Ladat’s Support Jan’25 vol.2

this song takes you on a trip a departure from your mind 

m@tro - Waves Of Departure

Not all things fade by nature. Some are made to disappear.

Evanescent Frequency mirrors a world where decay is no longer organic but imposed, where lifespans—of objects, ideas, and even sound—are carefully engineered to be short-lived. In nature, resonance lingers, and silence comes gradually. But in an age of programmed obsolescence, disappearance is manufactured, ensuring that what was once essential is discarded before its time.

The music unfolds in this same manufactured cycle. It begins with fragments—small pulses of energy, scattered textures that gradually coalesce, gaining complexity and momentum. Harmonies expand, orchestration thickens, and layers accumulate, reflecting the illusion of permanence and progress.

At its peak, the structure begins to dissolve. But this is not destruction—it is an unraveling, an enforced stillness that overtakes what was once vibrant. The density of sound fades into weightlessness, harmonies drift apart, and resonance becomes ghostly, as if the music itself is slipping away into the unreachable. The frequencies do not end abruptly but instead dissolve into an ethereal quiet, mirroring the way things vanish from use yet never fully disappear.

Evanescent Frequency is a meditation on impermanence, on the forces that decide what is allowed to endure and what is designed to be forgotten. It asks us to listen—to what fades, to what remains, and to the silence left behind.

Evanescent Frequency for Orchestra (BBC Symphony Orchestra Virtual Library_Pre-Release)

Hard Roc Steady

A great Collab With Jigs Tripping Belgium and Gary Hayward Australia some of our collabs that im so proud of doing,jigs mixed the music in belgium and the sound of being played on a vinyl gives it that feel,then jigs sends me the music ,.i play with lyrics and vocals in Australia at Ramrod studios with Herman Kovacs mixing and mastering we all do out part,theres so much more i wanted to do with this song but my time was out at the studio anyway daydream great music by jigs and bass playing how cool are the bass lines enjoy

Daydreaming (3)  © Copyright  Gary Hayward Lyrics and Vocals + Jigs Tripping music

Θωμάς Δημητρακόπουλος-Χωρίς Ρεφρέν Σε Αφήνω{Club Edit #ReMix 2k22}By Electrazon

Ο Θωμάς Δημητρακόπουλος είναι επαγγελματίας τραγουδιστής και συνθέτης που έχει κυκλοφορήσει πολλά όμορφα τραγούδια που είναι διαθέσιμα σε όλες τις ψηφιακές πλατφόρμες μουσικής με την ελληνική δισκογραφική εταιρία Heaven music

Thomas Dimitrakopoulos is a professional singer and songwriter who has released many beautiful songs that are available on all digital music platforms with the Greek record company Heaven music

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Χωρίς Ρεφρέν Σε Αφήνω{Club Edit ReMix 2k22}By Electrazon

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Thomas Dimitrakopoulos Xoris Refren Se Afino -Club Remix

Polvojack
Additional Artists
Composer - Guillaume Doyon
Lyricist - Guillaume Doyon
Record Label
Polvojack
Release Date
Jan. 06, 2025
Primary Genre
World
Secondary Genre
World
Primary Subgenre
Celtic
Secondary Subgenre
Drumming
Mood/Style
Mood: Seasonal
Album Language
English
Artist Location
Canada

Frost Peak

Storm Whispers

Lyrics:
Godless, I couldn't see it 'till the fall
'Till the flames came, the stars dropped
I collapse from Heaven to Hell
Hamiel, you taught me much
But I can't clean this city alone
Without my wings, without guidance
This guardian angel needs his guard
I never noticed, these streets run red
With every sinner's brand new kill
On every hill, another noose
Another crucifixion scene
I could've sworn that just last week
These graves were flower beds
"They were, my ward, this sin is new,
I suppose he's set your final task"

Could've sworn
Could've could've could've could've 
Could've sworn
Could've sworn
Could've could've could've could've 
Could've sworn Could've sworn
Sworn

I could've sworn that just last week
These graves were flower beds
I couldn't see it 'till the fall
This town is godless
The flames came, stars dropped

I said to Hamiel "we need to get back"
But the whites in his eyes
Had faded to black
"You must stay in this city, it's still yours to protect"
So I did as he said, as fast as he came he left

A wise old man, hung his cat from a tree
His eyes were blank
He said the devil made him do it
A girl murders her friend one night
Snuck in, drew from blood a sigil
Her eye had faded to a deep red
I showered her torment in vision
She repented

I could've sworn that just last week
These graves were flower beds
I couldn't see it 'till the fall
This town is godless
The flames came, stars dropped

"Who did this to you"
"He wore a thousand faces.
There was beauty in his eyes.
But soon it faded."

