Collaborations

Three Owls
I'll See You In My Dreams (Isham Jones / Gus Khan)

Mark Bennett: Vocals
Oorlab: Piano, Violin, Backing Vocals
Régulo Tortolero: Cuatro venezolano, Bass and Brushes

Photography by Eduardo Chacín on location Saint John's, Antigua and Barbuda © 2018

I'll See You In My Dreams

I'll See You In My Dreams (Isham Jones / Gus Khan)

A few weeks ago I first heard https://soundcloud.com/user-369089703/stay-original and could already feel the words filling my head before it had finished playing. The song reminded me of a favourite band of mine, Procol Harum because of the piano/organ arrangement. I asked if I could try to make a collaboration out of this wonderful melody and Pascal kindly agreed. Thank you so much for the opportunity Pascal and thank you for listening.

Music/Arrangement/Production/All instrumentation except drums - Pascal PAVY 
 @user-369089703
Drums - Loïc
Lyrics and Vocals - @markjbennett
Photography - Douglas Corrance

Stay just a little closer,
Take me in your arms until the morning has come.
Bring me just a little closer,
Who knows what the day might yet become?

Soon it will be dawn,
And will the dream be gone?
Why is it that we cannot make it last,
Forever?

Stay just a little longer,
Hold me in your arms until the morning has come.
Hold me just a little longer,
Who knows what the day might yet become?

Stay, stay, stay, stay

Now it’s close to dawn,
Why can’t we carry on?
Why is it that we cannot make it last,
Forever?

Stay just a little longer,
Hold me in your arms until the morning has come.
Hold me just a little longer,
We know only too well what’s to come.

Please stay

Stay - Pascal P. Musiques/MarkJBennett

I found this old track of mine that I still really liked, and since it sounded a bit more soulful/organic/pop than the more electronic stuff I usually do, I felt it would be a good idea to ask Mark (@markjbennett) to see if he would be up for the challenge to add some vocals to this. 

Thankfully, Mark agreed, and he came up with some lovely vocals. 
I'm really happy with the result and I hope you'll like it too!

Thank you Mark for another awesome collab!

LYRICS: 

Like Nothing I've Ever Known

Feels like nothing I've ever known
Takin’ me so long, 
A long way to go, 
Don’t know where I’m goin’, 
Don’t know what I’m feelin’, 
While my head is reelin’, 
Not sure what I’m sayin’, 
Am I goin’ or am I stayin’?

Like nothing I’ve ever known. 
Passion and exhilaration.

Takin’ me so long, 
A long way to go, 
Don’t know where I’m goin’,
 Don’t know what I’m feelin’, 
While my head is reelin’…

Passion and exhilaration.

…Takin’ me so long, 
A long way to go, 
Don’t know where I’m goin’, 
Don’t know what I’m feelin’, 
While my head is reelin’…  
Takin' me so long,
 Takin' me so long, 
A long way to go...

Won’t be the first time,
 Nor the last time, 
That I fall, fall in love. 
Yet this time, It just feels a little serious, 
Not a bad way, 
Just a sad way, 
I don’t know how to take.
 Yet this time,
 It just feels a little curious. 
Won’t be the first time, 
Or the last time, 
That I fall, fall in love. 
Yet this time, 
It just feels a little serious.

Feels like nothing I've ever known. 
Passion and exhilaration.

Takin' me so long, 
Takin' me so long, 
A long way to go...

Won’t be the first time,
 Nor the last time, 
That I fall, fall in love. 
Yet this time, It just feels a little serious, 
Not a bad way, 
Just a sad way, 
I don’t know how to take. 
Yet this time,
 It just feels a little curious.

Like Nothing I've Ever Known (Wane of Summer & Mark J Bennett)

I'm very pleased to get to work with Karl's music yet again as we have collaborated on many projects together. When I first heard 'Haust' (Icelandic for Autumn), I was haunted by the richness of the bowed sound and the grinding industrial textures that spoke to me about the extreme environment in Iceland (https://soundcloud.com/sesar/haust). I asked Karl if I could contribute and a few weeks later I'm proud to present our 8th collaboration.

