Ladat’s Support July’23 vol.2

Like My Baby

LikeMyBaby

Sonido y letras características de"El Ñuki"

Color De Miel

The first full length Record, Blisters available on limited CD sept 24th
Only at shorediverecords.bandcamp.com
Cover art by: Eetu Iljamo
www.redbubble.com/people/Tukkasotka/shop
Released by shorediverecords.bandcamp.com/album/blisters
Mixed and mastered Apocalypse studios UK.

What Will It Take

Got a Songwriter-Challange to add some lyrics to a keyphrase.

Many thanks for this insperation to: "Songwriter's Thread"
https://www.facebook.com/profile.php?id=100069098963703

Lyrics:
I'm not ready to have this conversation with you, 
although we both had it times before
We end up in the same situation again the lack of
comprehension grows 'cause you wanted more

Rather let the truth remain unspoken
then more of theses lies. Our trust has broken
'cause the words won't come without tears and desperation 
I could never guide the way to your salvation 
But I'm afraid of losing your company
I could never give you what you need 
I'm just not ready.. to have.. this conversation again

I know you're ready to pull the trigger on it 
I just handed you the ammunition for it
Your desire warms only the barrel for the bullet 
the way you armed i just can wait for you until you pull it
So make me the target I'll take all of the hits 
I won't throw it in your face that you're the one who started this shit

Rather let the truth remain unspoken
then more of theses lies. Our trust has broken
'cause the words won't come without tears and desperation 
I could never guide the way to your salvation 
But I'm afraid of losing your company
I could never give you what you need 
I'm just not ready.. to have.. this conversation again.

Oli Boli - I'm not ready to have this conversation

I'm not ready to have this conversation

Youtube channel: www.youtube.com/channel/UCyHv4NuTBSMusU9m3c7zuYw

El Amor Que No Te Di

Estela

Let a solo piano lead you in "Grace", asking you to a playful dance full of grace, elegance and beauty. While doing so, I accompany you into a fragile world of delicate sounds of your own - almost as if you were wearing glass shoes.

Grace

Petite Dances - Grace

Entanglement

New Song about my surrender to the Lord our God.  He is the only one you can trust your whole heart to and became man just so he could fight for us.

Music video!!!!

I Surrender (Music Video Link Available Now!)

Track 144 - Download all on Soundcloud @ Loydwick

Running Scared

This Nocturne, or at least its main themes, represents my first true attempt at composing on the piano several years ago. I composed or improvised a bunch of fragments and musical ideas together with the basic framework of the Nocturne.

As I've already implied in the description of my Fantasy, the two compositions were once conjoined when I finally decided to separate them and develop them independently. However, besides sharing the same key, a lot of textural fragments are still shared that can be noticed, and I bluntly quoted the main theme of the fantasy as a homage to their shared heritage. Personally, I'm particularly fond of the A-major melodic line starting at 0:38, which I consider one of the smoothest and most beautiful melodies I've written so far. Considering the hammering intro, it is one of the last additions I've made for this nocturne, and it helped me with a lot of structural problems. As with my other compositions, further changes will likely happen down the line.

I dedicate this work to another of my great friends, Ivan Dadić, a masterful smith, who once gifted me a beautiful crusader helmet he crafted (he even took measurements of my head for the undertaking). I humbly hope this endeavor will honour the gift he blessed me with!

Nocturne for Piano, F-sharp Minor

LADY BOOM BOOM

All Music by Me

Special thanks to Dani "The Muse" Ford and Kahlan "The Glorious Train Wreck" Davis

Cover by Anja (Pixabay)

Gaining A Star On The Walk Of Shame

The chaotic and rebellious nature of the night.

Lyrics:
I feel the wind's blowing my hair back
And the muggers are fucking about
With no respect for the dead that is roaming the streets at night,
Wearing frowns on their faces and thinking “it just ain’t right”

Well they just got home from spending their last cash
On a drink that smells like antiseptic
And they're well on their way to start a nuclear family
At the age of probably eighteen

And way past the new McDonald's are kids who don't know any better
They're about to get decapitated, the question is: is it by a truck or drunkies with rusty machetes
Well one thing for sure is that they'll regret coming over to whatever party they're having again on campus
It's that or they work for festivals

I feel the wind’s blowing my hair back
As the motorcycle driver tells me about
A certain youth with freshman perfume
Who ordered a ride home at 5 in the morning

I can’t seem to judge, ‘cause I’ve seen how hard life is
Though I’m sure she’d seen harder things in her biz
Whatever’s filling up that abyss, I guess
A social life that’s marked by a kiss on her neck

And way past the eleventh hour, I see those pandas are roaming about
On their mind, a place to eat ‘cause they seem to forget how to sleep
Decaying, they’re dying, they had stopped trying to give a fuck
As they lay on their sides on the unwashed, the house of a million virus carpet

You seem to have a troubled mind
‘Cause I’ve heard the rhythmic clinking of those plastic bags
You brought from the store next door
Oh, I should stop talking to the mirror

You Shouldn't Be Up This Late

slow ambient rock instrumental feat. (emotive) guitars (+drums/synths)

broken futures

Predator

pre teen (prod. Living Puff)

SIERRA is a fresh track from my upcoming EP, REDWOOD. I've tried to strike a balance between structure and improvisation, adding a dash of jazz-inspired spontaneity, giving it a relaxed, free-flowing vibe that I hope you'll enjoy.