"Hamiel, so" now I scream to the heavens
"Is this what you call love?
Is this what you call protection?"
"I never promised to save this feeble race,
You were a part of the plan,
Now for the night of judgement"
Strike me down
The clouds turned red
Yom HaDin
The sky opened up

I could've sworn that just last week
These graves were flower beds
I couldn't see it 'till the fall
This town is godless
The flames came, stars dropped

There, stood in the wreckage
With tattered wings and body red
The face of ages, the lord of flames
Samiel
Hamiel approached without caution
They embraced each other
Like long lost friends
And with their hands held together
They ascended into Heaven
Then they grabbed me by the throat
And dragged me as high as they could go
They held me there, and made me watch
As my home turned to ash
I fought their grip, even if I'd fall
I wouldn't go down like this
I said "Hamiel, what happened here?
What happened to the good we'd do?"
I saw a change in his eyes
His blacks faded blacks to whites
He looked at me, then Samiel
Then Heaven, half in dust
As fast as sound, he grabbed Samiel
And dragged him to the ground
He choked him on the city hall steps
They pavement shook at magnitude eight
A cloud of dust shrouded them
But I could hear every cut
When the dust settled, the sky was blue
And there was only
Wings and bones.

I could've sworn that just last week
These graves were flower beds
I couldn't see it 'till the fall
This town is godless
The flames came

I could've sworn that just last week
These graves were flower beds
I couldn't see it 'till the fall
This town is godless
The flames came, stars dropped

BABYLON TERRACE

We all have that one person we would go to the end of the earth for. 

I was waiting on the right time to release this, along with other tracks. Then I recently realized the whole idea of creating stemmed from being able to connect with listeners that shared similar emotions and circumstances that I endured. 

Please dive into a time capsule, as this piece was created in 2018. Enjoy and feel free to share

Rock Bottom

Song composed & created by The Boilerman
Eric created & plays: all harmonic, octave & distorted lead & rhythm guitar
Eric created & mix's: all drum, bass, ambient, atmo & synth
Shamoozey created & speaks: all spoken word
Production by E.H.T Studios
Thank you for listening!

The Spider & The Fly

Circles - guitar based instrumental taken from the Beats Working album Calm, written, produced and played by John Hardman.

(c)(p) Swamp Music UK & Swamp Records UK for all territories.

Calm

Circles

Circles - Beats Working

There’s a trane
coming down the track
Ain’t no trane for me

There’s a plane
on the tarmac
Ain’t no home for me

Trane Trane Trane

There’s a trane
going down the sidewalk
Ain’t no trane for me

There’s a plane
on the tarmac
Ain’t no place to be

Trane Trane Trane
Trane Trane Trane

Trane Trane Trane

never gonna let you see
music gonna set me free
i can
let go
the pain
i feel
get back to me
there ain’t no way
there ain’t no way

I’m the hang man
in the rain
pray for me

I’m your man

I’m the hang man
in the rain
pray for me

I’m the hang man
in the rain
pray pray for me

I’m the hang man
in the rain
pray pray for me
pray pray for me

pray 
for me
pray
for me
pray
for me
pray
for me

Lane's Trane feat. Laney Stardust

Lane's Trane (feat. Laney Stardust)

Life in constant motion
Not a chance to unwind
We Bury all emotion
Stay focused and aligned
This Life it moves so fast
And It’s a relentless race
But I can’t forget the magic
Of that old familiar place

They say you should never look back
But I can’t forget the good times

Holding on to moments 
Like precious grains of sand
Life in the hourglass
Is slipping through our hands
Faces disappearing 
into the flow of time
Never understanding that 
We were living in our prime

They say you should never look back
But I can’t forget the good times

I remember good good good good times
I remember good times 
Feels so long ago

And as the years press on
And the grievances grow
So much resentment from
A thousand years ago
All that has been forgotten 
And all you bet remains
Are the precious memories
Of my most cherished days

I remember good good good good times
I remember good times 

Remember the good times
It’s what makes life worth while
These times will make you smile
And keep your heart alive

Remember Good Times

This alternative rock track is the prelude to a new suite called Secrets of the Heart.

Secrets of the Heart

Secrets of the Heart Prelude

“Why only” - Reýem
A sound between questions, loss - and new paths

“Why only” is a moving soundtrack for all those moments in life when we ask ourselves why things don't turn out the way we dreamed they would. Reýem takes us on a quiet but powerful journey through doubt, disappointment and the quiet hope of a new beginning.

