oh, this is soooo good. I'd love to try something like this. acid jazzy vibe all the way!

🙏😇👑🎶🎶🎶🎶🎶🎶🎶🎶🎶🎶🎶🎶🎶🎶🎶🎶🎶🎶🌟🌟🌟🌟🌟🌟🌟🌟🌟🌟🌟🌟🌟🌟🌟🌟🌟🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥✊✊✊✊✊✊✊✊✊❤️‍🔥❤️‍🔥❤️‍🔥❤️‍🔥❤️‍🔥❤️‍🔥❤️‍🔥❤️‍🔥❤️‍🔥❤️‍🔥❤️‍🔥❤️‍🔥❤️‍🔥❤️‍🔥❤️‍🔥❤️‍🔥❤️‍🔥❤️‍🔥💖💖💖💖💖💖💖💖💖💖💖💖💖💖💖💖💖💖

Nice track..like the sax!! ✨✨🌜😀👍

really smooth and saxy 🎵🎶👌🏿🔥

You can find this track also on Youtube where I filmed myself while playing this. https://youtu.be/s5ytA3aeu6w 

I just wanted to try out whether I could do a Boogie. This is the outcome. Hope you like it and it gives you good energy. 

Composition-wise: The left is a consistent 1/8th Boogie base line throughout the piece and typically consisting of a lower chromatic line and an upper constant note (e.g., C0-C1-D0-C1-Eb0-C1-E0-C1). The right hand dances over this with a partly Staccato theme that is loosened up by repeated Syncopes, Delays and advanced notes. The piece starts in a joyous C and modulates over its course to the minor third and ends in the warmer (and for me richer) Eb. 

The track has been recorded on a Roland FP-90.
The Cover art was created with Stable Diffusion which I continue fuddling around with. I think it is already a far jump from my previous „Sheherazades Tale“ Cover art but still not perfect. In particular, I continue to wonder what kind of music might be played with the very peculiar arrangement of white and black keys on the keyboard.

Danc'n On The Low Keys (Solo Piano)

Recorded in Modesto, Ca.   Featuring Hammond B3 Organ solo. Gibson 335 Electric Guitar solo. Trumpet solo. Fender Electric Bass. Vibraphone Rhythm. Trap Drum Set, Full Kit. Percussion Tambourine, Zildjen Crash 22" Crash Cymbal.

Hermosa

Bloomering

BLACK BACKGROUND
========================

23 tracks native MS2 instruments and Xewton forum.

6 tracks kv331 Synthmaster

2 Xpad tracks

2 tracks Arturia imini

1 Flowtones track

2 Oberheim Ob-x tracks


Music unconsciously reflects a state of mind.

A few weeks after the accident he couldn't find the time to create new music. That's why I decided to reissue this title, which coincided with a negative episode in my life, revitalizing some sounds and eliminating others, to obtain a dark result and adding synthesizers at the end that would express something like a cry of liberation.

I hope you liked the result.

Thanks for the comments and support.

Paco.

Black background (Re edited 2023)

We wish every musician here on SoundCloud a Wondrous and Creative 2024!

❤️Love, 🕊️Peace, 🙏Respect

Here are the Liner Notes for this CD.

In the depths of musical exploration, where genre boundaries dissolve and creativity reigns supreme, emerges Shekinah Fire – a dynamic collaboration between improvisational pianist Gary Courtland-Miles and guitarist Tim Elliot. With their debut album, "Beyond Belief," they invite listeners on an exhilarating journey through a fusion of classical, jazz, and orchestral improvisational music.

Over the course of the past year, Courtland-Miles and Elliot have forged a partnership grounded in mutual trust, an unspoken agreement in spirit, and a fearless willingness to 'fall off musical cliffs together.' The result? Over 40 unique and passionately crafted compositions that defy categorization and transcend conventional reference points.

At the heart of Shekinah Fire's music lies a palpable sense of wonder, freshness, and authenticity. Each track unfolds with an undeniable sense of spontaneity, guided by the duo's intuitive connection and shared musical vision. Whether navigating intricate melodies or delving into soul-stirring improvisations, Courtland-Miles and Elliot infuse every note with heart and soul.

Recorded at "The Living Room" in Victoria, British Columbia, Canada, "Beyond Belief" captures the raw energy and excitement of Shekinah Fire's live performances. Using only one stereo microphone, the album preserves the intimate atmosphere of the room, inviting listeners to immerse themselves fully in the magic of the moment.

Through a blend of electric and acoustic pianos and guitars, Courtland-Miles and Elliot weave a sonic tapestry that is as captivating as it is transcendent. Each composition is a testament to the duo's boundless creativity and unwavering commitment to artistic exploration.

So, dear listener, heed the call to adventure. Let go of preconceived notions and surrender to the spellbinding allure of Shekinah Fire's "Beyond Belief." For in the realm of music that is 'beyond belief,' there are no limits – only endless possibilities waiting to be discovered.

   🎹 🎶 🎸

Photo: Aurora Over Iceland 2023

Music © Gary Courtland-Miles & Tim Elliot 2023
           ℗ Gary Courtland-Miles 2023 & Tim Elliot 2023

Edited and Produced by © Anomon


Noyes for this Track

Here's the 'abridged version' of Beyond Belief. Part One, so to speak.