Music, instrumentation, arrangement and production - https://soundcloud.com/sesar
Lyrics/Vocals - me
Image - Douglas Corrance

What was grey becomes black, 
That sinking feeling, 
As darkness falls, 
Dark falls.  

Dawn's late, later still, 
That sinking feeling, 
As darkness falls, 
Dark falls.  

Grey to black as darkness falls.

Darkness Falls by Sesar & Mark J Bennett

Paco https://soundcloud.com/sonido-reflexivo shared these beautiful and evocative melodies with me and I couldn't help but want to collaborate with him again. He is most generous and encouraging, and his music is full of structure, energy and emotion. Thanks for this great opportunity Paco and thank you for listening. I'd like to dedicate this to David, Emily and Steven.

Whatever it is you want from life,
You better be ready to go and get it.
For time always flies,
No matter how much you think is left.

Make sure that you don’t take a moment for granted,
Coz you only get this chance to shine.
When you’ve got something more to give than you take,
Only then have you truly found the reason to live. 
  
Time flies, oh how time flies 
How time always flies,

Whatever it is you want from life,
You better be ready to go and get it.
For time always flies,
No matter how much you think is left.

Time flies, oh how time flies 
Time flies, oh how time flies 
Time flies, oh how time flies 
 
Whatever it is you want from life,
You better be ready to go and get it.
For time always flies,
No matter how much you think is left.

Time Flies (Midisound & Mark J Bennett)

Coming Home.

So pull up a chair, I’ll buy you a beer  
Tell me your news, kick off your shoes,  
It's been years since I've heard anyone from home.  
And how's the old pair, are they still there?  
Mam in the kitchen, and Dad in his chair,   Reading the paper and putting the world to right.

Send my love to them in the morning,  Please tell my Mam that I'm coming home.

And how is young Mary, is she still contrary?
  I remember her smile, the sweetest in Kerry,  
I wonder if she ever thinks of me?  
I swore I'd send for her, when I had the money,  
I'd bring her to Brooklyn, we'd marry in Joseph's,  
And live the good life, in the heart of New York City.

Send my love to her in the morning  Tell her I think of her night and day.

I came here in '90 with nothing but hope,  
A second-hand suitcase tied up with rope,  
With the name of someone who was a friend of a friend of a friend.  
He got me a job washing down trailers,
In a meat packing plant, down near the Hudson, 
The smell was God-awful, but the money wasn't too bad.

Let's raise a glass to him in the morning,  And tell my Mam that I'm coming home.

I drank in the night-time, I drank in the day,  
I fell in with low-life's, the lost and the strays,  
We banded together in low-lit bars and Inns.  
Then I lost my job in the meat packing plant,  
Too many absences, and nights in the tank,  
The friend of a friend stopped taking my calls since then.

Let's raise a glass to him in the morning,  And tell my Mam that I'm coming home.

Tell them, I’m coming home

Picture of Time's Square 1980's courtesy of Douglas Corrance.

Coming Home (with Mark Bennett)

A song based on an original composition by Tom https://soundcloud.com/tom-r-gnier and Jussi https://soundcloud.com/juswel
https://soundcloud.com/tom-r-gnier/evocation
Lyrics and Vocals by https://soundcloud.com/markjbennett

We were very keen to work on another collaboration and after several rounds of selections and revisions, I'm glad to be able to share this beautiful song. I feel eternally grateful to Tom and Jussi for their inspirational music and skilled playing (and their patience). I hope we will get to make more music together in the future.

The picture is by Douglas Corrance of the Old Stockbridge Market in Edinburgh.

Everytime I look at you,
I need to recognise that
It is only you who can make me happy. 
Everytime I look at you,
I realise that I do.

