My Likes 9 (Darkwave/New Wave/Post Punk/Witchhouse)

From the album "Trust", to be released Nov 5 2013.

Written and performed by I'm in You (Chris McHenry, Dmitry Ishenko, Sebastian Ischer) with:
Katie Eastburn (vocals)
Rob Mitzner (drums)
Glenn White (sax)

Recorded by Charles Burst at the Seaside Lounge and Ken Rich at Grand Street Recording, mixed by Ken Rich at Grand Street Recording.

Call Me When You're Drunk

Memento Mori

we did a cover of one of our favorite bands London After Midnight

Carved Souls - Kiss (London After Midnight)

Hello everyone, apologies for our recent lack of online activity, we've been busy working away in our studio on new music which will be amongst you soon.
There have been many changes with the band in the last few months so we though it only right to keep you all updated.
Firstly the name, we are no longer to able to go under the name BIRD, so we have temporarily changed our social network page names to IÔ LONE (two seemingly random words) until we reveal the new project name.
Also it is with sadness that we have to announce that Sian is no longer working with the band, we value everything that she has done with us and continue to love and support one of our best friends.
We've decided to share a playlist that we've been compiling whist writing the new material, it's been used as a kind of musical mood board,we hope that you enjoy it and so please feel free to share any music for us to listen to too.
https://play.spotify.com/…/…/playlist/4iZdeEeleQrqU3R9nUuU2V
We are really excited for the new project and to share the new music with you. in the meanwhile keep up with our daily goings on on the following:
twitter: IO_LONE
instagram: io_lone
tumblr: http://sailtothe-moon.tumblr.com/


A War - My Fear & Me

Taken from Equateur's new EP "The Lava"
Composed, written and performed by Charles Rocher
THE LAVA VIDEO CLIP : http://youtu.be/ebaEJN-mWWY

Available now in U.S.A
Get it on iTunes : https://music.apple.com/us/album/burn-the-sun/1380074812
Grab the vinyl : equateurmusic@gmail.com

Follow Equateur :
http://www.facebook.com/EquateurOfficial 
https://twitter.com/Equateur0

© 2014 Nouvelle New Wave / 2016 Equateur

The Lava

MΔn Øn †h ε rØŌƒ

Dont be afraid...

nightschoolrecords.bigcartel.com/artist/m…-nilsson

A sweeping, cinematic, emotional change is in the air. Molly Nilsson’s sixth studio album Zenith begins with clear, wide eyes open to Earth as we would love it to be but seldom is. Recorded in her home of Berlin and whilst touring and, as ever, conceived, produced, written and recorded in solitude, Zenith is Nilsson’s big statement and consequently her most affecting work to date. It sees her reveling in big arrangements, sweeping synth strings, bigger choruses and emotions. Like the rest of us she looks within and to endless sunsets in wonder and puzzlement.

That Molly Nilsson is a DIY cult figure is beyond question; she has always written directly and with wit straight down the line between the universal and the personal. The difference with Zenith, and you can hear it in the opening chords of opener The Only Planet, is that her scope is now much wider and her heart heavier than ever before: over a post-ecstatic dusk, Nilsson serenades the globe in a loving embrace. Following on, 1995 is, arguably, one of Nilsson’s finest songs to date. It’s one of those songs to learn the lyrics to, to listen to on repeat, a reason to wear the grooves down to the bone, it’s why pop music can be one of the greatest art forms we have. It’s an example of how, on this album, Molly draws the listener closer to her heart than ever before. There’s simply no escape from the line “The plans that you made / when you still had the time / I’ve saved all the things that you left behind but by now I guess I’d consider them all mine /Windows 95, is only a metaphor for what I feel inside / Although I’m older now / there’s still an emptiness that’s never letting go somehow.” Show-stopper Mountain Time is the soundtrack to being on the run, from societal conventions, from normative ideas of happiness, from your surroundings. It’s the intoxicating call of the renegade. That’s not to say that Nilsson’s light touch has been forsaken for grandiose statements. Bunny Club begins as a demo-sketch before breaking into a fast-paced tale of doomed romance with big rave synths and Bus 194 (All There Is) sees Molly joyride through a city on a happy hardcore bus. But it’s tracks like Tomorrow and another contender for best-ever-Molly moment, Happyness that the true scale of what she’s accomplished reveals itself. We’re locked in a spiraling orbit, strings and bass whirling, gazing at the spinning planet below us as we contemplate both the ultimate freedom in loneliness and the glimmer of hope in the Other. Can we ever be truly with someone? Are we ever truly alone?

Over the 13 tracks here we get the impression that Nilsson may always be restless; like anyone else she has conflicting feelings of love and hate. It’s just not many other people can tell you exactly how you feel before you know it yourself.

MOLLY NILSSON: Mountain Time (from Zenith)

Ka$HmIR

This song belongs to my second album The Underliving (2011)

Music by Priscilla Hernández and Héctor Corcín
Lyrics by Priscilla Hernandez
Produced by Priscilla Hernandez and Héctor Corcín 
http://theunderliving.com

Through the Long Way (from The Underliving album)

"Lass Mich - Dein Engel Sein" -  DJThommy Dramatic-Mix

Next track of upcoming ep "Endless Party", due december 15 on Wool-E Tapes. 

