Very strange mood, clammy and meditative, great piece!

https://muzaneditions.bandcamp.com/album/before-your-past-lives

Muzan Editions
https://soundcloud.com/muzaneditions

Mastered by Kris Keogh
www.kriskeogh.com

Art by Jo Jarosinska
www.instagram.com/jo_jarosinska/

I(Before Your Past Livess - Muzan Editions)

Marco Lucchi : electric organ, piano, analog synthesizer and tape

contributing to the "Hidden-by-the-Wall" project curated by :zoviet*france:
https://soundcloud.com/zoviet-france/sets/hidden-by-the-wall-open-remix

additional recordings
https://freesound.org/people/felix.blume/sounds/588533/

21 aprile 2022

The true story of a Water Boatman and a Bee - [w/ :zoviet*france:]

Mattias Petersson, Triangular Progressions, LP
Release date - 24 February 2023
Catalogue nr. - HG2202
Format - Vinyl / digital

hallowground.bandcamp.com

Tracklist:
1. Triangular Progressions I – V     (20:07)
2. Triangular Progressions VI – IX     (16:10)

Credits:
Composed, mixed and recorded by Mattias Petersson (2019–2021)
Mastered by Andreas Lupo Lubich
Artwork by Laurin Huber 

///
Mattias Petersson debuts on the Swiss label Hallow Ground with »Triangular Progressions,« a suite in nine parts written entirely in the SuperCollider environment using additive synthesis. The starting point for the evocative piece is a magic number triangle that Petersson invented during his early composition studies and which has been an obsession of the artist for over twenty years, previously forming the foundation of many other of his works. By exploring the harmonic progressions found hiding within the triangle, »Triangular Progressions« at once emits a sense of introspective calm that fosters deep listening and evokes a whole spectrum of emotions, mediating between the abstract and the visceral.

The Stockholm-based Petersson, also known under the moniker Codespira1 and for his long-term collaboration with violinist George Kentros as There Are No More Four Seasons, has been active as a composer of computer music as well as an artist in the realms of live coding and modular synthesis for over two decades. Originally trained as a classical pianist, he also holds a diploma in electro-acoustic composition from the Royal College of Music in Stockholm, where he currently works as an associate professor. Besides his activities as a musician and teacher, Petersson is pursuing a PhD in composition at the Luleå University of Technology. Researching modular systems comprising both human and non-human modules, he is part of the GEMM))) Gesture Embodiment and Machines in Music cluster.

»Triangular Progressions« can be considered a perfect synthesis of Petersson’s academic interests and aesthetic ideas, combining a mathematical approach with artistic rigour. The magic number triangle highlights the beauty of symmetrical properties. By exploring its idiosyncrasies, the composer manages to translate them into engaging sounds. The lush melodies and harmonies of the music at times call to mind the intimate organ and drone works by label mates Kali Malone and Maria W Horn while also maintaining a unique signature sound. The addition of pure sinusoidal waves enables a deep listening exploration of the counterpoint between melodic and harmonic rhythms, chord structures and spectral harmonies that Petersson extrapolates from those magic numbers.

Triangular Progressions

MATTIAS PETERSSON - Triangular Progressions I – V (edit) (HG2202)

release on 3 February 2023 : https://wabi-sabi-tapes.bandcamp.com/
@msalgar / @anilthecellist

The whole play of Merve Salgar and Anil Eraslan is to create this crystalline bridge where the listener melts in the contrast between simultaneity and agitation, between orthodox forms and contemporary contents.

Merve Salgar & Anil Eraslan - V

From the album Heave To on Sedimental records, released in 2006

Make The Land (Sedimental) Excerpt

Duo improvisation
Anaïs Tuerlincks: (piano) strings box, objects
Delphine Dora : voice, effects
Recorded in Berlin, mAY 2023

Delphine Dora & Anais Tuerlinckx Improv

Existing for over 20 years, KRAAK is one of Belgium's seminal DIY & experimental labels, with an output that manifests in records, concerts, radio shows and print, and touches on everything from electronic, folk, noise, punk, improv, and whatever is born from the germination thereof.  The yearly KRAAK Festival has been at the fore of mind-boggling, genre-bending weirdness in music since its inception in 1999, and its spirit keeps on trucking through each corner of this little land and beyond. 

