles (@canadian-rifles) album The Snipe & The Clam, out April 30, 2021, via Eastern Nurseries (@eastern-nurseries)

Read: https://bit.ly/2QhOrIa
Pre-order: https://bit.ly/3s4RwZy

The first full-length collaboration between Burning Pyre and Canadian Rifles, “The Snipe & The Clam” encapsulates a shared sensibility and vision. Initially seen together on the Vienna Press/Vaagner compilation “A Declaration” in 2019, which was followed up with a second piece last year on Burning Pyre’s Opal Tapes debut, “United Angels”, the two artists cultivate a unique aural world with a singular voice.

Taking a contemporary yet deeply romantic approach to ambient music, “The Snipe & The Clam” showcases a blend of luscious synth melodies and harmonics, set against a heavily organic dynamic backbone. An apt representation of both artists’ methods and modus operandi, opulent glimmering drones flow with a sense of narrative, contributing a magical watercolour-like quality to the album’s eight instrumental pieces. As if lightness met the restraint of a disciplined wrist - every sharp note a pensive flap of wings across its airy background.

“The Snipe & The Clam” often feels like an emotional exercise on the stoppage of time, gliding between loving gestures and precise crescendos, delivering both a flourish of exposition and a reflection on intimate moments. A definitive summit in each respective artists’ discographies until this point, “The Snipe & The Clam” is an elegy to tenderness and finding beauty in minute details.

Photo by Elisa Azevedo

Mastered by John Hannon

Released by Eastern Nurseries

Premiere: Burning Pyre & Canadian Rifles - The Snipe [Eastern Nurseries]

from upcoming LP on https://lxvlxv.bandcamp.com/ this summer

eolomea

Blob’s Love Affair and I

Echo Ho moderiert die zwei Folgen des ONpodcast im Juli. Blob, ihr Co-Moderator, eröffnet einen Dialog, um die anthropozentrische Perspektive auf das Zusammenleben aller Arten auf der Erde zu erweitern. Blob ist kein außerirdisches Wesen aus Science-Fiction-B-Filmen, sondern ein beliebter Forschungsgegenstand von Wissenschaftler*innen weltweit, bekannt unter dem Namen „Myxomycota – Slime Mould“, ein Schleimpilz mit Köpfchen. Da Einzeller Verhalten erlernen und an Artgenossen weitergeben können, kommt es zu Begegnungen, deren Potential auch Künstler*innen untersuchen. Verschiedene Modelle der Episteme und Techné werden erforscht und erprobt für die gemeinsam pulsierende Übertragung von Gedanken über das „Techno-Unterbewusstsein“. Im Licht eines kosmisch-technologischen Sinns: Philosophieren durch musikalische Kollaboration. 

In Episode eins: Im Wald, bei Blob zuhause, treffen wir uns mit Miki Yui, einer in Düsseldorf lebenden japanischen Künsterlerin und Komponistin. Seit ihrem ersten Album „small sounds“ von 1999 kultiviert sie ihren Stil einer sparsamen, mysteriösen Musik mit Klängen aus Synthesizer, Sampler und Field-Recordings, die die Schönheit der Leere, das Phänomen der Koexistenz und Resonanz enthüllen. Blob hat sich bereits mit ihrem Musikstück "Babbling (mono)" liiert, dem letzten Track auf ihrer siebten Platte “APERIO” (2020, Hallow Ground). Zwischen Realem und Imaginärem machen wir einen Spaziergang durch ihre fragile, minimalistisch-organische Klanglandschaft. Durch gemeinsames Zuhören und den Gedankenaustausch wird jeder Atemzug von uns Teil des gesamten pulsierenden, unaufhaltsamen Lebens.

//

Miki Yui__www.mikiyui.com
Echo Ho__www.goechospace.com
Babbling (mono)__https://youtu.be/vz5fKrOeH4k

Foto_ "babbling (mono)" video still © Echo Ho

//

Blob’s Love Affair and I 

Echo Ho is hosting the two ONpodcast episodes in July. Blob, her co-host, initiates a dialogue to broaden the anthropocentric perspective towards a coexistence of all species on Earth. Blob is not an alien creature from science fiction B-movies, but a popular research subject for scientists worldwide, known as „Myxomycota - Slime Mould“. Since single-celled organisms can learn a behaviour and pass it on to conspecifics, encounters occur that also artists examine for their potential. Different models of episteme and techné are explored and tested for the jointly pulsating transmission of thoughts via the „techno-subconscious“. In the light of a cosmic-technological sense: philosophizing through musical collaboration.