Pre-order now at 
https://whisperingsons.bandcamp.com/album/endless-party (digital)
wool-e-tapes.bandcamp.com/album/wet025-endless-party-c30 (cassette)

Insights

EP - 01 Alone

:: Teufels Lehrerin (Songtext)

Sieh dich um, sagte sie.
Und er wandte den Blick.
Was er sah, war eine Welt, in der sich jeder seine eigene Hölle schuf.
Sie brauchen dich nicht mehr, sagte sie.
Und fragte ohne Worte, was er dagegen zu tun gedachte.
 
Teufels Lehrerin
 
Der Teufel besann sich auf das, was sie ihn gelehrt hatte. 
Er machte sich auf in die Finanzzentren. Aber er fand Menschen, die kein Tod und kein Teufel mehr in Versuchung führen konnten. Die hatten in ihrer Gier schon alles versucht!
 
Teufels Lehrerin 
 
Enttäuscht ging er die Straße hinab. Er traf auf brave Leute, die ihre Angelegenheiten erledigten. Doch dann erkannte er, dass er sie nicht mehr in Versuchung führen konnte. Denn all diese gut genährten und gut gekleideten Menschen scheuten sich nicht, mit Dingen zu handeln, an denen Blut klebte. 
Der Teufel wandte sich ab, hier gab es für ihn keine Seele zu gewinnen.
 
Sie brauchen dich nicht mehr, sagte Teufels Lehrerin, denn sie heizen das Feuer ihrer Hölle selbst an. Diese Tagediebe und Maulhuren, die ihre Zeit totschlagen, und wenn sie ihre Selbstachtung verkaufen, kostet es sie nicht mehr als ein Lächeln. 
 
Sie reden ihren Untergang schön. 
Aber all die Heuchelei, 
die Gier, 
die Eitelkeit, 
die Trägheit, 
die Gleichgültigkeit 
sind nicht dein Verdienst, sondern ihr eigener. 
Darum wirst du von ihrer Verdammnis nicht profitieren können.
 
Sie brauchen dich nicht, sie brauchen den Teufel nicht
Sie brauchen dich nicht, sie brauchen den Teufel nicht
Sie brauchen dich nicht, sie brauchen den Teufel nicht
 
Teufels Lehrerin 
 
Ich muss ihnen zeigen, wer ich bin, dachte der Teufel. 
Er ballte die Fäuste. Mit der Kraft seiner Gedanken ließ er die Meere steigen, und pulsen, und brausen, und tosen. 
 
Doch dann türmte sich eine gewaltige Welle auf, größer als jede andere vor ihr. Entfesselt raste sie aufs Land zu und riss Tausende in den Tod.
 
Der Teufel blickte sich verwirrt um, diese Katastrophe hatte nichts mit ihm zu tun. Die Menschen waren ihm wieder einmal zuvor gekommen.
 
Sie brauchen dich nicht mehr, sagte Teufels Lehrerin, denn sie heizen das Feuer ihrer Hölle selbst an. Diese Tagediebe und Maulhuren... 

TEUFELS LEHRERIN

Always (Erasure cover)

the other way round: frist verse of the LP-only mix, 2nd verse comes from the CD version

Lullaby Vinyl2CD

Hades In Love first single

Juliette

www.hadesinlove.com

01 Hades in Love - Juliette

Band: Nightbreeder and the Wintermoon Orchestra
Album: Chapter I - A Black Comet Shineth On The New Age Of Witchcraft
Released: 31/10/2012
Genre: Gothic/Symphonic/Classic Music
Record Label: "Arcane Witchcraft Coven" and "Crash&Burn Record"
Country: Italy
Year: 2012
All Right Reserved. Copyright S.I.A.E. 2012.


Nightbreeder & The Wintermoon Orchestra - Legend - The Curse Of The Black Swan

A Way

Taken from the new SUMMONING album "Old Mornings Dawn" 

https://itunes.apple.com/album/old-mornings-dawn/id644342377
http://shop.napalmrecords.com/old-mornings-dawn.html
http://shop.napalmrecords.com/summoning-old-mornings-dawn-earbook-special-edition-ep.html

SUMMONING - Old Mornings Dawn

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Legal Playlists Collection!
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HauptGenre: 
#Electro, #Industrial, #EBM, #PostPunk, #Neofolk, #Neoklassik, #NDH, #NDT, #Gothic, #Darkwave, #Aggrotech, #Synth- und #FuturePop, #Folk, #MittelalterRock, #Bloodwave, #Witchhouse, #GothicRock, #GothicMetal, #Punk, #Metal, #Rock, #BlackMetal, #PowerMetal, #VikingMetal, #Avantgarde, #HorrorRap, #HorrorHipHop, #Orchestral, #Dark #Country and much more! 
✞✞✞✞✞✞✞✞✞✞✞✞✞✞✞✞✞✞✞✞✞✞✞✞

My Likes 9 (Darkwave/New Wave/Post Punk/Witchhouse)

My Playlist Collection