"Postcards We Don't Send" is a tender, witty track about all the intimate confessions we write in our hearts but never drop in the mail. This is the soundtrack to the love that lives in the draft folder.

Over a smooth, melancholic melody, the male vocal shares those suspended moments: the best photos we save in the gallery, the promises glued behind the glossy paper, and the fears that serve as the postage stamp. We write "light rain" but we mean "hurricane." The address is simple: "where you are"—that’s all it takes to find me. Listen if you're waiting for the other person to finally peel off the stamp and let the ink run free.
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"Cartes Postales Qu'on N'envoie Pas" est un morceau doux, intime, qui parle de tout ce qu'on écrit dans nos cœurs sans jamais le poster. C'est la chanson de l'amour qui se vit en brouillon.

Sur une mélodie smooth et mélancolique, la voix masculine nous confie ces moments suspendus : les meilleures photos qu’on garde dans les drafts, les promesses collées derrière le papier glacé, et les doutes qui servent de timbre. On s'écrit "petite pluie" mais on pense "ouragan". L'adresse est simple : "où tu es"—ça suffit pour se trouver. Écoutez-la si vous aussi, vous attendez juste que l’autre décolle le timbre à deux doigts.

Cartes Postales Qu’on N’envoie Pas (Postcards We Don't Send)

This is more than a track—it's a maximalist, time-traveling flight over Saigon! "Sài Gòn 3000" is the anthem for a brakeless, wheeless love where the chaos of the city (flooding, motorbikes) is transformed into supersonic ecstasy.

The brutal, hard drop power of 2000s club trance —creating a future anthem that is both aggressive and deeply rooted in Vietnamese culture. We launch off from the flooded streets with a single promise: "You and I will never touch the ground again!" Because when you are here, even as the floodwaters rise, my heart remains dry. Let's fly up and ride this rush for another three thousand years!
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Đây không chỉ là một bản nhạc—mà là chuyến bay vượt không gian và thời gian của Sài Gòn! "Sài Gòn 3000" là bản nhạc nền cho một tình yêu không bánh, không phanh, nơi sự hỗn loạn của thành phố (nước lụt, xe máy) trở thành nguồn năng lượng siêu tốc.

Âm thanh Hard Drop mạnh mẽ của dòng Trance những năm 2000 —tạo ra một bản anthem tương lai vừa dữ dội vừa đậm chất Việt Nam. Chúng ta phóng lên từ những con phố ngập nước, mang theo lời hứa: "Anh và em, mãi không chạm đất nữa!" Bởi vì khi có em, dù nước lụt có dâng cao, lòng anh vẫn khô ráo. Hãy cùng nhau bay lên và rong chơi đến ba nghìn năm nữa!

SàiGòn 3000

This song is a deeply heartwarming duet that captures the simple, eternal joy of shared love found within the ordinary yet beautiful setting of the tree-lined paths near Yoyogi Park in Tokyo.

The gentle voices of the warm mezzo-soprano and steady tenor narrate the perfect, quiet moments of their relationship: matching steps, sharing a canned coffee, and feeling the warmth of a hand against the cold wind. The musical arrangement, featuring light strings and glockenspiel, swells to express the feeling that the sunlight filtering through the trees (Komorebi) makes "today feel like forever."

It is a celebration of enduring hope, conveyed through the message that even as years and seasons change, their special place in the park will always be there, waiting for them. It is a blissful track about wanting to walk this path together, always.
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この曲は、東京・代々木の並木道という日常の景色の中で見つける、シンプルで永遠の愛を描いた心温まるデュエットソングです。

優しく温かいメゾソプラノと落ち着いたテノールのボーカルが、歩幅を合わせ、缶コーヒーを半分こするような何気ない瞬間を綴ります。光が差し込む木漏れ日と、少し冷たい風が吹く中で感じる手の温かさが、今日という日が永遠に続くかのような奇跡を演出します。

グロッケンシュピールと弦楽器が加わるサビは、この愛が季節や年月が経っても変わらない、**「公園はいつも私たちを待っている」**ような普遍的な希望を表現しています。いつまでも、この道を一緒に歩き続けたいと願う、幸福感に満ちた作品です。

代々木の木漏れ日 (Sunbeams Through Yoyogi Trees)

This account here isnt for promotional purposes. Its just simple placeholder and a showcase for our internal group. Its not meant to be "marketed" in soundcloud. We also DO NOT SEEK ANYONE'S ACKNOWLEDGEMENTS HERE. If u like what u hear? Cool. Or else? Still cool =)

50% of the songs here have been AI aided in the production phase but one thing remain constant here, the chords used, the lyrics, the tune are all original. We record one Verse/PC/C, and then AI will "gacha". All inconsistencies are edited with DAW. None of the songs on this channel here are finished complete productions. By doing this, we can ready a sample in less 3~4 days. If u still do not understand how wonderful this is for busy people with day time job, then good for u. Which means u have already ascended to the level that u make a huge killing from producing music =) 

Our group have lawyers, engineers, doctors and even ecologist etc. So its pure hobby for now but we are planning for bigger things. Afterall, many of the music on this channel are pure nostalgia from the 80s to 2010s. We recreate songs that we crave since more than half the group are boomers. =[

So no. Dont have to like the songs. =) We aint here to hunt for likes. We have other motives in our own production circle for 2026.

代々木の木漏れ日 (Sunbeams Through Yoyogi Trees)

Albiony

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