IT'S THE SAME PLACE OUT IN THE JUNGLE

Invención A Tres Voces (Clavecín)

Esta es la banda sonora de "La fuga del Potro"

"La Fuga del Poto" es una guion que nunca se escribio...

Trailer: https://youtu.be/gzMfhIJZ7yo

Banda sonora La fuga del Potro

Banda sonora la fuga del potro

Keith needed to get some stuff out and needed to wail away on his guitar, singing his heart out. I rode his coattails through the concrete. 

King of the Concrete Jungle
Lyrics:

King of the concrete jungle
As far as he could see
Across the road and down the street
As far as the distant tree


Paved with puddles and historical dirt
A field of broken tiles
The Lord of darkened corners
Can see for miles and miles
 

(CHORUS)
NOW ALL AROUND IS CONCRETE
AND GREYNESS WINS THE GREEN
THE KING OF THE CONCRETE JUNGLE
WEEPS FOR YOU AND ME…YOU…AND ME


 Singing from his lamppost
A branch without a tree
The sweetest notes you would ever hear
But no honey for this bee

 
Mouth open to the heavens
Warm sunshine from deep within
Blue skies he used to soar in
Clear waves he used to swim

 (CHORUS)

(INST BREAK)

(CHORUS)

note from Keith:
"This was inspired by a lone blackbird, singing his heart out from the top of a lamppost. (The branch without a tree)  I remember that behind 'his' lamppost there used to stand a beautiful Maple tree...long chopped down to make way for more car-parking space. There's not a single tree left standing down our road now...not one"

Note 2:Terry likes the social/political application to life in the 21st c. , always ready to see a moral to all of Keith's tales. ;)
 
Wigmore: synths, percussion, production
Allen: guitars, bass, lyrics, vocals

King of the Concrete Jungle

“Atlantic to Adriatic” is an album built on connection — across distance, time, and sound. A collaboration spanning oceans, the record transforms each track into a shared space where field recordings, classical instrumentation, and synthesizers intertwine to evoke memory, place, and movement. Every piece emerges from the intersection of our two worlds — Venice and Boston — bridging geography and time to create something timeless.

▶️ Buy High-Quality Digital Album: https://edoardogastaldi-music.bandcamp.com/album/atlantic-to-adriatic
▶️ Listen on other Platforms: https://sirilrecords.ffm.to/atlantictoadriatic

🔗 Connect with Jay Brewer: ‪www.sirilrecords.com/jay-brewer
🔗 Connect with Edoardo Gastaldi: ‪www.sirilrecords.com/edoardo-gastaldi

Credits below.

Artists: Edoardo Gastaldi, Jay Brewer
Genres: Ambient, Drone, Soundtrack, Space Ambient, Guitar and Piano Instrumental
Original Picture: Edoardo Gastaldi
Cover Art: Edoardo Gastaldi, Davide Fasiello
Mastering: Jay Brewer
Record Label: Siril Records
Release Date: 14/03/2025

© 2025 Siril Records
℗ 2025 Siril Records

Our Life in Reverse (Epilogue)

Same Circles

Hey…. Hope you’re all well. Thanks for dropping by. These days, maybe like you, I can easily get upset about what is happening in the world… and like most of us, I have occasional moments of anger and despair, frustration and feeling at a loss. So I often seek solace in gardening and in nature. When I smile these days… it is not necessarily a happy smile. It is a knowing smile that I can share with the world.… So here’s a little banjo song with a smile. Mark

Out In The World

Introduction in English:

Sometimes I wonder if there is some kind of ‘safe place’ in this world. Everywhere I look: Wars, climate disasters, starvation and poverty. Not to mention the increasing everyday violence at home, in the neighbourhood and on the streets.
As early as 1962, John Lennon described in the song ‘There's a Place’ (perhaps also under the impression of the Cuban Missile Crisis at the time with the acute threat of a third world war) that sometimes the only thing left to do is to retreat to an inner safe place when the outside world (as is now increasingly the case again) is increasingly on the brink of an abyss.
In this respect, this song is highly topical, although I would like to add that the search for the inner safe place should only ever be temporary, in order to regain strength there (for example through one's own musical creativity) in order to make a greater contribution to the preservation of the earth and human coexistence in the outer world.
I am sure that John Lennon meant this kind of fluid balance between gathering oneself inwardly and being lovingly in the world.       