As with most of our improvised music, it starts where Belief gives way to the Experience of Being in the moment and engaging in Deep Listening.

We trust you'll enJoy this latest of the 'musical conversations' Tim Elliot and I delight in whenever we have the chance.


For the full version go to : 
https://soundcloud.com/gary-courtland-miles/beyond-belief

Full Liner Notes are there.



© Gary Courtland-Miles & Tim Elliot 2023
℗ Gary Courtland-Miles 2023 & Tim Elliot 2023

Beyond Belief *

I'm glad, that Ryszard invited me to add some Saxophone on his superbe Acid Jazz Track. Please check out his post, to read his words about this track: https://soundcloud.com/r-u-r-pl/the-two-of-us also, to leave your feedback there !
https://soundcloud.com/r-u-r-pl - complete backtrack + final mastering
joerxworx: Tenor Saxophone

The Two of Us // R.U.R. (feat. joerxworx)

vocal: Emy
bv's: Nic
cello: Polina
sax: Rob
animation:
https://youtu.be/HZoDvkk-JQM

Oubliette

Album D' Apres Le Folklore 'Chanson Populaire' par Dia Succari
Adrien Frasse Sombet I Violoncelle
Zina Asfour I Piano
Extract from the cd entitled Folklore
Enregistre a Studio Malambo en FranceI Mixage Studio MARS I Mastering D. Brouillet I Edits Kawar Studios
Photo de couverture par Usama Tamimi a Petra Al Beida en Jordanie.

Album D' Apres Le Folklore 'Chanson Populaire' par Dia Succari

Second track from "Cathedral of Ecstatic Sounds", a set of collab with Damga.

Cathedral of Ecstatic Sounds - Spatial Ballad

Cathedral of Ecstatic Sounds - II - Spatial Ballad (Damga & HyLGZ22)

Kit: uKORG, Moog D, Volca FM and nubass, TerverseLogic Pro X
Acknowledgements:
Cover Art: Detail from "The Deluge" (1920) by Winifred Knights
Samples: 
a) London Underground, train announcements included the "See it, Say it, Sorted" slogan..."We are now approaching London Liverpool Street where this train terminates.... please mind the gap when leaving the train...please take care when leaving the train..."
b) Channel hopping using Skywave app focused on North American Short Wave radio broadcasts (9-10 MHz range) from "Brother Stair"
"The cost of following the truth, no matter what the cost, is everything... Go to hell, Satan... This is eternal life... Praise the Lord, this is a glorious thing...the world is hovering on the brink of disaster... the world's food supply will be decimated...the demons will impersonate extraterrestrials... many lives will be lost during these series of events...there will be martyrs....Empty the Earth.... you have to get yourself ready...the truth is, you can't...   ...no one can"

The Third Coming (XL3)

Chapter 153 of 266
Chapters released every weekend. All TAFFETA tracks are created within seven days. 

I use a complete hybrid of organic & electronic sounds within the scope of the Taffeta project. Nothing is out of the question and no limits are set on how things may evolve one way or another.

If you wish to take a dive into everything that has come before:
The TAFFETA Albums each contain 15 consecutive tracks and are available for free, exclusively on Bandcamp.

TAFFETA Vol. 9 is now available exclusively on Bandcamp.
https://belialpelegrim.bandcamp.com/album/taffeta-vol-9

COVER YOUR TORSO WITH TAFFETA! Check out the official TAFFETA t-shirt!
belialpelegrim.bandcamp.com/merch/belia…feta-design

The TAFFETA Playlist is always kept up to date:
https://soundcloud.com/belial-pelegrim/sets/taffeta-a-266-part-musical?si=d46fc7ad1b50446dadc7ce3ffe1a1b02&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Taffeta 153

TAFFETA 153

A short piece, or rather an idea for a piece, that I wrote during the composition challenge at Point Blank. Time to write a piece: 1 hour, main theme: number 5

Number 5

Thanks so much for 437K plays since 2013 !!!*
https://soundcloud.com/charts/new?genre=all-music&country=all-countries
___ https://www.drumax-project.de
___ Drumax PROJECT with @docfritz / https://oesj.eu/drumax
___ the Lunatics project with @cosmic-ratzzz
A playlist of collabs which should be updated :-))
https://soundcloud.com/joerxworx/sets/joerxworx-collabs-the-big
.......... band/jam cloud: https://soundcloud.com/pland-jammin
.......... my old account: www.soundcloud.com/joerxtune
.......... Also on https://hearthis.at/joerxworx-8v/
Jörg S. born in Cologne, from youth on, was fascinated by all kinds of art, so he taught himself the saxophone very early. Nowadays flutes of all kind are also part of the equipment, as are jaw harps, percussion, bass, guitars and keyboards.
He was and is always involved in many band projects and session events.
In the 80s he was a saxophonist in the Adam Noidlt Intermission Orchestra with gigs in Berlin, Cologne, Düsseldorf and Basel. Very early on he also worked as a writer with live readings in the Cologne area and was a painter with large formats for many years, all in addition to his job as a graphic designer. Now, retired, devoted solely to music: home recording with the platform of choice, Soundcloud and global collaborations.

*32K before 2016

The Two of Us // R.U.R. (feat. joerxworx)

joerxworx

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