Everytime I’m close to you,
My heart races,
I feel like a fool,
And you seem so cool
It’s because I think that I love you,
Everytime I’m close to you,
I realise that I do.

Ainsi va la vie,	
Quand il s'agit de t'aimer.
(Such is life, when it comes to loving you) 
Everytime I look at you,
I realise that I do.

I’m looking for a sign,
That shows just how much you do. 
Everytime you look at me,
I realise that you do.

Ainsi va la vie,	
Quand il s'agit de t'aimer.
(Such is life, when it comes to loving you)
Everytime I look at you,
I realise that we do.

Ainsi Va La Vie - Tom Régnier/Jussi Welin/Mark J Bennett

Rodolfo https://soundcloud.com/rplanes first shared this beautiful piece with me 2 years ago, which has had a gradual development since I first wrote the lyrics back then. More recently Ce Mastro https://soundcloud.com/cemastro added some exciting backing vocals which transformed the chorus and then even more recently we invited Dave McKeown https://soundcloud.com/dave-mckeown to contribute some lovely sax that we believed was just what the song needed. Rodolfo's song has such a feeling of romantic innocence yet with a wonderful rhythmic flow, that I hoped the words might feel from a simpler time. We hope you all enjoy our song of innocence (and inexperience) which thankfully is a work of fiction. Thanks again to Rodolfo for sharing this magical piece and his great skills as well as Ce and Dave's unique gifts to make this one happen. 
We thank you all for taking the time to listen.

Rodolfo Planes - Music composition, instrumentation, arrangement, production and mix.
Ce Mastro - Backing vocals
Me - Lead vocals and lyrics
Dave McKeown - Sax solo and fills

https://continentalcollision.bandcamp.com/track/almost-lovers

Almost Lovers (by Rodolfo Planes / Mark Bennett)

Once we were almost lovers, without a care.
We weren’t like all the others, somehow we just didn’t dare.
We never faced the fact,
What we had wasn’t real,
Didn’t have to deal,
With the truth while we were putting on an act
We’d have to pay,
And quite how that would feel.

The moment when I discovered, not wanting to share,
You with any of the others, that I just couldn’t bear.
But when my back was turned,
You made out with a guy,
I thought was my friend.
Then I knew that my world had been overturned,
Put out to dry,
And what a way to end.

It’s not the way that I’d hoped this scene would play out,
Leaving the stage in the first act. 
It was cruel but at least I was left in no doubt.
C’est la vie, as a matter of fact.

Were never really lovers, just make believe.
Like sister and brother, with only ourselves to deceive.
I should have known right then,
I’d be out on my ear 
Instead of in love.
Waiting for the finale, not knowing when,
I’d disappear,
When the push comes to shove.

It’s not the way that I’d hoped this scene would play out,
Leaving the stage in the first act. 
It was cruel but at least I was left in no doubt.
C’est la vie, as a matter of fact.

Almost Lovers - Continental Collision (featuring Ce Mastro & Dave McKeown) Now Available on Bandcamp

When Tom approached me with this piano melody, the initial arrangement and the title to which he hoped I’d add lyrics and vocals, I thought it was almost unnecessary as the piece already said everything required. Shortly afterwards, Jussi had added sublime guitar which offered a hopeful balance in the mood. Knowing what Tom was referring to without discussing it openly I wrote these words from a similar position of experience. I contrasted the first verse of a woman at her peak with the second verse of a woman in decline to heighten the emotion. I found that the spoken word approach allowed more emotion to flow from both the music and the words. Tom had the great idea to ask Hidefumi to complete the song with a phenomenal solo. Thank you to everyone who helped make this come together, and a very special thanks to all of you for listening.

