i love the admosphere and mood of this piece!!!

Some strange creature is locked inside a room and trying to get back to its master.

the punctuation of the track with strange voices give an extraordinary relief! great success!

DECEMBER  STEPS  2

A little experiment with a Norns that i received as birthday gift from a friend. Very interesting machine

The Center Of The Suburbs

@SaintAbdullah & @Eomac rekindle their longstanding collaboration in this fiery new release sourced from the multiple cultural references and personal stories of its producers.

In their third installment entitled “Light meteors crashing around you will not confuse you”, the New York-based Iranian-Canadian siblings Mohammad and Mehdi Mehrabani-Yeganeh aka Saint Abdullah & Wicklow-based Irish producer Ian McDonnell aka Eomac continue their exploration of sounds and rhythms through an expansive use of sampling and heavy distorted beats. Passionately curious about diverse vocal and musical cultures as well as their own, the trio began their long-distance collaboration in 2019, releasing their first two albums, “Patience of a Traitor ” (Other People) and “Chasing Stateless” (Planet Mu) in 2022 and 2023 respectively.

The trio recorded the album as the world witnessed the genocide on Gaza, Mohammad notes that all tracks were “recorded within a few weeks in October after the war broke out as we tried to keep our heads above water.” The sound of Saint Abdullah is characterized by a keen interest to challenge cultural perceptions and expectations of diasporic narratives, by foregrounding sounds, field recordings, and sacred and profane music from the multiple worlds they belong to. They pay homage to the distinct influences, however sonically and culturally disparate, that have permeated their records and musical process so far. Together with Eomac, they continue a conversation shaped by their ever-growing sonic heritage and shared musical affinities. The inclusion of field recordings for example, often personal ones, are not ornamental but are integral parts of the whole album in which vocal samples are both used in moments of release or through thrusts of heavy beats, continually mirroring a state of unease.…

Reflecting on the recording process, Eomac notes that: “There is a strong influence and inspiration from hip-hop culture here. The beat-tape in particular. It’s rough, raw; rhythms are direct and not overthought. The beats are heavy and distorted for the most part, often shifting and changing throughout a single track. This brings an intentional “ungroundedness” to the record and a sense of tension.” Echoing this state of unsteadiness, Mohammad writes in a poem during the recording: “Those in the diaspora, are those that have left their home, by force, by will, somewhere in between. Are we the connective tissue that makes things more interesting?” Tracks like 'Bitch, I am Islam’ and ‘Rocknrallah’ relieve some of the sense of disorientation but are no less poignant. In the former, 'Bitch, I am Islam', Mohammad uses old personal recordings of his sisters reciting the Quran or repeating Iranian revolutionary chants like “War war, until victory”, an acknowledgment of the worlds they left behind and the ones that need building. In ‘Rocknrallah’ Abdel Ja7eem Hafeth sings a rendition of the 1933 American standard tune ‘Smoke gets in your eyes’ only to evoke the smoke coming out of Gaza.

The record also features fellow Iranian artists in the diaspora, musician and sound artist based in Paris Cinna Peyghamy and club experimentalist Aria Rostami. Ian Bruner, who worked on the album’s artwork, created a composite of the different elements and motifs that form the album, an image of arduous travel towards the mirage of Americana. In this historic period of grief and anger, ‘Light meteors crashing around you will not confuse you’ musically and conceptually engages world systems and beliefs through the experiences and stories of its producers.

—Rayya Badran

All proceeds UNRWA

Produced by Saint Abdullah & Eomac Featured Artists: Cinna Peyghamy, Aria Rostami, Abdel Ja7eem Hafeth Mastered by Rashad Becker Art by Ian Bruner

DBL24DL

Light meteors crashing around you will not confuse you

Saint Abdullah & Eomac - The people who initiate a new world

Dani and i the night before the launch of our new record just trying to shake off the cobwebs as we have had a few weeks without  jamming and now we better get our shit together: )  Album info .......The Rat Palace was our studio from when we first started seriously working together in 2016 until the landlords decided it was time for the artists to go and the tourists to come. It had been Mat's base since 2009 and hosted dozens of artists and musicians since it first started in 2006.
As the name suggests the place was run down, lacked various things like hot water, proper access and heating but it had a vibe, and the people we shared the space with all felt and helped to create it....Creativity was everywhere, day after night after day for years.
These 7 improvisations are a tiny fraction of the jams we had there, just a few highlights from 100s of jams. They are raw, unpolished and unconcerned with anything outside the moment. We rarely 'rehearsed' as such at the Rat Palace - just played.
Things come and things go - Vale Rat Palace, you were amazing.

Kirby/Ward - Album launch Improv

N-The Sailing Yacht Groove

147-2

147 - 2

OTTO DIX

Deep in the mountains -
falling into my heart
autumn streams

Shinkei (1406-75) was a renowned renga poet and critic, best known for his two-part work "Sasamegoto" (Murmured Conversations). To find out more about this interesting and largely unknown poet-priest, Marco from Naviar recommends reading Heart's Flower - The Life and Poetry of Shinkei by Esperanza Ramirez-Christensen.

Haiku by Shinkei: https://www.goodreads.com/en/book/show/3348384

more halF unusuaL

halF deeP [naviarhaiku537]

Daily Drop #4529 - Rising Tides
The Zero Collective
04.16.24

Los Angeles, CA
Artwork by Beeple

Daily Drop #4529 - Rising Tides

Peacefull Shakuhachi with reverb.
Mood sounds made with music software.

Kiko, Le Renard Des Neiges.

From the Bandcamp release “Undergrowth”  https://martinhoogeboom.bandcamp.com/album/undergrowth

Boson Spin: electronics
Herman Muntzing: electronics
Martin Hoogeboom: gui-tronics

Mixed by Martin Hoogeboom
Mastered by Marlon Wolterink (White Noise Studio, Winterswijk)
Artwork: photograph 'Willow' by Grant Simon Rogers (www.flickr.com/people/grantsrogers/). Signed and numbered prints (limited to an edition of 10/10) are available for purchase. Please contact Grant Simon Rogers directly. © by Grant Simon Rogers

Boson Spin: soundcloud.com/boson_spin
Herman Muntzing: soundcloud.com/herman-muntzing

A Martin Hoogeboom Project (DS1233/2019)

Undergrowth I (Boson Spin/Herman Muntzing/Martin Hoogeboom)

Dutch sound artist with long standing interests in transcending conventional instrument approaches and the use of non-instrumental organic and homemade sounds. 

A recent discography can be found at www.martinhoogeboom.com .

If you would like to stay informed about new releases please subscribe to the Martin Hoogeboom newsletter mailing list on my website
www.martinhoogeboom.com

Undergrowth I (Boson Spin/Herman Muntzing/Martin Hoogeboom)

Martin Hoogeboom

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