In episode one: At home in the forest with Blob, we meet Miki Yui, a Japanese artist and composer living in Düsseldorf. Since her first album „small sounds” in 1999, she has been cultivating her distinctive style of a sparse, mysterious music with sounds from synthesizers, samplers and field recordings that reveals the beauty of emptiness, coexistence and resonance. Blob has already linked up with one of her music pieces, Babbling (mono), the last track on her seventh record, „APERIO” (Hallow Ground, 2020). Between the real and the imaginary, we take a walk through her fragile, minimalist organic soundscape, listening together and sharing thoughts, each breath of us a part of the whole pulsating uncontainable life.

//

Der ONpodcast bietet jeden Monat eine neue Perspektive aus der Freien Szene in Köln. Worum es geht und wer zu Wort kommt, liegt in den Händen der Moderatorin oder des Moderators: in zwei Folgen geben sie Einblicke in das Leben und Schaffen der experimentellen Musikszene und lassen mit Gesprächen, Geschichten oder Musik daran teilhaben.

Every month the ONpodcast offers a new perspective into the independent scene of Cologne. What it is about and who it is with is entirely up to the host: in two episodes they give us insights into their life and work within the experimental music scene and share conversation, stories and music.

ONpodcast #49 Blob's Love Affair And I Mit Echo Ho Und Miki Yui

Tracklist:
Secret Pyramid – Embers
Teshuvah – Regretting A Rose
Jamieo Brown Transcendence – Be So Glad
DRMGNOW – Australia Does Not Exist
Rim Banna – Nura
Safala – Charr
Ministry – Stigmata
Federico Mosconi – Vortice di sabbia rapina i pensieri
Teshuvah – A Beach Committed To Sun
Moondog – Bird's Lament
Rêves sonores – Svalbard
Federico Mosconi – Oceani
Federico Mosconi – Le formiche mangiano coriandoli di carta
Post Global Trio – Naturans, Naturata
Teshuvah – Confessions of a Cracked Wall
Jeremy Young – Ballroom Loop # 4 
Jeremy Young – Ballroom Loop # 5 
De.Ville – Atlantique 
Bas Relief – Latendresse
Secret Pyramid – Ohms
Secret Pyramid – Pins

STREAM RADIO FLOUKA

SPIRODON - 07/09/2021

I recently bought this tape for $0.10 and it had test tones for calibrating two portable Marantz tape recorders. I decided to make them the focus of this improvisation. Here's what I used:

Tenor sax
Tascam portastudio mkIII
Boss PS-5
Dimebag Wah
Ditto x4 Looper
TC Electronic Flashback
Cathedral Reverb

Recorded live into Reaper using a Soundcraft  12MTK.
Mixed in Reaper, no edits or overdubs.

Pour Bias Marantz CD 330 et PMD 360

for April 8th's release of Valo Siroutuu, our new album with Lau Nau, we decided to team up with BLAST radio to broadcast a special hour-and-a-half featuring the new album, mixed with interviews, commentary and unreleased/bonus material.

Valo Broadcast Release

Listen to an interview with Yasmeen Abdallah, NYC based artist and community activist. Yasmeen speaks about her practice working with community arts groups to oppose gentrification and present collective challenges to the housing crisis in NYC that is being propelled by the extreme pressures of real estate capital in the city. Yasmeen also speaks about her own artistic practices, including sculpture and work that involves reflections + engagements with found objects. 


Info on Yasmeen's work here:
https://yasmeenabdallah.com

This interview was recorded in July 2022 in Brooklyn, NYC by Stefan @spirodon Christoff Each month Stefan contributes an interview to @radioalhara.

Accompanying music on this broadcast is by @jeremyroyaledit from the album Amaro, out via @thirsty_leaves_music, info: https://jeremyyoung.bandcamp.com

Radio Alhara راديو الحارة - Artist interview, Yasmeen Abdallah

Contains samples from George Duke, the Modern Jazz Quartet, the Paul Winter Consort, Keith Jarrett, Martin Denny, and the Firesign Theater. Drums from the Tape Loops Collection by Orange Cassette.

Changed Forever

On the outskirts of the city of Tempest, near the Western Sea, two people stand at arm's length from each other, dressed in garb and gear of the ancient world and surrounded by a cornucopia of woods and silks. 
Who are they? Businessmen, refugees, soldiers of fortune, or merely unfortunate souls?
For what cause have they taken up sword and spear? For country, for glory, for a faraway heart? 
What do they stand to gain from this battle? Power? Prestige? Purpose?