Music composition, piano and other instrumentation - https://soundcloud.com/tom-r-gnier
First guitar and guitar arrangement - https://soundcloud.com/juswel
Lyrics and vocals - https://soundcloud.com/markjbennett
Final guitar and guitar arrangement - https://soundcloud.com/boon-suzuki

Image of a painted door in Funchal, Madeira - Douglas Corrance (https://www.facebook.com/DouglasCorrancePhotographer)

She knows just what it feels like now.
I think she’s losing it, I think she’s losing it. 
When she is almost ready, 
She will lose her reserve 
And her inhibition too.
Then she’ll lose herself in herself and then she’ll be free,
To be what she wants, what she wants to be.

She knows not who she feels like now.
I know she’s losing it, I know she’s losing it. 
As if she's gone already, 
She has lost her reserve 
And her inhibition too.
Already lost herself in herself and now she’s elsewhere,
Knows not what she wants, nor who she used to be.

She's Losing It - Tom Régnier/Jussi Welin/Mark J Bennett/Boon-Suzuki

Rodolfo https://soundcloud.com/rplanes gave me this piece and title to write a lyric around. I was drawn to man's not unnatural obsession with the cosmos from the earliest days, through using it to navigate the world and gain power, to now potentially using it as a last ditch escape from our polluted and depleted home. I particularly enjoyed this song as I get to sing in Spanish and also a good proportion of this song is instrumental. So sit back and let this journey wash over you. Many thanks to Rodolfo for all his great work and a special thanks to you for listening. Mark

Available now on Spotify - https://open.spotify.com/album/5pfvPjop9XCJPrVL9a60U0

Rodolfo Planes - Music composition, instrumentation, arrangement, production and mix.
Me - Vocals and lyrics

Southern Star by Rodolfo Planes and Mark J Bennett

It’s written in the stars,
When seen from Earth,
Venus… even Mars.
Whatever it’s worth.

The Southern Star 
The Southern Star 

Is that ‘Pie in the Sky’? 
Take the bait,
Maybe just a lie,
Trust in fate?

The Southern Star 
The Southern Star 

Estrella del sur
Estrella del sur
Estrella del sur
Es la clave,
Del rumbo del destino
Del rumbo del destino.
(Southern star, it's the key from the course of destiny)

Man’s knowledge and skill,
Charts land and sea.
In order to fulfil,
Destiny			
 
The Southern Star 
The Southern Star 

Celestial sphere,
Obscured now by,				
Tears and fear.
The end is nigh.		

The Southern Star 
The Southern Star 

Estrella del sur
Estrella del sur
Estrella del sur
Sin la clave,
Nos niega el destino
El curso del…
El curso del	destino
(Southern star, without the key, fate denies us the course of destiny)

 
Need and hunger, 
Has our innocence
Rent asunder, 
By its wickedness
 
The Southern Star 
The Southern Star 

Escape to stars.
Throw right off of your
Shackles and bars.
We need to endure.

The Southern Star 
The Southern Star 

Estrella del sur
Estrella del sur
Estrella del sur
Sin la clave,
Nos niega el destino
El curso del…
El curso del destino
(Southern star, without the key, fate denies us the course of destiny)

Southern Star - Continental Collision (Rodolfo Planes/Mark J Bennett) on Spotify too

A modern Christmas carol for you all. The lovely Mark J Bennett has provided the vocals (and artwork) - all at rather short notice too which is typical of his generosity.

We hope you enjoy it and that it encourages some thought about the Christmas message (which, let's face it, seems to have got a little lost in recent times....)

May the deep peace of the running wave be yours.

Music (based on trad tune)/Lyrics/Backing Vocal - enlimila
Vocals - Mark J Bennett.
[Audio-clip of children playing courtesy of garuda1982]

THREE BOATS
I saw three boats come sailing in,
Come sailing in, come sailing in.
I saw three boats come sailing in,
On Christmas Day in the morning.

One of those boats won’t sail again,
Not sail again, never sail again.
For that boat sank with all its men
And all its women and children.

