mixing is all about using the right tracks and make great mixes with that and the knowledge that you have.

Creating audio loops for musicians, producers and media composers since 1987. More than 200 products from over 40 different genres, optimized for the free Elastik loop player.

Soulmagic are the combined forces of the two Danish producer/DJ’s, Morten Trust and Mikkel Wendelboe, who first met 13 years ago on the local club scene, Mikkel a promoter and Morten a DJ. Their first (and biggest) joint release to date was the underground hit 'Get Your Thing Together' featuring Ann Nesby (Purple Music, 2010).  Prior to their alliance, Mikkel and Morten were both independent producers for many years. The Soulmagic name was initially used by Morten as a moniker, song title and label name in 2003, under which he produced house cuts including 'Yah Yah', 'Come On, Come On' (Soulfuric) and the hit release simply called 'Soulmagic', signed to Universal. Morten has more than 50 releases and remixes under his belt on labels such as Soulfuric, Swing City, Mn2S, Morehouse and Pacha, also gaining 3 DDJA Awards (Danish DJ Awards) and 2 gold records! He also produced several tracks for the Claude Challe album. Mikkel had also been producing his own releases including ‘Into My Life’ (Reelgroove/ Hed Kandi’s Beach House), along with several remixes, but after unleashing his single ‘Free Your Mind’ on the Soulmagic label in 2008, Mikkel and Morten joined forces and the Soulmagic production partnership was born.

Together Soulmagic have an impresive production portfolio including further hits on Jamie Lewis’ Purple Music - ‘We Love This Music’ with the late Sabrynah Pope and ‘New Dimension’ including a vocal sample from the eighties band Imagination, more recently ‘Love In The Club’ with Louis Hale and a new project to embrace the big room personality of Soulmagic- ‘BlackJack. in 2010 they created THE hype track of Miami WMC sampling Aretha Franklin’s ‘Jump To It', known as 'Aretha’s Groove'. It rocked the rafters of South Beach and still to this day it remains an unreleased, underground classic. Their combined remix portfolio is equally as impressive, incuding artists such as Barry White, Jocelyn Brown, Jon Cutler, Eric Gadd, Ce Ce Rogers, Cool Million, George Mccrae, Miguel Migs ft Peven Everett, Jay-J, and many more!  Aside of working on an exciting follow up single to ‘Someone Like You’ Soulmagic are currently busy in the studio working on remxes for Grant Nelson’s Swing City records, The Sunbusrt Band and Danny Clark & Jay Benham ft Robert Owens.

Soulmagic are highly sought after DJs and have played all over the world including Pacha [Ibiza], El Divino [Ibiza], Plan B [Dubai], Nikki Beach [Miami], Sosho [London], Vega [Copenhagen] and NB Coimbra [Portugal], to name a few. Working the crowds with their special blend of house and diso grooves, they have a reputation for dropping cheeky edits and special remixes made specially for the night! Their legendary Winter Music Conference sets in Miami have become historic! Soulmagic will be DJing across Europe over the Summer months, with a USA tour being planned for the Autumn.

<b>Soulfuric Recordings</b> is one of the most renowned labels in House music.

With releases from artists like Melba Moore, Donna Allen, Shawn Christopher, Axwell, Hardsoul , Soulsearcher, Axwell, Cleptomaniacs, Jazz'n'Groove, Urban Blues Project, Copyright, Hardsoul, John Julius Knight, DJ Fudge, Ron Carroll and Bobby DAmbrosio to name a few.

Listen to Melodica now: https://found.ee/EDancer-Melodica

Bookings: ed@arcade-talent.com 
Management: phil@onehouse.com

Platinum-selling recording artist, label boss, festival promoter, true innovator in the pantheon of popular music, cultural champion, cracking DJ: there’s a lot to be said about Kevin Saunderson.

His influence runs deep, through both adopted hometown of Detroit, and music culture as a whole: as one of the Belleville Three, the high school trio which also includes Juan Atkins and Derrick May, he irreparably changed the face of electronic music; with Inner City, he gave it some of its most memorable tunes. 

The genesis of today’s enormous techno scene can be retraced straight to Kevin, Derrick and Juan, as their formative experiments on rudimentary hardware sketched a blueprint for a genre that was yet to exist. By absorbing Kraftwerk, cutting-edge funk, local radio stalwart The Electrifying Mojo’s electicism, and all manner of new synthesiser and drum machine-led pop music, the Belleville Three broke new ground as musicians and DJs in the 80s. 

