Great track. Really like the crisp drums and the overall energy and vibe. And cool vocals.

Very cool track, nice transitions.  Another great collab of the EC.

Wow blistering guitar! great vocals, guitar, and everything else, nice changes

🎤 The vocals are really cool,great track 🔥🔥🔥

This transports me to the mosh pit at JBs down in Kent OH 1984! Yes!

War ! Business is booming …tools of death for sale ..who profits ? ..the state of course who else can move arms easily between countries !, Thanks for listening 🤗 peace & respect 🙏

WAR PIGS  one shot live impro recording Dawless

Garageband keyboard sounds
Yamaha Tenor Saxophone

New <insert choice of word>

A very simple track I did in my partners studio about... 3 years ago and forgot about.  not the best ending I've ever done!

Recorded and produced at Rose Pro Studio,
by Cookie Jay

Joy of the Darkest Night

I originally recorded this track in 2001 when my friend Molly and I formed the "Moving Air" project.. @moving-air
This is the 2024 remastered version.
Composition, arrangement, instruments & vocals: c r u m i u s
Lyrics: Sascha B.
Backing vocals: Molly M.

Fantasiewelt

Ich sitze hier und grinse
zusammen mit John Lennon auf einer Insel
wunderbar, auch noch da ist Kurt Cobain
und vor ein paar Tagen erst, habe ich auch Elvis gesehen

Was, das wollt ihr mir nicht glauben?
Doch, meine Fantasiewelt, die könnt ihr mir nicht rauben
Alles so schön rund, kunterbunt und gesund

Jeder weiß alles, brauchen tun wir nichts
Geliebt wird das was gut ist, kein Gezeter, keine Tricks

Wir können vor dem schlafen gehen Schafe zählen
Müssen uns nicht durch die Tage quälen,
Wenn du Lust hast, dann mach was,
wenn nicht, dann lass das

Ich grinse als bestände die Luft nur aus Lachgas
Ich grinse als bestände die Luft nur aus Lachgas

Keine Armut, kein Streit, keine Kriege
Keine Armut, kein Streit, keine Kriege
Keine Armut, kein Streit, keine Kriege

Ich schließe meine Augen und Fliege
Ich schließe meine Augen und Fliege
Ich schließe meine Augen und Fliege
---------------------------------------

Fantasy World

I sit here and grin
on an island with John Lennon
wonderful, Kurt Cobain is also there
and just a few days ago, I also saw Elvis

What, you don't want to believe me?
But you can't take my fantasy world away from me
Everything is so beautifully round, colorful and healthy

Everyone knows everything, we don't need to do anything
What is loved is what is good, no complaining, no tricks

We can count sheep before going to sleep
We don't have to torture ourselves through the days,
If you feel like it, do something,
if not, then leave it

I grin as if the air was made of nitrous oxide
I grin as if the air was made of nitrous oxide

No poverty, no strife, no wars
No poverty, no strife, no wars
No poverty, no strife, no wars

I close my eyes and fly
I close my eyes and fly
I close my eyes and fly

Fantasiewelt

🖤

Fantasiewelt ☮

Recorded in Modesto, Ca.  Featuring Gibson 335 Electric Guitar solo. Alto Saxophone solo. Fender Rhodes Electric Piano solo. Fender Electric Bass. Roland Synthesizer Bass. Horn Section Alto, Tenor, Baritone Saxophones. Fender Rhodes Electric Piano Rhythm. Drums Full drum kit. Percussion Bongos, Zildjan 22" Crash Cymbal, Ago go Bells, Cow bell, Tambourine.

Carmel

Lumpy Gravy

Cast of characters: 

Quanah Stewart --vocals, lyrics
TexMex Shaman– @texmex-shaman –Stephen–electric guitar, synths, arrangement, composition, mix, and production 
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 – four-string fretless bass
 
This song began with Stephen and his friend and bandmate, Quanah Stewart who also sings this version, and who wrote the lyrics. They were in a band together for about 7 years in the early 2000s. When the band broke up, they went many years without playing together. Until, in 2018 Stephen started his TexMex shaman project and this was one of the first songs he wrote.  Quanah had moved to Austin in the meantime but on a visit back to Dallas, Stephen asked him to come over and add the vocal track you hear on the song.  
 
Fast forward to 2024 and Stephen wanted to remix this along with a few other older tunes. He asked his good friends and teammates Ken and me if we'd like to help, and of course, we were super enthusiastic.  This is what Stephen had to say about the finished product. "Their parts blew me away.  Beyond what I expected and it made it a whole new song.  Very grateful to them both for their time and talent." As are Ken and I very grateful to Stephen for sharing his awesome rocker with us.  
  The title comes from trying to think of the stupidest song title Stephen could come up with, on a bet. And it’s close. 
  Of course, Stephen did the honors of mixing and producing it. Ken and Josh had a lot of fun brining this song back to life with him, whose creativity and skill are unparalleled. We all hope you (and Quanah) enjoy listening to it as much as we enjoyed creating it. 
Original Lyrics by Quanah Stewart:
1212 still like to dance still like to sing deep cover elevator parking lot bring yeah THEY don't know about IT THEY aint seen we squeakin tweakin but were bufferin th stream yeah favorite stories favorite songs hey check th timeline might be gettin mighty long now my mind expanded my mind IS blown my head exploded but I dont know what it shown yeah (unknowable silence) NOW ITS some bullshit we went through who knew th
CHASMS came & got you 2 still sayin fuck you still stayin high still makin me believe that Bon Scott never died rye whens the punchline when
IS IT near nobody laughin said that no one shed o tear NOW so whats th story what th eff we gonna have to make IT with what little we got left yeah yeah

Tallywhacker OMG! (with Stephen and Ken of Eclectic Collective, and sung by Qhanah Stewart)

Welcome Friend. Rest your weary legs and vexed mind a while, and I'll tell you a tale of ancient times, when fair Gwydion roamed far and free, and the very trees rejoiced...