The second boat its engine died,
Its engine died ‘cos the smugglers lied
And the waves crashed down on the folk inside
That little boat in the morning.

Those desperate folk held hands and prayed,
Held hands and prayed, as the sea it sprayed
’Til at last they sank beneath the waves
On Christmas day in the morning.

The third boat managed to reach the shore
And the folk inside all prayed some more.
Then the politicians began to roar
With rage on Christmas morning.

“How dare these strangers reach our land
Expecting us to lend a hand?
Our inn is full and we have no room.
Let them go home and face their doom.”

They went to church to sing and pray,
To sing and pray, to sing and pray,
And watch their kids in Nativity plays
On Christmas Day in the morning.

Three Boats

My friend and close collaborator @rplanes offered me this great arrangement and the title and theme that he thought might make an interesting subject matter. Initially, I was scratching my head as the topic seemed too vast but then the ideas started to attach themselves to his melodies and I was hooked. Humans en masse appear to be taking wrong-turnings and making things worse rather than better. This is me letting off a little steam with Rod's help. Thanks for taking the time to listen.
Link to tracks on Spotify - https://open.spotify.com/album/5pfvPjop9XCJPrVL9a60U0

Rodolfo Planes - Music composition, instrumentation, arrangement, production and mix.
Me - Vocals and lyrics
Photograph - Courtesy of Douglas Corrance

Reverse Entropy (by Rodolfo Planes and Mark J Bennett)
We drift from order to chaos,
Like it’s the norm.
Without a sense of pathos,
To see the storm.
Following your safe instinct,
Where it may go,
Or go where you are told.

We let others cloud our vision,
Like they know best.
What happened to our ambition
Never addressed.
Following your safe instinct,
Where it may go,
Before we get too old

You have the choice,
When you have the will,
And it’s backed with the,
Knowledge, and fulfilled by skill.
 
We fall for the theorists,
Like it’s gospel.
Go find yourself some realists,
Who’re less hostile.
Following your safe instinct,
Where it may go,
While you still have a hold.

We’ve been duped at every turn,
By those we trust.
Without alarm or concern,
Now we are bust.
Following your safe instinct,
Where it may go,
If you can still feel bold.

You have the choice,
When you have the will,
And it’s backed with the,
Knowledge and fulfilled by skill.

All our futures are in your hands
With all that it commands
Focus on how it now all stands
Before making your demands.

Reverse Entropy - Continental Collision (by Rodolfo Planes and Mark J Bennett) now on Spotify

Rodolfo Planes offered me this great arrangement and suggested the title of 'Professional Liars' as a starting point. I changed the title to Career Liars as it scanned better with the melody and although we didn’t discuss the subject closely we both had our own ideas who these usual suspects might be. You all may also have your own choices other than these potential ‘Comeback Kids’. 

This was first written in 2022, but has developed gradually over the last two years with Ce Mastro’s spectacular chorus harmony arrangement lifting the song to astonishing new heights, then lastly Georg’s additional sax work giving a renewed energy and power. Thanks to everyone for their valued collaboration on this. Thanks for taking the time to listen.

Rodolfo Planes - Music composition, instrumentation, arrangement, production and mix - https://soundcloud.com/rplanes 
Me - Vocals and lyrics
Ce Mastro - Backing vocals and chorus vocal arrangement - https://soundcloud.com/cemastro 
Georg Boehme - Sax solo and fills - https://soundcloud.com/georg-boehme

https://continentalcollision.bandcamp.com/track/career-liars

https://youtu.be/tHFD8lZXQII

 Career Liars by Rodolfo Planes and Mark J Bennett

How are you ever able to live with yourself? 
What do you really care about? 
You can cope just as long as you’re not left on the shelf, 
Hear me out. 

Are you ever conscious of the harm that you do?
 Or is all fair in love and in war?
And there is no depth that you and your crew won’t sink to. 
We’re done for.