Saunderson’s comparatively late start as a producer – kicking off in ’87 under the moniker of Kreem, with E-Dancer and Reese two of the more well-known names to follow – inadvertently gifted him a headstart. With the eruption of house music a few hours down the I-94 in Chicago, Saunderson married Detroit’s raw sound to more tactile, pop-leaning sensibilities. Inner City was born, and global success followed.

Between “Big Fun”, “Good Life”, debut album Paradise and a number of follow-up singles, Inner City (Saunderson and vocalist Paris Grey) amassed 12 UK top 40 hits and over six million records sold worldwide during their peak. A dancefloor-dominating remix by Luciano in 2008, and a globetrotting reunion tour in 2012, underscores the longevity of Inner City’s classic sound. 

His nickname of ‘The Elevator’ is apt: for his role in transporting Detroit’s new sound to a wider audience; as anyone who has seen him perform live can attest, his high-energy, high-spirit and high-impact DJ sets; and for spending the past 35 years of his life progressing the culture he helped create. 

Operating in tandem to his golden run as a producer in the late 80s and early 90s, Saunderson’s own KMS record label – a remarkable 30 years strong in 2017 – has chronicled the early footsteps of R-Tyme, Blake Baxter, MK, Chez Damier, Derrick Carter, Bicep and even Saunderson’s son and regular DJ partner Dantiez more recently. 

A special 12” series in 2008 called History Elevate, released in tandem with fellow polymath Carl Craig’s Planet E label, brought contemporary names like Mathew Jonson, Simian Mobile Disco and Loco Dice into the fold, proving his nous for fostering relationships with each new wave to come through techno’s gates. 25th anniversary compilations and numerous reissues have followed suit. 

Saunderson has a behind-the-scenes role to play, too: he is intertwined with the history of Detroit’s flagship Movement (formerly Detroit Electronic Music Festival / Fuse-In). Having produced the event in the mid-2000s, the last handful of years have seen repeated invites from Movement to display his ORIGINS showcase at the festival, bringing acts like Delano Smith, Phuture and DJ Minx under his curatorial umbrella. 

And of course, with a stacked international touring schedule over the decades, playing in nearly every country and at nearly every festival or club worth mention, he has not stopped pushing the feeling of techno on and on. 

The Groove That Won’t Stop, indeed.

Sole Channel Music had humble beginnings as a weekly Saturday night party in the vibrant heart of New York City, aptly named Sole Channel.
The driving force behind this endeavor was to craft an atmosphere around deep dance grooves and present them to a new generation of club enthusiasts.
With an outpouring of love and support from DJs, producers, and fans alike, Mr. V recognized that the time was ripe to launch his own imprint. This platform would not only showcase his prowess as a producer and songwriter but also infuse fresh ideas into the underground music scene.

Speaking of the label's unique sound, Mr. V emphasizes, "When I think of Sole Channel Music, I envision a label with a clear vision and purpose.
The label's sound is unmistakably oriented towards the future."

Innovation and Collaboration:
Armed with innovative sounds, novel concepts, and exciting musical collaborations featuring some of today’s hottest DJs, producers, and artists, Sole Channel Music transcends the conventional label archetype.
It is a dynamic, forward-thinking entity that defies the copy-and-paste formula.
Sole Channel Music represents more than just a record label; it signifies innovation, precision, and a commitment to pushing boundaries in music.

​Ladies and gentlemen, welcome to the future of sound—welcome to Sole Channel Music.

Management or Licensing Info: scmagency@icloud.com

Deep House, Classics, Deep Disco, Soul, Afro House From The Beach House

"Call It Techno" was the blueprint track which was written on June 4, 1989.  It was at the forefront of European Rave Culture and became a well known track in the U.K. & Germany.  The documentary "We Call It Techno" explains it right from the beginning and from that came the second & third Love Parade themes being named "The Future Is Ours" off the XL/Citibeat LP by Musto & Bones.  And "My House Is Your House" from the Break Boys which was Frankie Bones aka on Fourth Floor Records in 1990.

Frankie became the American Pioneer of Rave Culture on both coasts in 1990, playing Techno as a movement.  The Peace, Love, Unity Movement which in 1993 became PLUR after a fight broke out at an event in The Bronx which had Richie Hawtin as it's headliner.

And the rest is history.  If words can paint the picture here, the first 5 Soundcloud links will describe a DJ who has a journey of a lifetime & still is active in 2024.  The music that comes from the heart & soul of the Brooklyn Underground.

'FIRE + ICE' feat. Jake Shears 💜 Out now! ⤵️
https://PurpleDiscoMachine.lnk.to/FireandIce

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