Kraak Records w/ Cachilapa @ Kiosk Radio 16.08.2023

https://kraak.bandcamp.com/album/frituuur-aconcagua

TRANSATLANTIC EXCHANGES OF ANCESTRAL SOUNDS AND TONES



K122
Recorded by Nicolás Carcavilla, Pablo Picco and David Jarrín Zabala
in Caburga, Salsipuedes & Bruselas between 2020 - 2022
Mastered by Nicolás Carcavilla
Artwork by id m theft table

David Jarrin Zabala: guitarra, sintetizador, sampler, gongs, rondador, banjo, gamelan, trompe, voz, grabaciones de campo.

Pablo Picco: violín, flautas, percusiones, sintetizador, mandolina, radio, voz, tocadiscos, grabaciones de campo.

Nicolás Carcavilla: sintetizador, teclado sampler, tratamientos, grabaciones de campo.

Frituuur Aconcagua - Un Gorrito Al Polerón

Boat horns in the port of Piraeus on 6 january celebrations.

Epiphany (Theophania) - Boat Horns in Piraeus Port, Greece- January 2017

Ielasi & Malatesta "Rudimenti" (Entr'Acte)

A preview track from the forthcoming CD "Scaath Catfish". From the mud of the Illinois River and some chromium dioxide found along the Mississippi.

Scaath Catfish

Catfish Splinter

"I'm a mellow artist, aging 67. I love and release eclectic music, from post-classical to drone. My fave instrument is the Mellotron."

Così, sinteticamente, di solito mi presento.

In genere compongo musica partendo dal suono delle tastiere, ma il mio vero strumento è il registratore.

O i software di registrazione.

"I was made for loving and making recorded music."

Confido da sempre nel potere evocativo e orfico della musica, nella sua capacità di riconsegnarci a mondi più veri e più giusti, più belli di quelli in cui di solito viviamo.

"Ich bin ein kosmische Kurier"

I'm using these tools: Mellotron micro, Waldorf Blofeld synthesizer, Behringer Crave, IK Multimedia Uno synth, Roland Juno synth, Volca keys, Casio digital piano, micropiano Korg, Manetron (iPad app), iTampura (iPad app), Eko 11 (...) string acoustic guitar, electric violin, Orla analogic expander, tenor, treble and descant recorders, soprano and tenor tin whistle, Akai, Roland, Alesis and Arturia controllers, upright piano, Squier 3/4 electric guitar, melodica, Bubble Harp (iPad app), Schoenhut toy harp, soprano ukulele, Eko acoustic guitar, Peavey Composer acoustic guitar, Kurzweill micropiano, Boss and JamMan loop stations , Behringher multi-fx, Olympus portable digital recorder, Phonic, Behringer and Yamaha mixers, Audacity, Paulstretch, various players and plug-ins .. (that's all, folks, I think ..)

latest releases
https://ambientologist.bandcamp.com/album/suggestiva
https://ambientologist.bandcamp.com/album/venusia
https://hibernate.bandcamp.com/album/as-riddled-as-the-tide

for further works please go to my bandcamp page
https://marcolucchi.bandcamp.com/

and to 
http://webbedhandrecords.com/
http://www.laverna.net/home/
https://silentflow.org/

iTunes and Spotify as well ..
feed and share ..
https://open.spotify.com/artist/1TRilVaDaQw0ksGqU5tuCh?si=zXD-0xFWS-2yrUs542SH9A

SoundCloud è la piattaforma musicale che preferisco perché è soprattutto il regno degli amateurs, di quelli che fanno musica per sé e per gli amici .. come quando da ragazzi si condividevano con gli altri le invenzioni e le creazioni .. io sostanzialmente sono rimasto lì e così .. non sempre, ovviamente, ma spesso ci trovo delle cose che valgono altrettanto - se non di più - rispetto a quelle più affermate e conosciute

The true story of a Water Boatman and a Bee - [w/ :zoviet*france:]

Marco Lucchi

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