Career liars, 
Truth deniers,
Big high flyers,
 Falsifiers.

Making all of your deals with your old cronies,
I think that is all that you’re good for. 
Nothing is ever sincere coz you’re real phoneys.
 Show them the door. 

Lying for a living, as long as we’re forgiving,
 We’ve been truly hood-winked this time for sure.
 We’re learning a lesson about the true cost of living 
Now we’re all poor.

Career liars, 
Truth deniers,
 Big high flyers, 
Falsifiers.

Career Liars - Continental Collision featuring Ce Mastro & Georg Boehme - Now Available on Bandcamp

Tom again approached me with a beautiful piano melody and an initial arrangement that he hoped I’d add lyrics and vocals. Shortly afterwards, Jussi gave the whole thing a wonderful rhythm and the first lead guitar you will hear.  Tom once again had the great idea to ask Hidefumi to complete the song with a powerful guitar solo in the coda. Thank you to everyone who helped make this come together, and a very special thanks to all of you for listening.

Music composition, piano and other instrumentation - @tom-r-gnier
First guitar and guitar arrangement - @juswel
Lyrics and vocals - @markjbennett
Final guitar and guitar arrangement - @boon-suzuki

I caught the light, 
shine on your hair.
You caught me 
beginning to stare.
You lift your head, 
and my heart soars.
Our eyes meet,
and I know I’m yours
Never be the same again, 
that’s for sure.

Your cheek lit up, 
a vivid blush 
While I could feel, 
my heartbeat rush
I went to move, 
was frozen still
Your every gesture, 
gave me a thrill 
Do I believe in love,
at first sight?
This sensation was, 
a perfect delight 
Is it possible, 
that it’s mutual,
and not merely,
the usual?

You lift your head, 
and my heart soars.
Our eyes meet,
and I know I’m yours
Never be the same again, 
that’s for sure.

Do I believe in love at first sight?

Love At First Sight - Tom Régnier, Jussi Welin, Mark J Bennett & Boon-Suzuki

Mark says,
"Making music with Rodolfo is always exciting and often a challenge, although I know we both find it stimulating, as we always aim to reach high and this post is no exception. This new song, started its gestation almost a year ago, instantly showed a lot of promise and since has been through many stages of exploration and rounds of problem-solving. The painfully blunt lyrics were initially inspired by a friend's brutal relationship break-up, but the final result is much heavier. I hope you find it moving rather than disturbing, I was trying to match the mood of Rod's deeply dramatic music."

Rodolfo says,
"I think it's a fantastic song and you've done an amazing job on both the story and the vocals, especially those tough lines. When I was writing it, I just felt like a modern blues with a techno vibe was taking shape. The final sound was defined by the story and those really dramatic, emotional lyrics. You might want to make it clear that it's a fictional story to avoid giving our friends heart attacks."

We appreciate all of the kind support that the Soundcloud community has given our collaborations. Thanks for listening and sharing your thoughts, Mark and Rodolfo

Now available on Spotify - https://open.spotify.com/album/5pfvPjop9XCJPrVL9a60U0

Rodolfo Planes - Music composition, instrumentation, arrangement, production and mix https://soundcloud.com/rplanes
Me - Vocals and lyrics

Moments of stress,
How did you deal with the rest?
All that is left of you and me,
Is wrecked.
How can we expect,
To go on when there’s nothing at all left?
 
…Left in the lurch,
You should have done more research.
I was truly never a safe bet for you…
For you could have made,
A much better match than you did with me.
 
Open your eyes,
I promise you won’t be surprised,
It’s been there before you,
All along, all of the way…
…Way before you had sensed,
That we had got it all so wrong by then.
 
Moments of stress,
All such a mess,
It’s anyone’s guess,
How it all went so wrong?
Moments of stress,
No more nor less,
Need I express,
How it all went so wrong?

