This is a mix of some of the fantastic tracks of Alpha37 who kindly allowed me to get into the mix with his work. Minus a flaw in the prep of the first transitions, I like this mix from a technical perspective. 

Check out his fantastic tracks here: @user-864857634.

Photo by Savvas Stavrinos: https://www.pexels.com/photo/monochrome-photography-of-people-shaking-hands-814544/

Meeting Alpha37 - The Second Encounter

.....   KillaSoundBoy   ..... 

aka  KSB-SELECTA-D  aka KSB  aka Natty Rebel aka "TheSoundArchitekt"  

   -Composer/Beatmaker/Selecta/Producer-

   -ELECTRO DUB SYSTEM // FUTURE DUB 
    JUNGLE DUB // FUNKY DUB // REGGAE MUSIC-

        -DUB FUSION SPECIALIST-

  Reggae // Trippy // Fusion / / Triphop // Electronic // Jungle // Hip-Hop // Future Trap // Dark & Drill

CONSCIOUS MUSIC / UNDERGROUND / MUSIC AGAINST BABYLON // MUSIC 4 MINORITY

  -No A.I. Music-

...I would follow everyone who follows me but I can't as we are  restricted to 2000 followers ... sorry if I don't follow you back....

....But, don't hesitate to send me your tracks in a private message, I will listen to them and repost them with pleasure and follow you in this way....Bless Up ...

Before work for KRT Production (2021-2024)

Now ,a new Label ... KSB-PROJECT ...(Independent Label)
     ..... Live & Studio Project.....

My passion is Dub & Reggae music (reggae and dub represent 40 to 50% of my musical production, the rest is dedicated to other styles) ,but I like & I make also others & different styles of music likes Jungle ,D&B ,Trap ,Ska ,Hip Hop ,Electro ,Acid ,Afrobeat ,Jazz Fusion , Funk ,Darkwave , Trip-Hop ,Drill ,Techno Dub ,Electro Funk 

...I build my tracks, like a story to tell..., I don't really create according to my inspiration, it is continually present, but rather to the emotion of the moment... that's perhaps why I create music of very different styles, my wish is to be able to make you travel or make you tripping or make you grooving through my productions...

Ex Member of BBAM (2022-09/2024)

-Creator & Manager of KSB-PROJECT 
       -(Live , Studio & SoundSystem)-

-Music Events Organizer
       -(KSB-PROJECT & Ziksport Asbl)-

Open for collabs in differents styles ...

Contact me by e-mail....
  - killasoundboyNR@hotmail.com
  - raulcripps@hotmail.com

    ..... Peace ,Love & Unity  ❤️💛💚.....

Bumbo on Spotify

DM to collab/rap over some beats. In dire need of rappers

2K on spotify - Bumbo

“ ….There is a crack in everything, that’s how the light 
   gets in … “

Sorry, I cannot read or send private messages. Try to contact me on Ig: pativio. Thanks

The flag of The United States of America. Bows to no Earthly king.

★MTM Productions★
✯Realization of musical productions (Recording, mixing and mastering).
Mastering True Music is composed of:
☆Founding Partners and Presidents:
- Miguel Sepulveda Arnau (Mastering engineer)
- Richard Jones Belloch (Mixing and mastering engineer, producer)
☆Music Department:
- Freddie Maier López (Musician, producer)(Attention social networks)
- Steven Davis Williams (Musician, producer)(Attention social networks)
- GABI Alonso Hernández (Musician)
☆Technical Team:
- Christine Sampson(Recording, editing and mixing)
- Martín J. Alonso Umpiérrez (Recording, editing and mixing)
- Alessandro Giordano(Recording, mixing and mastering engineer)
☆Administrative Department:
- Amanda Bernard Thomas 
★ MASTERING TRUE MUSIC ★ 2023 MTM Ⓒ

Krap Noise / DJ Peluka
Thursday Club / SUVA / ATW Music / Nocturnia


Krap Noise is driven by the raw spirit of tribal rhythm and the power of imperfect groove — music that rises from deep within, fueled by emotion, energy, and truth.

Born in Seville, Spain, his journey began in 1995 when electronic music transformed his life forever. Raised in a family of musicians, music became his native language.

Throughout his career, he explored different artistic stages and identities. He first emerged in the breakbeat scene as DJ Peluka, later evolving into Jota Gonzalez, where his sound took on a more melodic and progressive character. His artistic evolution ultimately led him to his true creative identity: Krap Noise — a global sound that transcends genres, blending Afro House, Organic, Melodic, Progressive, Breakbeat and cinematic influences into a powerful emotional experience.

As founder of influential labels such as Nocturnia Records, ATW Music, Thursday Club, and SUVA, he has supported emerging artists and contributed to the evolution of underground electronic culture.

More than a DJ or producer, Krap Noise is a storyteller of rhythm — an artist who lives music from within, evolves with it, and shares soulful soundscapes with the world for those who know that music is not just sound… it’s spirit.

Booking: info@krapnoise.es

Schranz, Hardgroove, Industrial, Hard Bounce...

Acid Techno. Deep Tech. Rave House. Jungle. Hard Trance. Industrial Techno United, DaCosta Records, Expanse Records, Lefty Shades Records, Moskalus, Academia Records...
Chilled and groovy baby!
https://open.spotify.com/playlist/1oni7cZLInSlWs2g5vRvBQ
Rave Essentials:
https://open.spotify.com/playlist/1gcSVVpfg58udhsErgKjYq

A small note on my own behalf: I have noticed that my playback figures have dropped dramatically. The statistics show that the number of playbacks has dropped from 2000 per week to just under 200.
On the one hand, this is frustrating, as everyone sees this as an indicator and confirmation of their work. On the other hand, figures are not particularly important, but one wonders what is wrong. In my opinion, SC has changed a lot, uploading tracks has become more complicated and constant security queries are annoying.
In addition, great artists are disappearing from the platform, partly by their own choice, partly because they have been banned, the algorithm has “recognized” them as spam and mercilessly deleted their account. I'm still a paying member, but my attitude towards this has changed...

Please let me know your experiences and impressions.

😮‍💨😔


When I don't have the time to actively listen to my favorite artists on soundcloud, I just leave the stream running...while washing up in the kitchen, for example 😆

By the way: this user-92853963 was my old link address and leads to the empty.... I AM NOT A ROBOT!

********************************************************************

A long, long time ago, there was an organ in the Christmas-decorated living room in his parents' house, where Frank grew up. Originally bought by his father for his two older siblings, they showed no interest in playing the organ. Frank, however, did. White and black keys and giving off strange sounds. 

So at the age of 9 he began to let his fingers circle on this instrument, searching for the right keys like on a typewriter. And another 9 years would pass before he could buy his first own instrument. Already at the age of 13 he made notes about the then current synthesizers, bought one magazine after the other and visited music fairs in Frankfurt, Germany.

His first keyboard was the Yamaha DSR-2000, which he bought in a music store near his hometown Biebertal. In installments! Finally he could develop himself further - away from the limited tonality of the small organ. The built-in 8-track sequencer helped him to reach unimagined heights. 
Little by little his equipment expanded and his ambition to create music like that of Jean-Michel Jarres came closer. Influenced by this and countless other musicians of the time, his interest grew, but he taught himself everything. Not even having attended a music school or being able to read music at all, he wrote one song after another and recorded them on the only medium available to him at the time: audio cassettes.
Many of these recordings are unfortunately lost forever, because cassettes are and were not the best recording medium. He has to try to play many of his songs from memory. 

In 2007, he fulfilled a long-awaited wish: to buy a KORG. He had always wanted to own one, but with the latest synthesizers at the time of their release having a purchase price of over 6000 D-marks (the currency of the time in the 1980s and 1990s), that dream of owning one was far away. So in 2007 he bought a used KORG 01W/FD at ebay. And as before with the purchase of the Yamaha keyboard, a completely new world opened up to him.

In addition, there were expanders and sound modules from Kawai, Roland and Yamaha (K1m, SC-55, QY10). Six years later his enthusiasm for making music ebbed and rediscovered his hobby (which it always was and still is). In 2018 in April he decided to present his music to a wider audience and uploaded his first song on the platform soundcloud. Since that time, thanks also to the ever-evolving software, he continues to evolve, experiment and relive his times through music.

Indabi Ngaphansik: 
Producer 
Rapper
Actor
Influencer

Klangmeer is the German translation for "Sea of sound" and that's what I want to create. 

In my early 20s a vinyl addicted house and funk DJ, still possessing the two Technics turntables, which were my first major investment. Dropped out of music when they forced the much more expensive CD into the market. Now back to music as a bedroom DJ and producer, mixing and producing my own stuff, still in love with house and funk and doing my first steps in orchestral composition and also techno. I'm also working on orchestral house as a musical concepts, trying to combine the magic of rhythm with the magic of classic instruments like strings, piano and others.

For artists, by artists.

Record Label based in Göttingen, Germany.

🔽🔽🔽🔽🔽🔽🔽🔽

We Want You !

Send us your demo at f.drews@vnmlabel.com.

https://fanlink.tv/VolumeNiceProducer

Meeting Alpha37 - The Second Encounter

Klangmeer - An Army of One