Gwydion's Air

Made in #Ableton (August 2024)

This track is dedicated to my grandfather.
He also made music, like organ, accordion, harmonica etc.

https://hega.bandcamp.com/album/grandfather-ii

Grandfather (II)

Come On Home

In The Night

The only symbol or Emoji I used before becoming active on social media was the heart and happy face.  I have since expanded my knowledge at least 500%! However, I would rather write or say what I'm feeling, and I don't like the guessing game when texting with others.  BUT, I do have a favorite Emoji, Sparkles!  I love the overarching meaning of celebration, excitement, joy, happiness, love of life, and gratitude.  I also love pairing sparkles with the heart (my second favorite Emoji) to mean a deeper feeling of admiration and love.  When I started to create this piece, the tones and melody sparkled with shimmering magic.  The style of Impressionism is just that! I hope you love the sparkle too!

Jennifer
Music Dreams
September 1, 2024

Sparkles

"Magic is what we do. Music is how we do it." -- Jerry Garcia

Welcome to my page, my peers, associates, friends, and musical family. I'm a lifelong, multi-instrumentalist musician who records prolifically and joyfully. You'll hear me play guitar, bass (regular four string, and four and five string fretless), mandolin, banjo, keys (piano, organ, synth), lap slide, sitar, and sing on my recordings here. I've been in a few dozen bands in my life, playing everything from bluegrass, jazz, rock, jam band, reggae, funk, afrobeat, Middle Eastern, traditional Irish, singer/songwriter, pop/covers, to experimental/avant garde. 
  Since I found SoundCloud a couple years ago, I've found many talented, creative people with whom to create music. However, in the summer of '23 I formed a band called The Eclectic Collective with some of my favorite musicians I've met through here. It started as a loose collective of musicians and coalesced into a core group of musicians who find other musicians with whom we'd like to make music, then run their songs through our process, and in effect add a full band. That core of The Eclectic Collective includes Tez (Llanpsych), J.J. Terrel, Ken (K2 and the Three), Stephen (Texmex Shaman), Chris (cgmaness), and Mark (mistermark). A couple of other musicians are frequent collaborators, as well, including Artur of Surfers Like Us, and Steve Vervaet of Steve's World. More recently, we've been joined by Carl of The Beautiful Dark fame. 
  The magic of music is amplified exponentially by each person adding to it. So, we really try to add our sorcery all kinds of music from all kinds of artists. Sometimes, we keep it within the group, but a lot of what we do is collaboration with other artists. Therefore these days, 100% of what I do is collaboration, within the group or with other artists on the side.
  I, and we, are also available for hire if you have a song or lyrics and you really want to add bigger instrumentation or a band and good production to it. 
  A small sampling of the artists whom I consider primary influences, and whom you will hear coming through my fingers include Phish, The Flaming Lips, The Grateful Dead, Radiohead, Rye Cooder, Steve Earle, Miles Davis, Fela Kuti, Arcade Fire, Mikey Dread, Yellowman, Purpleman, The Meditations, Michigan and Smiley, Lee Perry, Dillinger, Django Reinhardt, Impossible Recording Machine, The Allman Bros Band, Pink Floyd, Led Zeppelin, Cream, Bela Fleck, Les Claypool, Sam Bush, David Grissman, John Prine, Talking Heads, Beastie Boys, MMW, Moe., Morphine, Ween, Steve Lukather, Michael McDonald, John Abercrombie, Dave Holland, John Scofield, Victor Wooten,  Cannonball Adderly, Thelonious Monk, Flea, Parliament Funkadelic,  Frank Zappa, Prince Paul, Pete Rock, Thievery Corporation, Amon Tobin, Chet Baker, Joao Gilberto, Stan Getz, Astrud Gilberto, Carol Kaye, Tame Impala, Mumford and Sons, Japanese Breakfast, LCD Soundsystem, Beach House, Sean Lennon, and Billy Strings, but of course there are many more. I also really like and am influenced by traditional Iranian, Palestinian, Indian, Sri Lankan, Sudanese, Mauritian, Somalian, Egyptian, West African, and Syrian music. I welcome anyone who plays non-western music to contact me for a collaboration, too.
 I'm overjoyed to have found my community on SoundCloud. This is a truly unique forum where everyone is sincerely trying to build each other up. The profoundly supportive and positive SoundCloud community has really opened up an exciting new world of collaboration for me. That is the main reason I'm in the Cloud, actually, to connect with other musicians and make music that I enjoy listening to, and hopefully others do, as well. I am ALWAYS looking to collaborate with interesting musicians, mostly though BandLab, which is where I record almost exclusively. It's a solid, free digital audio workstation hub where you can share recording projects, even if it's not where you make your recordings.
  Everything I do is live instrumental, not programmed, and using no computer beyond my phone. That's not to say that I would be opposed to using that kind of tool, it's just not my preferred medium with which to paint. If you like my music, please share it. If you want to collaborate, my BandLab handle is @bingo_pajama. Feel free to contact me at cornbreadband@hotmail.com, as well, even if you aren't on BandLab.
  If your music is primarily AI, please don't come around my page, as I'm not at all interested in complimenting a machine.
  Here's a link to music I've recorded live with a group of musicians here in Pittsburgh called The Northumberland Street Ramblers.
Check out The Northumberland Street Ramblers on #SoundCloud
https://soundcloud.app.goo.gl/fU4Me

Tallywhacker OMG! (with Stephen and Ken of Eclectic Collective, and sung by Qhanah Stewart)

Entheogenic Psychonaught (Josh Clary)

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