very unique voice timber and quite origal sound overall. Well done!

you have a vocality that envelops better than a physical presence, I deliberately do not add more

Love the warm feel of this. Your voice is so good!

Wow, it's so good.  Great songwriting and production is amazing.  Love the vocals and the supporting instrumentation.

LOUISE KULMALA

Hearts Of Ivory

Snow

All Music & Programming by John Baker
All Lyrics written and performed by Kenny Dyer
Lead Guitar by Nils K

I recently lost a pet that really really hurt down deep. She meant the world to me even though I didn't admit it. At the end, seeing her laying on that table and myself aware of what was coming, tore me up beyond words. 

I wrote this song in remembrance of her for all the joy she brought me over the years I had her. Kenny penned a really nice set of words that hold true. My hopes are that this touches and maybe even helps with the pain, for anyone who has recently lost something or someone and are having a hard time dealing with it.

Time (feat Kenny Dyer on vox & Nils K on lead guitar)

Hey guys nearing the end of the year already but just wanted to throw out one of my latest tracks I've been working on. This here is a soundtrack of a little about what goes on in life, the daily struggles and overcoming any negativity around. Through it all being able to find love in the best of things, people and places. So much love to all my peeps fans and beautiful supporters out there... you know who you are<3. Thanks again for always tuning in with me. 
<3Peace, Love, Music<3
DjSilverRain<3

The Dragon Boy who fell in love with the Dragon Girl

wikiloops.com Metal jams

Metal Challenger

Explanations about the work: 

1.  It was written to be heard at the presentation of the book "El paraigua de Joan Brossa" edited by "Papers de Versàlia" a group formed by poets from Sabadell (Barcelona).  It is a book of poems made by about a hundred poets who write in Catalan and Spanish, as a tribute to Catalan poet Joan Brossa on the centenary of his birth on 2019.

2. It consists of two parts, designed to be heard separately. Between each part the reading of several poems is planned.

3. These two parts are musically symmetrical. The music of the second part has been written strictly following a horizontal symmetry of the different musical elements of the first part, retrograde them. This arrangement wants to emphasize  the importance that geometry and symmetry have in the visual poems that Brossa wrote.

4. Some key concepts regarding the Brossa figure are: avant-garde, transgression, heterodoxy, multiple facets of art, sharpness, magic, play, criticism of power, honesty. He carried out various "musical actions", with the collaboration of the composer Josep M. Mestres Quadreny who composed the music and also of Carlos Santos who played the piano.

5. This is why the general approach of my musical piece has been to obtain a mixture, a heterogeneous blend of diverse ingredients, through the use of different musical genres; the work has a part of tonal music and another of music of a more atonal and serial nature. A mixture that wants to refer to this capacity for interrelation and the use of different facets of art by Brossa and also wants to refer to the romantic music that Brossa liked but also to the more transgressive and experimental aspect (very evident in his musical actions, previously mentioned), which would be represented by the most atonal part of the music.

6. Since the proposal was not to perform live music, but through the computer and since the computer makes all the instruments you want available to you, I wanted to make a symphonic instrumental approach. I have used: piccolo, flute, oboe, clarinet, bassoon, contrabassoon, horn, trumpet, trombone, tuba, violin, viola, cello, double bass, piano, timpani, xylophone, and tambourine. The piano has outstanding appearances because it was the dominant instrument in Brossa's musical actions, played by Carlos Santos, as I mentioned before.

7. To reinforce the poetic character, I have also incorporated a short passage with the feminine human voice spoken, not sung (speech is genuinely poetic). It is as if she were the voice of Christa Leem, who was an actress and vedette, considered an icon of freedom in the 70s in Barcelona and muse of great artists, including Joan Brossa who created several shows for her. This passage is a short poem located at the beginning of the first part and at the end of the second, due to the symmetrical nature of the two parts. To preserve this symmetry, the poem is made up of verses that are palindromes, that is, with the same meaning whether reading backward or forward. In this way the spoken message has meaning when it is pronounced in the two directional senses of the two symmetrical musical parts (only the order of the verses changes).

8. I have also wanted to incorporate a small detail of "Musique concrète" (Mestres Quadreny collaborated with John Cage; Carlos Santos said that Joan Brossa was the Catalan "John Cage"). It is a short passage that is located just when the first part ends (and at the beginning of the second). It is a sound that is perhaps a little difficult to identify, so I wish to explain that it is the noise that a rocking chair makes when swinging. The rocking chair is an object that appears frequently in the world of Brossa and in his poetry. When reading the poems in the middle of the two parts of the musical piece, this reading will be sandwiched between the two sounds of the rocker. This fact can make us pretend that the poet's presence exists while the reading of the different poems inspired by his work lasts.

Brossa

This song is a strange combination of transcendence and elegy. Based around an unusual baroque-sounding (to me at least) chord progression the choral vocals float upon a subtle arrangement of strings and vibes.

On paper, this shouldn't really work but hearing it back after all these years, I think it does. We did do a version with a percussion track which I still think it needs but sadly, no finished recordings exist.

The painting is Evocation by Odilon Redon

Lyrics to follow:

Listen

Exaltations

Para Desinhibirse Un Poco

When

Water

Feel

These are songs that I developed in a very lo-fi fashion to show what they sound like in my head. They could still go in many different directions - more acoustic, more produced - I'm open to ideas. But what you're hearing here are my unabashed concepts for these little tunes. 
ENJOY- and thanks for connecting with me & my music!
Mark

Build You A Box Mark Demo

Download

Under Duress

Arancione

Volt5000 (@volt5000) I are now glad to present our collaborative version of my recent track "The Moonlit Snow-White Mountain" (https://soundcloud.com/alexander-mihailov-96713983/the-moonlit-snow-white-mountain). It will be the 2nd track in our single under the title "Disturbed Planet", which we intend to release on SoundClound later on 2021. We hope you'll enjoy this longer, more varied, version of ours too! Volt5000 has added vocal samples from MAGIX, and extended beautifully the initial track into rhythmic but also relaxing developments.

The artwork cover, that will also be used for our single and its two constituent tracks, is based on a photo taken by Alex M on 8 August 2020 and then cropped and annotated by Alex M (in Mac OS Preview) on 10 January 2021.

Created in collaboration on 25 and 27 December 2020 (initial mix and recording in GarageBand iOS and Logic Pro X by Alex M) and 27 January 2021 (final mix and recording in MAGIX by Volt5000), and posted on SC on 28 January 2021 (by Alex M).

Merci infiniment, mon ami, pour cette belle collaboration de nous !

Duration: 10:10 minutes

The Moonlit Snow-White Mountain (Collaborative Version) - Volt5000 & Alex M

“ ….There is a crack in everything, that’s how the light 
   gets in … “

Sorry, I cannot read or send private messages. Try to contact me on Ig: pativio. Thanks

"You may say that Im a dreamer, but Im not the only one"

Ever since I was born Music has been a big part of my life. Before I learned how to talk I was already dancing to specific songs on the radio. I always loved to sing as a kid, but to be able to create my own music, I needed to learn how to play guitar. So thats what I did. Since I was 12 years old I have played and written music. Creating music is very good for my soul. It gives me all kinds of good emotions. Throughout the years I have been playing in different rock bands, done gigs in many interesting places, and now today I still do gigs here and there, but only by myself as a singer-songwriter. This singer-songwriter-genre lies close to my heart and I really enjoy creating this kind of music. I hope others will listen and feel the same way.

When

Louise Kulmala

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