Any artist is welcome to send us a track via freshonthenet.co.uk anytime between Monday lunchtime and Thursday morning (or when we receive 200 submissions, whichever is sooner) - and all our moderators, including Tom Robinson, will listen to every track. This is our full inbox from the week beginning Mon 18 May: from around midday on Friday you'll be able to hear our shortlist and pick your favourites on this week's Listening Post which will appear at freshonthenet.co.uk/batch366

If a track you submitted does not appear in this list, it’s probably because another of your tracks appeared in our Fresh Faves or on the BBC Music Introducing Mixtape during the last three months — we ask that artists featured on either wait three months before resubmitting to give others a chance. We also don’t accept short previews or SoundCloud Go tracks that can only be heard as 30 second previews, and tracks made private after submission, which will be invisible to everyone. You will be able to resubmit the track in future. Tracks that have been previously submitted and tracks from banned artists will also be removed.

ENTIRE INBOX: Batch 366

Jealous Time

Computer Love Song

A song about digesting our ugly humanity.

S. McLean: Guitar+bass
S. Pötzsch: Drums
A. López-C: Vocals

HL 2021.

u n t i l / b e l o w

u n t i l

A song about love and other things stuck in a permanent cycle of decomposition and reconstruction.

S. McLean: Guitar+bass
S. Pötzsch: Drums
A. López-C: Vocals

HL 2021.

b e l o w

20.12.21 - EH FM - Sounds Of Ogigia w/ Pako Vega & Mayss

for voice and guitar

i. Sang I
ii. Played I
iii. Sang II
iv. Played II
v. Sang III

Voice - Rylan Gleave
Guitar - Finn Patrick McLean
text from Ulysses by James Joyce.

James Joyce Sang and Played Guitar (2022)

Neonymus Ø 
Medieval Folk Spiritual Music Visigoth

You can close your eyes, if you will. You will not need to read the texts. It's enough that you hear the music. At the end of the day, are stories of the remote, populated by legendary characters who never heard, but they do not are unknown.

Visigothic Funeral: 1st Movement

The dead warrior, his friends begin a song of praise and sorrow: “Weihnan, Swinþnan, Frijonds. þaruh ne, magan garinnan.” 

Funeral Visigodo: Movimiento I
En torno al guerrero muerto, sus amigos comienzan un canto de alabanza y dolor:“Weihnan, Swinþnan, Frijonds. þaruh ne, magan garinnan.” 

Puedes cerrar los ojos, si lo prefieres. No te hará falta leer los textos. Será suficiente con que escuches la música. Al fin y al cabo, son historias de lo remoto, habitadas por personajes legendarios de los que nunca oíste hablar, pero que no te son desconocidos.

You can close your eyes, if you will. You will not need to read the texts. It's enough that you hear the music. At the end of the day, are stories of the remote, populated by legendary characters who never heard, but they do not are unknown.

http://www.gh-records.com/479-neonymus-o.html

Neonymus Ø - Funeral Visigodo: Movimiento I

Part of Maud the moth's solo piano and voice set for the Brudenell Piano Sessions.
Performed live at the Howard Assembly Rooms (Opera North) in Leeds on the 26th of June 2022.

Brudenell Piano Sessions is a concert series curated by composer and pianist Simeon Walker.
www.simeonwalker.co.uk/brudenell-piano-sessions
www.operanorth.co.uk/howard-assembly-room/

Voice and piano: Amaya López-Carromero
All music and lyrics by Amaya López-Carromero 
Recorded by the Howard Assembly Rooms Technical Team
Mixed and mastered by Scott McLean www.scottmclean.net
Album art by Amaya López-Carromero

Turpentine (Live at Brudenell Piano Sessions)

In Vacuum Noctis : Janvier 2024 - Rétrospective 2023

En ce début de mois de Janvier 2024, quoi de mieux qu'une rétrospective des sorties qui ont marqué l'année 2023. Entre coups de cœur, découvertes et artistes phares de la scène, je vous propose une sélection d'une vingtaine de morceaux, pour un résumé hautement partial des plus belle sorties de la cuvée échue.
Replongeons nous dans la très riche et foisonnante année 2023, au sein d'une scène ambient toujours aussi vive et prolifique. Entre labels qui s’affirment, artiste émergents qui émergent forts, newscommer talentueux, et artistes phares au sommet de leur art, on ne s'est pas ennuyé durant cette année, qui j'en suis sûr ,ne nous a pas encore livré tous ses secrets. Tour d'horizons non exhaustif, tant il faudrait au moins deux volets supplémentaires pour faire le tour du sujet. Mais on aura l'occasion tout au long de cette saison radiophonique d'égrainer les morceaux qui sortent du lot.