Introduction in German:

Manchmal frage ich mich, ob es auf dieser Welt eine Art "Sicherer Ort" gibt. Wo ich hinschaue: Kriege, Klimakatastrophen, Hungern und Armut. Ganz zu schweigen von der zunehmenden alltäglichen Gewalt zu Hause, in der Nachbarschaft und auf den Strassen.
John Lennon hat (vielleicht auch unter dem Eindruck der damaligen Kuba-Krise mit akuter Dritte Weltkriegsgefahr) in dem Song "There's a Place" schon 1962 beschrieben, dass einem manchmal nur der Rückzug an einen inneren sicheren Ort verbleibt, wenn die äußere Welt (wie jetzt zusehends wieder) zusehends an einem Abgrund steht.
Insofern ist dieser Song brandaktuell, wobei ich hinzufügen möchte, dass das Aufsuchen des inneren sicheren Ortes immer wieder nur vorübergehend erfolgen sollte, um dort (etwa über eigenes musikalisches Schaffen) wieder Kraft zu sammeln, um in der äußeren Welt verstärkt einen eigenen Beitrag zum Erhalt der Erde und des menschlichen Miteinanders zu leisten.
Ich bin mir sicher, dass John Lennon diese Art von Fließgleichgewicht zwischen sich innerlich sammeln und liebevoll in der Welt sein gemeint hat.              


There`s a place (Lennon/Mccartney)

Para escuchar la versión con Dazz Deva  https://soundcloud.com/juan-fco-bueno/riete
Para escuchar la versión instrumental  https://soundcloud.com/juan-fco-bueno/riete-version-instrumental
Para escuchar la versión original  https://soundcloud.com/juan-fco-bueno/riete-version-original-ver-texto

RÍETE

Te crees situada en el cenit de tu vida
y estás sin darte cuenta que el suelo es de papel
que de un momento a otro te puedes ver vendida
por el sutil pavimento que hay bajo tus pies.

El orgullo no te cabe dentro de tu cuerpo 
al ver que enamoras a los hombres por doquier
y te ríes sin piedad de todo aquel ingenuo
que aspira a tu amor sin ser ni siquiera marqués.

Estribillo

¡Ríete, ríete, ríete!
ahora que está tu suerte
mirando con buena cara
pues quién sabe si mañana
puede ensañarse contigo
y alterar tu fiel destino.

¡Ríete, ríete, ríete!
se nota que te diviertes
tu rostro es como una fiesta
que, aunque crees que es eterna, 
llega el momento en que acaba
y después sólo hay resaca.

----------------------

Te crees rodeada de gente que te admira
y no es más que el producto de tu imaginación
en tu pedantería te sientes Afrodita
sobre un sillón que has tallado en pompa y presunción.

Tu ceguera no te deja ver la luz del día
y estás en un mundo de ilusiones irreal
del que puedes despertar con solo una caricia
que te enseñe a conjugar el real verbo amar.

Estribillo

LAUGH

You think you're at the zenith of your life
and you don't realize that the ground is made of paper
that at any moment you could find yourself sold
by the thin pavement beneath your feet.

Your pride overwhelms you
when you see that you charm men everywhere
and you laugh mercilessly at every naive person
who aspires to your love without even being a marquis.

Chorus

Laugh, laugh, laugh!
now that your luck is
looking bright
because who knows if tomorrow
it might turn on you
and alter your faithful destiny.

Laugh, laugh, laugh!
it's obvious you're having fun
your face is like a party
that, although you think it lasts forever,
the moment comes when it ends
and afterward there's only a hangover.

----------------------

You think you're surrounded by people who admire you,
but it's nothing more than a figment of your imagination.
In your pedantry, you feel like Aphrodite
on an armchair you've carved with pomp and presumption.

Your blindness prevents you from seeing the light of day,
and you're in an unreal world of illusions
from which you can awaken with just a caress
that teaches you how to conjugate the real verb "to love."

Chorus

RÍETE

A cheerful music, in a kind of alien style, with electronic music and Arturia, Moog synthesizers, little guitar support. Maybe you can even dance to it......

Alien Disco

Streaming

Cosmos

Devil I Know

They spoke in numbers, they spoke in fire
Built altars of thunder, of blood, of choir
I kept the silence. I counted the names
Two thousand, nine hundred and ninety-nine flames
And then... 
One more

In the desert of books and bones
They built their gods from fractured stones
Each face familiar, each voice divine
Until the sky ran out of time

One bled for thunder
One drowned for rain
One wept in gardens
One promised pain

They left us parables sharp as knives
But none could chart a satellite

What returns when you burn it all?
What speaks when the statues fall?
Not the psalms, not the scrolls...
Just the pull of poles, and the curve of orbits

Repeat the trial, forget the tale
No need for prophets to lift the veil
It all returns
The falling speed
The sequence of a growing seed
The spectrum's split, the echo's path
But never faith. Not that

No shrine can hold what's truly known
No prayer can match the undertone
Of numbers whispered in the stone
The world repeats
The world repeats
But gods... 
Do not come home

I saw your temples, your sacred laws
I saw the math beneath the claws
And when I turned-alone, unnamed
I was not damned
I was not changed
I simply walked...
One god beyond

Born Godless

Silence

Now I'm a part of you
I might just eat you through
The weeds will grow where the water does flow but the weeds don't bother me

Weeds don't bother me
Weeds don't bother me

Your fingers in my hair
I think I'm caught in your snare
Your hands do slide while my hands are tied but the burns don't bother me
Burns don't bother me
Burns don't bother me