Moments Of Stress - Continental Collision (by Rodolfo Planes/Mark J Bennett) on Spotify now

This is new take on a song that Rodolfo and I first worked on 4 years ago. He had always imagined it with fine saxophone and great backing harmonies and now that Continental Collision has a wonderful pool of talent to draw on, that has become a reality, thanks to Ce Mastro and Georg Boehme's beautiful contributions.
The song has been given so much more feeling and emotion.
Thanks to them and Rodolfo for believing that we could succeed  and thanks to all of you for listening.

Rodolfo Planes - Music composition, instrumentation, arrangement, production and mix - @rplanes
Me - Vocals and additional lyrics
Javier Rolando - Original song lyrics
Ce Mastro - Backing vocals and chorus vocal arrangement - @cemastro
Georg Boehme - Sax solo and fills - @georg-boehme
Image (Caithness, Scotland): Courtesy of Douglas Corrance

A Stranger In Your Heart - Continental Collision featuring Ce Mastro & Georg Boehme

I don't know what I've done wrong?
I don't know why you have gone?
Though I hope some day,
When I whisper your name,
We'll be together.
But today's too soon.
When I think of you, I dream.
Yet still, I'm a stranger,
Yet still, I'm a stranger in your heart.

Sometimes I feel like a fool.
Never knowing whether you'll,
Give me hope some day,
Still I call your name.
We'll be together.
Is today too soon?
When I think of you, I dream.
No longer a stranger,
No longer a stranger in your heart.

A Stranger In Your Heart - Continental Collision (featuring Ce Mastro and Georg Boehme)

Three Owls are
 Régulo Tortolero: Drums, Bass, Cuatro Venezolano and lyrics 
 Oorlab https://soundcloud.com/oorlab : Lead Vocals and Backing Vocals, Piano, Strings and lyrics
Mark Bennett: Lead and Backing Vocals and lyrics

Recorded at NoHum Studio, El Limón - Venezuela and Oorlab Studio, Amersfoort - Netherlands and Edinburgh, UK 2025. Mixed by: R.T. ©® NoHum Records 2025  All Rights Reserved

Recorded and Produced by Three Owls 
 Art Cover: Mark J Bennett

Régulo (AKA @kings-of-manguareo) in Venezuela started this project a year ago with a piece called ‘Al Paso C’.
After several evolutions involving Dick (Oorlab) and myself, then the new title was suggested by Régulo and we ventured into space, with a ‘Musical Consequences’ scenario. I started off the lyrics, then Régulo added some lines and finally Dick completed them. Soundcloud is a great place for experimentation. Many thanks to my collaborators and also to you for taking part by listening, Mark

Am I the follower?
 Pleiades am I bound? 
Pleiades I am bound,
 I am the follower.

Aldebaran, Aldebaran, Aldebaran, Aldebaran… 
Never going, never going… coming back!

The fiery eye of Taurus,
 Trains its gaze upon, 
Orion’s shiny belt 
And it's perfect triad
 Over all of us
 For all eternity…

As long as the sun will shine
 And the magnetic field  
Stays well aligned 
The World will keep itself  
On course.

The long night will turn around
 Winter solstice is here 
Aldebaran will rise
 The ice will disappear

Aldebaran by Three Owls

Tom Régnier https://soundcloud.com/tom-r-gnier approached me with a beautiful piano piece and with the words 'Kiss Me Goodbye' to ask if I could make a song lyric out of this. After receiving my short sung part and having superb contributions from Jussi Welin https://soundcloud.com/juswel (Guitars and guitar arrangements) and Georg Boehme https://soundcloud.com/georg-boehme (Flute & Horns), Tom described it more as a journey than a song and I think he is right.
Painting by Paul Cézanne.


Kiss me goodbye
Now is the time
For us to part
Let it show
With all of your heart
Kiss me goodbye, let me go

Kiss Me Goodbye - Tom Régnier & Friends

Mark says - 
In the 5 years I have been working with Rod, I have been encouraged to reach as far as my experience allows me to, with complete support at all times. So far we have completed 11 songs and have experimented with several others that made for a great learning curve for me, with several more at other stages of development... Watch this space, however as we are methodical and patient, therefore it may take some time to get them off the ground.

