I love this, it reminds me of city and colour with an electronic twist

i need to wrap my head around the whole tape thing. the results are somehow always quite nice, it seems!

Curtain Seller

Alaban

The track Joins from my side of this release. Full release here:

https://handstitched.bandcamp.com/album/upward-eyes-kindred

From the label:

“Handstitched* is thrilled to announce the next installment of the split-artist series, Ian Hawgood and Fields We Found feature alongside each other for an outing of outstanding musical composure and tranquility. 

Fields We Found and Ian Hawgood are both welcomed to Handstitched* with many thanks and admiration for their respective musical works as part of the split-artist series, it's great to have them visiting Handstitched* for this special release.

"upward eyes" & "kindred" are both limited to 50 copies. Released on mini CD-r and sage green cassette with hand-made packaging, tape O-cards and unique designs for each CD package. [HS45/45T].” 

Huge thanks to Tim and Ian, it's a real honour to be part of this x

Joins - from the split album upward eyes / kindred with Ian Hawgood on Handstitched*

Not to Speak II

electrical cello microcorg superego microcosm

Det Förgångna V

eRecords is a digital record series created by Whitelabrecs, to run alongside our physical releases. These editions aim to transform the digital format into something that can be experienced in a similar way to a listener’s interaction with a real, white label vinyl record. Each edition includes a special PDF scrapbook including polaroids and liner notes.

We do not publish details about the concepts or production methods of a release, so that the liner notes and content in each scrapbook will give you the background of each edition in the series.

catalog: eR017
artist: Matteo Cantaluppi
release title: More Frantic 2012​-​2022
runtime: 73:47
location: Milan, Italy

More Frantic 2012​-​2022

eR017 Matteo Cantaluppi - Bore

Album samplers of our releases in 2023 from Fields We Found, ghost and tape, Federico Durand, Stefano Guzzetti, Stijn Hüwels and Wil Bolton.

homen145 ghost and tape - Freeform (album sampler)

more info: http://www.dustbreeding.com/448-sounds-on-sounds/

here is an excerpt of a guitar, tape loop + modular synth recording from tonight.  i am using the tape loop like an endless-repeat echo. the modular synth is processing both the live guitar and the tape playback through a series of things like granular samplers, reverb and lowpass + bandpass filters.

on the left side of this photo you can see the skiff i built yesterday, all finished + populated with modules. i think it turned out nicely.

448 / sounds on sounds

Emilía /Pollinations [RTE 0010] 


Pollinations is a mini -Album recorded last year at home, as Live Session & rehearsal; included Eyoko´s Remix of Oil Bread! ( from Down to the Sadness River Album)



Photography & Design by Meneh Peh 
Mastered at Rottenman Studios

Pollinations

Emilía / Pollinations - Oil Bread [Eyoko Rmx]

Prior to the 20th century, and the emergent dominance of equal temperament, the association of emotions with particular musical keys was common practice. 

The Black Glass Ensemble recently revisited this historical alignment of sound and emotion to offer a brief ‘embrace’ in B Minor - the key associated with patience. 

The initial embrace, featuring the 8 musicians of the Black Glass Ensemble and guest Colin Potter, with whom they had been due to perform prior to the Covid19 lockdown, was well received. Consequently, Black Glass sought to widen the reach of their embrace to other musicians to make a more comprehensive piece of work.

The response was unprecedented. 104 musicians returned 247 individual musical tracks to be mixed into this present arrangement.

The full 38’ 50” minute work, “Be Mine in Patience: an Embrace in B minor” is made freely available in the sole hope that this extended embrace may help in some small way to nurture strength, fortitude and comfort.

Black Glass Ensemble and Friends
Be Mine in Patience: an Embrace in B minor
Arranged and produced by Michael Begg

Cover Image by Ben Ponton, used by permission of Sue Cannon

The Black Glass Ensemble:
Michael Begg
Douglas Caskie
Jen Cuthbertson
Neil Cuthbertson
Clea Friend
Julia Lungu
Aisling O'Dea
Ben Ponton

Contributors:
Tommy Aashildrød
The Alaska None
David Allison
Christopher Alvarado
Mkl Anderson
Carsten Aniksdal
Artificial Memory Trace
Matt Atkins
Nigel Ayers
Simon Balestrazzi
Stephen Bishop
Sergey Bulychev
Matt Burnett
Dave Burraston
Ed Carter
Kim Cascone
Don Clemenza
cl0v3n
Chris Connelly
Dane Law
Thomas Dimuzio
Pablo Diserens
Anthony Donovan
John Duncan
Kate Ellis
Steve Fors
Clive Graham
Scot Jenerik
Jean Johnson
Dan Joseph
Evan Henderson
Robert Henke
May Haliburton
Mark Hand
Jim Haynes
Liz Helman
Jack Hertz
Kathy Hinde
Marc Hurtado
France Jobin
Andreas Karperyd
Katpis Tapes
Fergus Kelly
Julia Kent
Jon Lee
Edvard Graham Lewis
Andrew Liles
Malcolm Lindsay
Marco Lucchi
Patrick Tubin McGinley
Grey Malkin
Robert Mazrim
Radboud Mens
Emmanuel Mieville
Abul Mogard
James Murray
Philippe Neau
Adi Newton
B J Nilsen
Mike Nolan
nula,cc
Aisling O’Dea
Orphax
Mike Orr
Chris Osborne
Daniel O’Sullivan
Ivy O’Sullivan
p_fish_mani
Filippo Panichi
Lee Paterson
PBK
Ben Ponton
Colin Potter
Nicola Quiriconi
Audrey Redpath
Ivan Ristić
Carla Santana
Paul sawford
Janek Schaefer
Second Harmonic Generation
Simon Šerc
Tim Shaw
Chandra Shukla
Clodagh Simonds
Steven R. Smith
Jos Smolders
sp3ct3rs
Julia Spooner
Mayor Stubbs
Bill Thompson
VIVIB
Frans de Waard
Warm Digits
Simon Whetham
Gary Wilkinson
Pete Woodhead
James Wyness
Zach Zinn

Be Mine in Patience: an Embrace in B minor

The opening track from my new album Always There, Somewhere out now on Esc.Rec. 

The album charts a journey of personal discovery through friendship. It’s a record about finding answers in each other, rather than from only within ourselves.

Limited Edition Cassette + Digital Album

Always there, somewhere

The World Recedes

interdisciplinary artist + musician from portland, cascadia // mapmap.ch

448 / sounds on sounds

marcus fischer

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