None but our squires know - their eyes locked together and their steel soon to follow. Witness their epic duel as the square waves clash and resound at the crossroads of fate!

Showdown at Renfaire

A somewhat obvious fact that’s becoming more apparent: emotions are not localized in thoughts, but extend down into the body.

Traces of the past get lodged within palaces of muscle and bone, and get stuck there. 

Even if mentally, you’ve moved on from a certain event, the emotional signature lingers and propagates the pain that brought it into existence.

This afternoon, I was overcome by the feeling of being stuck. I sat, locked in place, unable to move. There was a long list of things I wanted to do, but couldn’t bring myself to do any of them.

All the while, inside of me, there was an unpleasant feeling: Was it sadness, loneliness, or despair? I couldn’t tell. All I knew was that I wasn’t feeling good. Locked in place, I drifted off to sleep.

Some time later, I woke up. My throat was parched and I felt guilty. It was almost 6pm and I hadn’t done most of the things I had planned to do.

I turned the tap, filled a glass and watered my throat. In that moment, I recognized the problem: I was disconnected from my body. I put on a body scan meditation guided by Jon Kabat-Zinn, unfurled the yoga mat and lay down, listening.

I shifted my awareness from my thoughts into my body, turn by turn visiting every part. I became aware of the density of my bones, the flow information in my nerves and the gentle pulsing of my bloodstream.

I noticed the feedback loop between my physical processes and my thoughts: how wreckages from past traumas manifested as strange contractions.

I allowed my breath to pass slowly, gently and evenly across the entirety of my being, dissolving the points of constriction.

With each breath, the blockage opened and created space for renewed circulation.

In that moment, I was greeted with the impulse to make music.

Interoception

From Jeremy Young's "Amaro" LP (Thirsty Leaves)

https://jeremyyoung.bandcamp.com/album/amaro

Featuring: 
Tomonari Nishikawa, on 16mm camera & projector (A1)
Dolphin Midwives, on harps (A3)
Markus Floats, on synths & voice (A4)
Vito Ricci, on bicycle wheel instrument & story (A5)
Pauline Kim Harris, on violins (B1)
Johannes Bergmark, on platform of amplified objects (B3)
Deanna Radford, on word events (B4)
Ida Toninato, on voice & tiny pine cones (B5)

Jeremy Young, on oscillators, found 1/4" tape, captured radio & EMF signal, amplified surfaces & objects, composition by trial & error, late nights, weird thoughts, glasses of amaro on ice.

Recorded and mixed in Montreal in 2019.
Mastered by Giuseppi Ielasi. 
Cover artwork by China Marsot-Wood.
Back cover illustration by Thaïla Khampo.
Published by Thirsty Leaves Music in 2021. 
TLM027

Amaro [MASTERS]

Trafic (with Tomonari Nishikawa)

from 'Daear' [CD|LP|DIGITAL]
Denovali Records · den350
available on all formats at http://denovali.com/lto

Based in Bristol, LTO first made waves as part of mysterious electronic collective Old Apparatus. As a solo producer, LTO has since attracted attention with three albums.

LTO's ambition to create ever more ambiguous and far-reaching sonic environments, whilst retaining something of the familiar and physical, have led him to take inspiration from imagined landscapes of the folklore of his Welsh ancestry and of the planet Mars. Both images of enchanted forests battling enraged giants from the underworld and unimaginably hostile planetary events guide this work of great magnitude.

In 'Daear', LTO explores an expansive sound pallet of swelling synths and noise, ambiguous string instruments, thunderous percussion, unearthly voices and his signature sound the piano, mostly processed beyond recognition. The result is a mysterious and deeply textured journey that could be set in both the distant past and uncertain future, on this planet or beyond.

Praise about LTO:

“haunting and comforting in equal measure. 4/5" – MOJO

“like memory preserved in nostalgic aspic” – The Independent

“a beautiful collection that stands tall alongside the work of his contemporaries” – XLR8R

“Blurring the lines between the organic and machine-made... Takes nebulous sounds and crashes them with the clatter of machine rhythms… Brilliant.”  - Hyponik

“An adventurous blend of hues grey and dark...Staggeringly rich.”  - FACT

"Another great album by a real talent hugely deserving of even more attention. Remarkable. 9/10"  - God is in the TV

Daear

LTO - Noachia

Jeremy Young
*********************
http://cargocollective.com/jeremyyoung
http://jeremyyoung.bandcamp.com

"Mythy" (with Deanna Radford)

Jeremy Young

Recent comments

Martin Hoogeboom

moody alien

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