Gentle guitar sounds, a touching piano melody and delicate strings form the foundation of this piece - fragile, almost tentative. But the deeper you delve, the more you feel the rebellion in the deep basses and the raw, honest tugging of the guitars: emotions turned into sound that ask questions but also open up spaces.

“Why only” speaks of an inner struggle and the courage to think of new possibilities when old paths close. The melody always stays close - sensitive, melancholic, but never without hope.

A song for all those who have to let go in order to move on.
A sound that lingers - thoughtful, sincere and deeply human.

Why only

Accept Me As I Am

Wake Me Up in April!

Cri du coeur d'habitants du nord de la France ...automne-hiver 24-25
Cry from the heart from the people of the north of France...autumn-winter 24-25

TRANSLATION (attempt)
Wake Me Up in April

Outside, it's too dirty, too grim
Sidewalks, men’s suits, fog and clouds
layers of gray all around
I'd rather stay hidden in here

Wake me up in April, but until then
Until then, give me a break
A break at home
Let me smooth out all my bumps
And regain  my strength
Dry out all my sorrow
Take back my human form 

I feel better under the quilt
Than on the pavement, the asphalt
I can smell scents of feathers
Forget the wind and the snowflakes

Wake me up in April, but until then
Until then, give me a break
A break at home
Let me smooth out all my bumps
And regain  my strength
Dry out all my sorrow
Take back my human form 

I’m just a little junk turtle 
When the sun tickles gently
The soft cotton of my sheets
I will slip out of my shell

Wake me up in April, but until then
Until then, give me a break
A break at home
Now I’ve smoothed all my bumps
And regained my strength
I shake out all my lace
I hear the bells ringing!

Réveillez-moi en avril (with translation)

There’s a place where the mountains sigh,
Where the rivers hum and the stars won’t die.
Dreams and memories blend as one,
Under skies that burn with an endless sun.

The wind carries songs of a life I’ve known,
Through fields I’ve sown and a love I’ve grown.
Every step I’ve taken, every path I’ve roamed,
Has led me here, to this place I call home.

A perfect world, where the wild runs free,
Built from the threads of my history.
No shadows fall, no storms arise,
Just endless skies where my heaven lies.

There’s a woman’s laugh in the summer air,
Her touch as light as the morning’s prayer.
Good horses graze where the meadows gleam,
And the peace I’ve found feels just like a dream.

A perfect world, where the wild runs free,
Built from the threads of my history.
No shadows fall, no storms arise,
Just endless skies where my heaven lies.

Time doesn’t matter; it drifts away,
Here, every sunrise feels like it stays.
Death had no fangs, it was soft and kind,
And it carried me here, where the stars align.

A perfect world, where the wild runs free,
Built from the threads of my history.
No shadows fall, no storms arise,
Just endless skies where my heaven lies.

If you wonder where I’ve gone to stay,
Follow the light at the break of day.
In the fields and skies where the wild runs high,
You’ll find me there, where my heaven lies.

Where My Heaven Lies

Tired And Far Away (Prod. miraxxe)

A Blues Jam recorded February 08, 2020. 

Larry Ponczek - Lead Guitar 
Joe DeBrizzio - Rhythm Guitar 
Ron Snyder - Bass

#9 Blues (Ponczek/DeBrizzio/Snyder) - LIVE

Ladat, born Ladislav Tesar, is Litomerice (Czech republic) native, body and soul, who writes and composes his music in Chatel-St-Denis, Switzerland. Ladat is not a band in the true sense of the word, but rather a musical project that emerged in 2019 as an escape from reality, because things go better with music.

Ladat's musical odyssey defies conventional labels and freely blends elements of rock, folk, country, and jazz into a rich and genre-bending style that invites listeners to explore the diverse spectrum of influences that shape his emotional and diverse compositions.
As an experienced composer and lyricist, Ladat weaves stories that deeply resonate with audiences and offers a captivating and immersive musical experience, where each song is an expression of boundless passion, creativity, and an unapologetic celebration of musical diversity.

Since 2021, Ladat has been collaborating freely with the Slovenian A7 Recording Studio and musicians around guitarist and drummer Blaž Pavšič, such as Uroš Mohorič (guitar), Gregor Alič aka Hanson or Peter Beznec (bass), and singers Anton Premec, Kristina Jelić, Maja Štebih, Hana Pavšič or Oliver Neff aka Titanic Jack.