The subject matter of this song may be based on a different scenario but it is also a token of my gratitude to my inspirational collaborator and friend Rod, who has given me much confidence to rise to the ambition of his musical creativity and meticulous arrangements. Thank you all for giving this song your time.

Rod says - 
This song was conceived a long time ago to be sung in Spanish, but Mark did a magnificent adaptation with his English lyrics, and the meaning is 100% faithful to the original spirit, even though he hadn't heard the original song in Spanish. Technically, there are three voices together, consolidating a multi-vocal performance. The synth sounds emulate my old analog and FM synths, and the guitars were routed through an old console to achieve the vintage sound I was looking for.

Rodolfo Planes - Music composition, instrumentation, arrangement, production and mix - @rplanes
Me - Vocals and lyrics
Image by Douglas Corrance

Thank You (Rodolfo Planes/Mark J Bennett)

I would like to tell you just how grateful I am,
And also how important you’ve been here in my life.
I know I don’t need to draw you a diagram,
Thank you for being there all this time as my wife.
I have to tell you just how good you’ve been for me,
And I hope that I have also been there for you,
When you needed me through all this trouble and strife.
 
No need to show me all of your gratitude,
I already know how much you show that you care,
When you were prepared to move to my latitude,
Then I was convinced I was ready to share,
My life with you whatever it threw at the both of us.
I know that it’s true, no matter what you care to say.
I’ll always need to express all of my thanks to you 
This will always be true on that I swear.
 
I would like to tell you just how grateful I am,
And also how important you’ve been in, in my life.
I have to tell you just how good you’ve been for me,
And I hope that I have also been there for you,
When you needed me through all this trouble and strife.
Then I was sure that I was ready to share,
My whole life with you, whatever that meant for the both of us.
I know that it’s true, whatever you say.

This song on Continental Collision's own cloud - https://soundcloud.com/user-517923604/thank-you

Also available on Spotify - https://open.spotify.com/album/5pfvPjop9XCJPrVL9a60U0

Thank You - Continental Collision (Rodolfo Planes & Mark J Bennett) on Spotify

Tom's piano melodies are so inspirational, not just to me (Mark) but also to Jussi, Georg and Boon. The energy of this piece carried us all off on a wonderful journey. We hope you enjoy the joyful enthusiasm that Tom initiated. Tom also gave me the key line, 'My Way Through' and I had to run with it as it made so much sense with this uplifting and hopeful music. Thanks for listening.

Tom Regnier -  @tom-r-gnier Music composition, piano and other instrumentation
Jussi Welin - @juswel First guitar and guitar arrangement
Georg Boehme - @georg-boehme Horns and horn arrangement
Boon Suzuki - @boon-suzuki Final guitar and guitar arrangement
Mark Bennett - Vocals and lyrics

Wherever you’re bound you know I’ll, 
Make my way through 
Sure may take a little while
 But I’ll make my way through

Wherever I’m bound I know I’ll,
 Make my way through
 It may take a longer while 
Till I make my way through

Wherever you’re bound,
…You’re bound
I know that I’m bound, yeah!

When I get there you know I’ll
Make my way through
Sure may need a broader smile
But I’ll make my way through.

My Way Through - Tom Régnier & Friends

Dear listener, Feel free to leave comments and I'll try to reply.

I've been making music for around 16 years now but because of the wonderfully generous community that is SC, I have learned so much in a short time. I look forward to learning even more by collaborating. 
I suppose my strengths are in lyric-writing and singing. I feel fortunate to have been able to work with some stunning compositions by some very talented SCers.

My very best to you, Mark

Some links to recent Continental Collision streaming sites, etc are available below: