Live Performance recording at Sound Festival 2020. Laura Bowler (Voice) Ruth Morley (Bass Flute)

Commissioned by Sound Festival
Text by Timothy Morton

Wicked Problems

I was trained in tradition, yet I stepped beyond its walls. Sound is my language, not to decorate but to liberate. Composer, performer, and listener — one fire, three sparks, inseparable.

I write and compose to uncover what is hidden: the truth buried beneath power, the dignity of the ordinary, the current of awareness that flows through all.

I belong to no authority, only to sound, to truth, to the silence from which all begins. My work is not mastery, but remembrance — a manifesto in every note, every word, every breath.

I am a composer of the 21st century: a studio artist. The studio is my forge, my battlefield, my sanctuary. Machines hum like choirs, circuits burn like torches, cables twist like roots in the earth. Tradition breaks open in this fire — the score turns to light, the instrument becomes the world itself.

To be a studio artist is to seize sound at its rawest, to sculpt electricity and breath as one, to summon the invisible power that belongs to all. Here music is not bound by walls, not enslaved by profit, not tamed by form. It is free, untouchable, unending — a living flame for the century that is ours.

https://www.youtube.com/user/missbowls77

Laura Bowler, described as “a triple threat composer-performer-provocatrice” (Arts Desk-Premiere of FFF at Huddersfield Contemporary Music Festival) is a composer, vocalist and Artistic Director specialising in theatre, multi-disciplinary work and opera. She has been commissioned across the globe by ensembles and orchestras including the BBC Symphony Orchestra, ROH2, Opera Holland Park, The Opera Group, Manchester Camerata, London Philharmonic Orchestra, Quatuor Bozzini (Canada), Ensemble Phace (Austria), Ensemble Linea (France), Omega Ensemble (Australia), among other groups both in the UK and abroad. Recent projects include; a music theatre work, FFF, for Ensemble Phace (Vienna) and vocalist (herself) commissioned by BBC Radio 3 and HCMF; Feminine Hygiene, a multimedia work for large ensemble and vocalist (herself) commissioned by the BBC Philharmonic and Sounds from the Other City Festival; Damned Mob of Scribbling Women- a 20 minute music theatre song cycle for leading UK new music vocalist Lucy Goddard recently nominated for a British Composer Award; Antarctica, a 50 minute multimedia work for orchestra and vocalist (herself) co-commissioned by Manchester Camerata and BBC Radio 3.

Laura has performed and premiered works internationally as a vocalist including the premiere of Louis Aguirre’s The Way The Dead Love as part of European Capital of Culture Aarhus 2017 programme and the World and Canadian premieres of Jennifer Walshe’s boxing opera, Training is the Opposite. She is also the vocalist in contemporary music ensemble, Ensemble Lydenskab based in Aarhus, Denmark, and has recently formed a duo with Red Note Ensemble’s flautist, Ruth Morley.

Upcoming projects include a multimedia music theatre work for London Sinfonietta for 2021; a multimedia music theatre work for Decoder Ensemble to premiered at the HCMF2020 festival, Indus Opera project with Gestalt Arts, multimedia solo vocal work for Alwynne Pritchard and a new work for voice and flute for Laura Bowler and Ruth Morley.

Gemma McGregor is a composer from Orkney and a member of the Scottish Music Centre. Her compositions feature a strong narrative, often influenced by the landscape, history and culture of Orkney and contain references to traditional music and birdsong. Following postgraduate studies at the University of Aberdeen, Gemma has had two operas performed - the first commissioned by the Sound Festival in 2015, and the second by St Magnus Festival in 2017

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and my instagram for my visual art.  Thanks!

Dutch sound artist with long standing interests in transcending conventional instrument approaches and the use of non-instrumental organic and homemade sounds. If you would like to stay informed about new releases please subscribe to the Martin Hoogeboom newsletter mailing list on my website
www.martinhoogeboom.com

If you have questions regarding my work or you want to collaborate on future projects, please use the following email-address: m.hoogeboom@wxs.nl.

I'll follow you back when SC lifts the follower limit (!)
Loving listening to everyone's music on here :-))))))))))

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ACOUSTIC AND   ELECTRO-ACOUSTIC  COMPOSER .
STUDIED  COMPOSITION WITH  SERGIU  NATRA .
ELECTRONIC AND  ELECTROACOUSTIC  MUSIC  WITH YIZHAK  SADAI .
PIANO  --  WITH  PNINA  SALZMAN  , BART  BERMAN  , AVI  SCHONFELD .
CONTEMPORARY CLASSIC  COMPOSER , ACOUSTIC ,
ELECTRONIC AND  ELECTROACOUSTIC   MUSIC , 
EXPERIMENTAL  MUSIC . SOUND  ARTIST .
IMPROVISATION AND INTUITIVE MUSIC .
PIANIST .
ACCORDION AND  RECORDER  PLAYER .
FOUNDED  AND  CURATED    2  SERIES  OF  CONTEMPORARY  CLASSIC  MUSIC   IN TEL AVIV  ,  ISRAEL  -- 
 " NIGHT  HAPPENING -  FORUM FOR EXPERIMENTAL MUSIC "    1986  -  2007
" OTHER  ISRAELI  MUSIC "      1985   -  1987
MANY COLLABORATIONS  WITH  POETS , ACTORS , DANCERS ,  PAINTERS ,
 VIDEO ARTISTS , PERFORMANCE  ARTISTS .
MORE THAN  120  PREMIERS  OF  NEW  CONTEMPORARY  CLASSIC MUSIC - 
ACOUSTIC , ELECTROACOUSTIC , MULTI-MEDIA  --  WERE  PRESENTED
IN  HIS  SERIES DURING  23  YEARS OF ACTIVITY .
HIS  MUSIC WAS  PERFORMED  IN  EUROPE , CANADA , USA .
WON  VARIOUS GRANTS AND PRIZES .