REDWOOD represents a sentimental journey for me. It's a music-infused interpretation of my memories from visits to family in California during my younger years. It's been a while since my last visit to the U.S., and I'm eagerly anticipating my return this October.

As always, I would be delighted to hear your thoughts on SIERRA. Your feedback helps me grow as an artist :)

For those of you interested in learning the piece, you can find a play-along piano Version on my Youtube page: https://www.youtube.com/watch?v=H_crYKcbQgI&lc=UgzL5VkswahxGojft7l4AaABAg

Sierra

Introduction in English:

On a Saturday, 9 June 1989, I receive a phone call from my mother at around 6 am. She seems to be laughing. But as it soon turns out, tears are bursting out of her. At first she can only say one sentence: "Your father is dead". Then her voice fails. I, who has just been roused from my sleep by the ringing, at first think it's a bad joke. My father, not even 55 years old, dead, who had been so full of energy in the last few months? With whom I had spoken lively on the phone just a week ago?
Then my eldest sister comes to the phone. She speaks like a robot, as if she has frozen all her feelings inside herself.
She confirms the sudden death of my father from a heart attack and urges me to come immediately from Berlin to southern Germany (800 kilometres away).
Much of what happened after that - from the last encounter with my father in the morgue, to the years of vacillating between feelings of liberation and sometimes massively frightening "I'll bring you to me in the realm of the dead" nightmares after his funeral, to finding a deeper inner peace with him in the last few years - I wrote down and sang about in the following song "My Father in Heaven".      
However, the song lyrics are not chronological, but set in 2011, in which I am all alone on a beautiful summer day in the cemetery where my father's grave is located. From this day I start a retrospective and an outlook.     

Lyrics:

My Father in Heaven

What a beautiful day
All alone in the graveyard 
Come to visit you
Without a grudge

It's unbelievably quiet
Hear the dead deep asleep 
In an beyond harbour
Be with you soon

I hated you sometimes 
Had you so gladly touched,
You're gone too soon 
Left me alone with the dirt 
Of this life.

Wanted to tell you so much more 
You can't sneak away like that
A moment ago you were still there  
I felt quite close to you,

Now only 
A cold hand in the morgue
Nothing more moves

My father in heaven, 
I miss you very much, 
With wistfulness my heart sometimes
Becomes so heavy

When you were suddenly dead
Many things seemed easier, 
I moved forward in life, 
I looked free

but when I slept at night,
you'd come into my dreams, 
trying to pull me over, 
to the land beyond.

You didn’t let me go for so long 
Lying like a black mourning box
On my chest and belly, 
Felt like I was in a tube 
Trapped by you.

Often couldn’t defend myself
Felt completely without power 
When in the deep of the night
you came to my room, 

without a body, 
pure soul contact,
worlds still unknown to me.

Father in heaven,
do you hear me now,
I speak to you in peace, 
I am no longer hurt.

Your grave is newly decorated,
I've picked a bouquet for you, 
I sit down with you, 
I surrender tot he silence
peaceful silence. 

I am here now, you there
even if the wall separates us,
we see each other invisibly, 
You always stay close to me, 

I'll go on now, 
Stay here, 
I'll be back soon

Father in heaven
I think of you often 
You are indispensable, 
Come with me....

My Father in Heaven

My Father In Heaven

02 - Il Sogno Della Luna

Ladat, born Ladislav Tesar, is Litomerice (Czech republic) native, body and soul, who writes and composes his music in Chatel-St-Denis, Switzerland. Ladat is not a band in the true sense of the word, but rather a musical project that emerged in 2019 as an escape from reality, because things go better with music.

Ladat's musical odyssey defies conventional labels and freely blends elements of rock, folk, country, and jazz into a rich and genre-bending style that invites listeners to explore the diverse spectrum of influences that shape his emotional and diverse compositions.
As an experienced composer and lyricist, Ladat weaves stories that deeply resonate with audiences and offers a captivating and immersive musical experience, where each song is an expression of boundless passion, creativity, and an unapologetic celebration of musical diversity.

Since 2021, Ladat has been collaborating freely with the Slovenian A7 Recording Studio and musicians around guitarist and drummer Blaž Pavšič, such as Uroš Mohorič (guitar), Gregor Alič aka Hanson or Peter Beznec (bass), and singers Anton Premec, Kristina Jelić, Maja Štebih, Hana Pavšič or Oliver Neff aka Titanic Jack.