Liste des morceaux : 

Claire M Singer - Forrig
Ancient Plastix - Daydream Research
Isik Kural - lo si aspetta (live)
Gonubie - Crystal Pools
Maria Spivak & Prins Emanuel - Kiriaki
Alva Noto - HYbr:ID Ectopia Field 1
Civilistjävel! - Louhivesi (ft. Cucina Povera)
Pierre Rousseau - Tendresse
Rotana & Superposition - Al-Hadi
Gunnar Jónsson Collider - Environment 2
Dania - Piano Sax
Lawrence English & Loscil - Magenta
Datassette - Rain on Acanthus Leaves (live)
Nicolas Jaar & Ali Sethi - Dard
Mark Barrott - すべての幽霊を殺す (Kill all Ghosts)
Maud the Moth - Perdí Pie
Martina Bertoni - Your Sun
Lau Nau - Pleomothra
Moss Covered Technology - Watching Waves From Windows
Ryuichi Sakamoto - 20220123

IVN Janvier 2024 - Retrospective 2023

Vocals, piano, celeste, synths, psaltery and percussion: Amaya López-Carromero.
Drums: Paúl González.
Guitar: Guillaume Martin.
Violins: Alicia García.
Cello: Iván Caramés.

Music and Lyrics: Amaya López-Carromero.
String arrangements: Alicia García.
Drum arrangements: Paúl González.
Guitar arrangements: Guillaume Martin.

Drums recorded by Jaime Gómez Arellano at Orgone studios, UK.
Vocals and strings recorded by Amaya López-Carromero and Guillaume Martin at Sonorous Studio, UK.
Pianos recorded by Amaya López-Carromero and Roderick Buchanan at the Reid Hall, UoE, UK.
Strings in The abattoir, Finisterrae and As above so below recorded by Iván Caramés at La Casa Encendida, Spain.

Produced by Amaya López-Carromero and Jaime Gómez Arellano.
Mixed and Mastered by Jaime Gómez Arellano at Orgone Studios 2019.

Finisterrae

Instrumental from the fourth LB album of the Buttness band

Opera

Beliefe

Classic Pop, in the style of Frank Sinatra - Jukebox

I'D REALLY LIKE TO MEET YOU MAN - Moonlight Parade

Into The Room

In My Prime was written and produced in lockdown, and reflects the frustration that many of us feel in not doing all the things we’d planned to do with our free time. But it’s also about being a twenty-something seeing those around you do great things while you’re stuck doing the same old same old, struggling to move forward with all the ambitions and plans you hoped to achieve long before now.

In My Prime

You can never see the sun
You can never see the days
You can never find a way of letting go
That's another day to waste
As the sun begins to fade
I've gotta find a way to let this go from me

Like a wrecking ball
I'm gonna lose it all
Until there's nothing in sight
I need a wake-up call
Or I lose it all
Until I've nothing inside

Let's start over just save me
I know that lately I've kept you waiting
Know that I can't stop wishing that maybe 
I could be changing
It's driving me crazy

Well I'm surrounded by the darkness
Not a hope or glimpse of light
With little voices saying 'you should disappear'
But I pretend that I can't hear them
I will never let them win
I've gotta find something to change the way I live

Like a wrecking ball
I'm gonna lose it all
Until there's nothing in sight
I need a wake-up call
Or I lose it all
Until I've nothing inside

Let's start over just save me
I know that lately I've kept you waiting
Know that I can't stop wishing that maybe 
I could be changing
It's driving me crazy

It's driving me crazy
It's driving me crazy
It's driving me crazy
It's driving me crazy

Just Save Me
Just Save Me

Let's start over just save me
I know that lately I've kept you waiting
Know that I can't stop wishing that maybe 
I could be changing
It's driving me crazy

Let's start over just save me
I know that lately I've kept you waiting
Know that I can't stop wishing that maybe 
I could be changing
It's driving me crazy

It's driving me crazy (Just Save Me)
It's driving me crazy
It's driving me crazy (Just Save Me)
It's driving me crazy
It's driving me crazy (Just Save Me)
It's driving me crazy
It's driving me crazy (Just Save Me)
It's driving me crazy

It's driving me crazy
Crazy crazy crazy crazy

Let's Start Over (SilverFox Remix)

Let's start Over (Remix)

Fresh On The Net is a music blog hosted by Tom Robinson and Team Freshnet, offering independent artists an open door and a level playing field for their music. Our inbox is open at http://freshonthenet.co.uk every Monday to Thursday morning - if you share a track with us there it will be heard by every member of our moderation team.

IMPORTANT: 
Only send ONE track, and make sure the dropbox says "OPEN".  Sorry, but tracks sent while the dropbox is closed - or shared drectly with this Soundcloud account - will not get heard.

I dont really use soundcloud that much. Check out www.maudthemoth.bandcamp.com and /www.facebook.com/maudthemoth

Finisterrae

Maud the moth

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