Nevertheless Again

Music, much like dialogue, becomes the canvas where the depths of our soul paint their silent struggles. Expressing ourselves feels like navigating a stormy sea; words falter, leaving the heart's wounds unhealed, seeking solace in melodies that resonate with our pain.

Father

String quartet n°3 (2016) NEXT - New Ensemble Xenia Turin

Violins: Adrian Pinzaru, Eilis Cranitch; Viola: Mizuho Ueyama; Cello: Claudio Pasceri
Work commissioned by the EstOvest Festival

I 0:01 II 4:10 III 6:52 IV 12:09 V 16:30 VI 20:35

String Quartet n°3 (2016)

Martin Loridan is a composer and Professor at the Royal Conservatoire of Brussels.

His works are regularly performed in Europe and beyond by internationally renowned performers such as Claude Delangle, Rohan de Saram, the Arditti Quartet, the ensembles Klangforum Wien, Fractales, Mise-en. His work has been awarded prestigious international prizes, such as the Reinl Foundation Prize (Vienna), the André Jolivet Prize (Paris), the Vareler Prize (Berlin).

He graduated from the Paris Conservatoire National Supérieur de Musique (CNSM) where he obtained four prizes in harmony, counterpoint, fugue and forms, and 20th/21st-century composition. He is currently completing a PhD at the University of Leeds, UK, thanks to prestigious academic grants and awards such as the Stanley Burton Research Scholarship and the Leeds Doctoral Scholarship. He is also the recipient of the Art Research Fund (Fonds de la recherche en Arts FRArt) by the National Fund for Scientific Research, Belgium (FNRS).

His doctoral research is an investigation into air and breath (‘souffle’) as a composition material. His research has led him to the study of traditional music (Villa Salammbô residence with the support of the French Institute in Tunis) and the development of new instrumental hybridizations: extended pedal system renewing the possibilities of the piano; works for the Naylute, a new hybrid instrument between the Arabic Nay and the Western flute; application of electric guitar pedalboards systems to other instruments such as the accordion. In these different contexts, he could develop the main axes of his research: the 'tactility' of breath (souffle) and its double human and instrumental resonance; the porosity of air (as a sound material) and its development within orchestral forces and electronic expansions in amplified works.

His scores are published by BabelScores.

String Quartet n°3 (2016)

Martin Loridan

Related tracks