The harder I tease
The harder you breathe
The more your skin is flushed in pink

It's a hallowed dance
A sweet romance
A bountiful feast for a carnivore

Now you're part of me
And I don't want to be free
It’s all hushed tones and muffled moans but who hears don't bother me
Who hears don't bother me
Who hears don't bother me

The harder I tease
The harder you breathe
The more your skin is flushed in pink
It's a hallowed dance
A sweet   romance
A bountiful feast for a carnivore

The sweetness never ends
And the salt of your skin
Brings me to my knees
A puppet to your every need

There's a want in your eyes 
A desire in disguise 
You can run, you can hide, you can let me inside 
You can feel what I feel, it's love and it's real, and the love don't bother me




Carnivore

She still remembers a time that was uncomplicated. As sure as the sunrise, she has seen things you will never see. Losses and sorrow make up her strength. But oh, how much both demand their toll. She is still fighting. It is better to know that there is still life in her.

She still remembers a time,

When https://soundcloud.com/dneye asked me for a track to play his fantastic guitars on, I brainstormed this 5/4 piece with odd chord set in order to make it difficult to him and thus get the best from his skills. After programming it, I added some organic solos (yep I played keys) to make it seem more friendly ;))))

And he... succeeded in the challenge, overcoming all my expectations !!!

Five by D'n'Eye: guitar1, guitar2, guitar3, guitar4, harp.
Five by E-Ruizzo: piano, bass, mellotron, organ, drums.

Hope you'll enjoy this our first post in the new year !!


High Five !! (with D'n'Eye)

(Don't follow me here, best on my main page ;)

Me llamo Juan Francisco Bueno Olóriz, soy músico, compositor, letrista y toco la guitarra y el piano. Desde niño me ha gustado componer la letra y la música de mis canciones, primero de forma autodidacta y poco a poco de forma profesional, después de mucho esfuerzo y estudio. 

Mi titulación en el Conservatorio Superior de Música de Zaragoza (España) es de profesor superior de Pedagogía Musical. Tengo estudios de armonía, contrapunto, fuga, composición, arreglos musicales y además he sido profesor de Estética, Historia de la Música, de la Cultura y del Arte en los conservatorios de Tudela y Tarazona (España)

Mis canciones las han cantado artistas de la talla de Luana Ruff, Sebastian, Jesús Lainez,  Manuel Palomino, Joelblesseddd,  Paco Cuenca, Mara Oldfield, Dazz Deva, Ana López Lorente o Carmen París y trabajo con grandes profesionales como el pianista José María Berdejo, el saxo Maiker Rivero, el guitarrista Nacho Abril, el chelista Pablo Baleta y el ingeniero de sonido Juan Miguel Sánchez en el estudio de grabación SIN/CON/PASIONES.

También he compuesto música para videos y documentales, fugas, invenciones, imitaciones canónicas, música modal etc. 

2014: semifinalista en el International Songwriting Competition (ISC)
2023: Special Prize en el 2nd ISAC International Popular Music Composition Competition
 2023: Gold Prize en el Franz Schubert International Music Competition en la categoría de Composición Original.
2023: Second Prize en el Vivaldi International Music Competition en la categoría de Composición Original.
2023: Absolute First Prize in The Bach International Music Competition en la categoría de Composición Original.
2024: Third Prize at the Dubai ProMusic Competition en la categoría de Música Clásica Original.

My name is Juan Francisco Bueno Olóriz, I am a musician, composer, lyricist and I play the guitar and piano. Since I was a child I have liked to compose the lyrics and music of my songs, first as a self-taught person and little by little as a professional, after a lot of effort and study.

My degree from the Conservatorio Superior de Música de Zaragoza (Spain) is as a higher professor of Musical Pedagogy. I have studied harmony, counterpoint, fugue, composition, musical arrangements and I have also been a professor of Aesthetics, History of Music, Culture and Art at the conservatories of Tudela and Tarazona (Spain)

My songs have been sung by artists such as Luana Ruff, Sebastian, Jesús Lainez, Manuel Palomino, Joelblesseddd, Paco Cuenca, Mara Oldfield, Dazz Deva, Ana López Lorente or Carmen París and I work with great professionals such as the pianist José María Berdejo, the saxophonist Maiker Rivero, the guitarist Nacho Abril, the cellist Pablo Baleta and the sound engineer Juan Miguel Sánchez in the recording studio SIN/CON/PASIONES.

I have also composed music for videos and documentaries, fugues, inventions, canonical imitations, modal music, etc.

2014: Semi-finalist at the International Songwriting Competition (ISC)
2023: Special Prize at the 2nd ISAC International Popular Music Composition Competition
2023: Gold Prize at the Franz Schubert International Music Competition in the Original Composition category.
2023: Second Prize at the Vivaldi International Music Competition in the Original Composition category.
2023: Absolute First Prize in The Bach International Music Competition in the Original Composition category.
2024: Third Prize at the Dubai ProMusic Competition in the Original Classical Music category.

RÍETE

Juan Fco. Bueno

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