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Some of the concretest musique concrète we've heard for a long time - well done team!

Twelve Is The New Six

September

The title of this track is a reference to the wartime term "no quarter", which also means "take no prisoners". The 'blood' red flag is often used as a symbol of this horrible practice and, in fact, it is considered a war crime to refuse to spare the life of anybody - i.e. to refuse quarter. The term "No Quarter" prompted me to research the meaning, which is where the concept for the song title came from.

In the original 1999 version of this tune, the only instrument was the echo-y electric piano sound, which was influenced heavily by the song "No Quarter" by Led Zeppelin. This is another tune I'd recommend listening to with headphones because of the heavy panning movement throughout. 

(special thanks to Chris [cgmaness] for the thoughtful perspective that reminded me of this incredible video, which speaks for itself. more like screams!  www.youtube.com/watch?v=9x7FGbW3IVc) 

Make music not war.

All comments welcome, and don't be shy to be critical or suggest ideas to help me improve.

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here's some pictures I took: www.flickr.com/photos/mark_boucher/
my best photos on 500px (safe site): 500px.com/p/mrmark?view=photos

Mark's Album (post-2020)

Red Flag

From the bandcamp EP “UNFOLD” (https://martinhoogeboom.bandcamp.com/album/unfold) with
Jukka-Pekka Kervinen: guitar/trumpet/electronics
Ulrich Langenbach: cello/viola/guitar/tapes
Martin Hoogeboom: objects/treatments/electronics

Mixed by Martin Hoogeboom
Mastered by Rupert Clervaux

Jukka-Pekka Kervinen: https://soundcloud.com/jpkervinen
Ulrich Langenbach: https://soundcloud.com/ulrichlangenbach
Martin Hoogeboom: www.martinhoogeboom.com
Rupert Clervaux: www.rupertclervaux.com

A Martin Hoogeboom Project (DS1388/2023)

UNFOLD

UNFOLD I (Jukka-Pekka Kervinen/Ulrich Langenbach/Martin Hoogeboom)

｢対決 ~ NON EXPLICIT ELECTRONIC MUSIC」

Concept music for a graphic novel.

Music written, produced, mixed and mastered by Thomas O'Higgins Horna.

Cover art: "Violet, Black, Orange, Yellow on White and Red"(1949) by Mark Rothko. Edited by me.

CONFRONT

ＣＯＮＦＲＯＮＴ

Man-below

Una Gita A Poveglia

“Dancing in the distance”

おくつきは並びたれどもうつし世に相ひ逢はざりし吾子三人はや
木下利玄 (1886-1925)
出典：『木下利玄全歌集』五島 茂 編　岩波文庫

The graves of three brothers and sisters are side by side. They have never seen each other in this life.
Rigen Kinoshita(1886-1925)
Source: “Complete Collected TANKA(Japanese Short Poem) by Rigen Kinoshita: editing by Shigeru Goto”　Iwanami Shoten Publisher

Art work: RondellMelling via Pixabay

Dancing In The Distance

Kraftwerk - Autobahn (K G G Epic Cinematic Alternate Interpretation)

I had approached Jeff (stonerjazz) to help me out with a beginning I had ... this here has  evolved over time. wow, what a flame flaring! 

credits:
STONERJAZZ: lyrics, guitar, voice, various instruments and sounds
SONIC STRUCTURES: lyrics, t resonator on contact mics, voice, various instruments and sounds, mix

onion peel pt i to iv

onion peel pt i to iv - prominently featuring stonerjazz

first rework on reaper
 it,s the same patch as the previous song and from which these last two experiments originated but with a different configuration
 it took several days of trying to find optimal audio

still in progress

winter's ending

Dutch sound artist with long standing interests in transcending conventional instrument approaches and the use of non-instrumental organic and homemade sounds. 

A recent discography can be found at www.martinhoogeboom.com .

If you would like to stay informed about new releases please subscribe to the Martin Hoogeboom newsletter mailing list on my website
www.martinhoogeboom.com

UNFOLD I (Jukka-Pekka Kervinen/Ulrich Langenbach/Martin Hoogeboom)

Martin Hoogeboom

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