Glad, that I'm invited by Hendrik to play some EWI trumpet licks here on his mega cool track !
check out @cosmic-ratzzz ....... image by Bianca Van Dijk on pixabay

lunatics 226 / Funk up the Monkey / Cosmic Ratzzz & joerxworx

Where did the funk go? We don’t know, but we know Captain Kenny brought it back.

IPG1 or alias LOU.........LOU is, Level One Up Production.....Music Lover.......
Below you can find my main site and other sites of interest:
IPG1: https://soundcloud.com/ipg1
Lou1: https://soundcloud.com/lou1-4
Lou1-5: https://soundcloud.com/lou1-5
LOU2: https://soundcloud.com/lou2-2
LOU3: https://soundcloud.com/lou3-1
Lou4: https://soundcloud.com/lou4-1
Level One Up: https://soundcloud.com/ian-greaves-2
Level One Up1: https://soundcloud.com/level-one-up1
Lou Osiavo: https://soundcloud.com/lou-osiavo
LouOsiavo: https://soundcloud.com/louosiavo
Lou Osiavo: https://soundcloud.com/lou-osiavo-15
Collaborative efforts: https://soundcloud.com/collaborativeefforts
Level One Up.............Music Lover.....


👽  👽  👽
  👽   👽

https://www.mixcloud.com/trancylvania
@trancylvaniaCH
https://hearthis.at/trancylvania

👽 Only music 👽


👽 Only music 👽

⚡️ 584.000  ⚡️ plays since 2013*
https://www.youtube.com/@joerxworx7299
___ Drumax PROJECT with @docfritz
___ the Lunatics project with @cosmic-ratzzz
A playlist of collabs which should be updated :-))
https://soundcloud.com/joerxworx/sets/joerxworx-collabs-the-big
.......... band/jam cloud: https://soundcloud.com/pland-jammin
.......... my old account: www.soundcloud.com/joerxtune
.......... Also on https://hearthis.at/joerxworx-8v/
My bio (to copy) written by me in the third person :-)
"Jörg S. born in Cologne, from youth on, is fascinated by all kinds of art, so he taught himself the saxophone very early. Nowadays flutes of all kind are also part of the equipment, as are jaw harps, percussion, bass, guitars and keyboards.
He was and is always involved in many band projects and session events.
In the 80s he was a saxophonist in the Adam Noidlt Intermission Orchestra with gigs in Berlin, Cologne, Düsseldorf and Basel. Very early on he also worked as a writer with live readings in the Cologne area and was a painter with large formats for many years, all in addition to his job as a graphic designer. Now, retired, he is devoted solely to music: home recording with the platform of choice, Soundcloud and global collaborations."

*32K before 2016

Main DAW :  Studio one pro 7    Mixcraft pro 10 studio    Ability pro 5

Welcome - It all started when I was 6 and studied musical school on the top of normal school. We learned classical music - notation, scales, chords, etc. Within a couple of years, I got pretty good foundation of music theory, and I kept playing flute for next 5 years. 

But the real fun started at 13, when I purchased my first guitar, and then started composing within a year. I wrote many simple pop songs, punk songs, and some gospel, later on learned to play and compose very complicated riffs, licks, and many solo techniques, eventually landed in death metal band, where I played guitar for 3 years. 
     
Of course, that is a long history now, and I gave up making music at 31. But roughly 11 years after that I came along to own my first Ipad, which happened to have Garageband app. And since then I slowly learn more and more tricks, and have now done over 2 hours of music, which you can hear for free on this page. 
     
Every song is an experiment itself, although I tend to be melodic, upbeat, and various. I'm still using diatonic scales and chords as main channel for composition, just as I learned in school as a little kid. Although some pentatonic scales now and then won't hurt, right? 
     
Here is how I see it about the music. The most basic and effective way to make the magic is the combination of good chord progression and good melody. So basically, brilliant cords, brilliant melody and how much they complement each other - that is the magic. And, of course, the structure that utilizes all that to the max. All the rest is just a gravy, (I mean, "just" a gravy) Don't get me wrong, the gravy can be very beautiful and  enjoyable, and most of my tracks so far are mostly gravy, but the proper meal should contain some meat, Know what I mean? My most "meaty" songs so far are probably Autumn Falls and Hint Of Tribecore. The biggest and dirtiest gravy so far would be probably Tribal Beginnings and Warning Immediate Noise. But you can judge that for yourself. 

Still, my main focus now increasingly becomes a sound modulation, and structures of song, because more I play with that tweaking of sound, more crazy sound I can hear. The goal here is pure magic and beauty distilled into nice 2-6 min. pieces. 
     
Also, a little disclaimer here. I don't do any vocals, mixes, remixes, or live pieces. All should be well thought through, electronic, and freshly new, and original. So enjoy listening and feel free to comment. I appreciate the feedback as it gives me more info and insight.
Peace.

listening, 
playing,
dancing
...

You can't see it because of the angle with which I took the shot, aiming down, but beyond those blocks is the sea.  To the left is the Mediterranean, to the right is the Atlantic Ocean.  No it's not Gibraltar, but a little bit further West. ... Actually I checked recently and it is further North more than West, I thought I was facing South when in fact I probably was facing the Atlantic ocean, which is why I suppose the waves were of a decent size where we were.
...

https://bandcamp.com/hakekong
https://www.facebook.com/ha.kekong
...
My face and the bike are a courtesy of Joël Vaudreuil
[https://vimeo.com/user8897093]  ... Merci Joe!
I then went ahead and butchered his work with a borrowed helmet.
Sorry Joe. =(
...
sometime in 2025:
I have not been able to recover access to my other account [https://soundcloud.com/ha-kekong] for a couple of years.  Don't be mad if I have not replied to your message in the past two years, that's because I never got them ; ) ... You can always reach me here though.
...

I'm trying to promote what I think is good music, so if you want to help out a bit I'd rather you [like] or [repost] my *playlists* rather than my field recordings, if you don't mind, unless you are a die hard fan of those things. Thank you ; )

I speak French, so if you send me a private message, and that you are a francophone, please write in French, thank you.  ... I mean, you don't absolutely have to, but I would prefer it. 

All my field recordings (except for when I record a person) are public, freely downloadable by anyone who is able to click on the button.  I encourage anyone interested to use them in any way whatsoever, on purpose or accidentally. No need for permissions or credits or any other kind  of administrative maneuvers.
...

Anarchists give me hope.

I'm a big fan of EFF.  Love ya EFF.  (no connection with the above line)
... and of course Richard Stallman and Linux and all the others.  Bless yous.

Now don't be lazy, go find out what it is this "EFF" that I'm talking about.  I'll give you a hint: it has to do with computers.

You have a nice day now.  Hugs & Kisses.

I love making music that soothes, inspires, and rejuvenates. Downtempo, chilled Lo-fi, non-AI music set to hip hop, pop, and jazz beats. Lover of Boom Bap.

My creative journey began as a visual artist, and now I'm concentrating my energy into creating music that can instantly impact minds and moods for the better. 

Almost all of my music is chill @ -100 bpm to hopefully stimulate calm and feelings of well-being in listeners as it does for me. 💙

I don’t use AI or samples. My music is original, digital, and composed using a MIDI keyboard and DAW. I also record live LoFi audio of ambient sounds such as birdsongs or rainstorms using an iPhone or a microphone connected to laptop.

A helpful tool to evaluate whether music is AI or human: www.submithub.com/ai-song-checker

I’ve been called Rebecca of Sunnybrook like the children’s book because of my birth name but call me Beck like my friends do. I chose Sunnybeck to use as my nickname as I’m an eternal optimist and love the sun.

sunnybeckmusic @ gmail.com

Matziz's work is an attempt to translate images into music, to sculpt sound material and play with its textures to extract an emotional essence.

This is about working alchemical formulas through sound, to:
- treat, accompany, heal, inspire...
The sensitive world according to its various needs, which fluctuate at full speed, according to the context of the extremely changing and tumultuous news.

It is one of the facets of the musical work of Mathieu TORRES who is active in several projects (M'Z - Zhorhann - The Diogenes - UBBS - No Skeletons...), inspired by the origins of Techno and the English effervescence of electronic music in the 90's