Track 3 from the album 'Kleurtonen'.
You can buy the album at Bandcamp: https://geluidenfabriek.bandcamp.com/album/kleurtonen

About the album:
Working with A=432Hz tuning, for this album, I am exploring the possibilities of sustained sounds and their transcendental character, with repetition and subtile shifts in sounds and timbre.

Instruments used on this album: Sustainer guitar, Acoustic guitar with bow, Acoustic piano, Analog synth (Soma Lyra 8), Weeldophone, Percussion instruments.

Production and mastering: Simon van Weelden

released June 29, 2021

Gebrande Omber

Olawale Olayinka #violinist 
Ibukun sunday #synthesizer

Nostalgia by Ibukun sunday & Olawale Olayinka

flow of the stream - part B

naviarhaiku479 – Summer night

Summer night
transforms to daybreak.
I count fleas.

Ryōkan Taigu was a Japanese poet and calligrapher who lived during the Edo period. A Buddhist monk who lived much of his life as a hermit, he spent most of his time writing poetry, calligraphy, and communing with nature. His poetry is often very simple and inspired by nature.

Seven days to make music in response to the assigned haiku: to participate visit https://www.naviarrecords.com/about/naviar-haiku

 

Deadline: 15th March 2023

haiku by Ryōkan Taigu https://allpoetry.com/Taigu-Ryokan

picture by freestocks https://unsplash.com/@freestocks

Summer Night Fleas [naviarhaiku479]

From the Bandcamp release "Black birds ate the sky": 
https://martinhoogeboom.bandcamp.com/album/black-birds-ate-the-sky

Martin Hoogeboom: electronics/objects
Rupert Clervaux: mastering

Black birds ate the sky

Black birds ate the sky (I)

When taking the time today to listen to all the contributions to the disquiet0593 and downloading here and there, I noticed one thing: 
many people, including myself, seem to tend to upload their tracks to the disquiet junto projects by their working titles, so when you have downloaded quite a few  like myself today, it is impossible to trace the tracks back to their creators. Which is quite a pity. 
So I cannot say which tracks I cut out pieces to loop them, alas, even  if I would want to credit the respective musicians. 
The track from the disquiet0593 I chose to re-imagine for this week´s project, is RabMusicLab´s La tête éblouissante: https://soundcloud.com/rabmusiclab/la-tete-eblouissante
RabMusicLab created his track from the disquiet0592 by encym who added to Andreas Kitzmann´s solo-track from the disquiet0591

Toutes eblouissantes

Wilfried Hanrath - Toutes éblouissantes (disquiet0594)

naviarhaiku512:
Endless echo
footsteps on an empty house
once full of life

haiku: Marco Sebastiano Alessi
image: Raya Mal https://unsplash.com/photos/closed-window-ggeI8TyPeZM
for the Naviar Records Haiku Music Challenge www.naviarrecords.com/about/naviar-haiku/

An Empty House [NaviarHaiku512]

FRIENDS

Calm and kind of mysterious instrumental track.

Secret Investigation

Almares

Weird Tunings

mikey_a is an ambient and soundscape artist living in Melbourne, Australia.
Though now producing mainly in the box with a mix of VST and field recordings he still likes to occasionally crank out some of the physical treasures he's owned since the '80s: a Korg MonoPoly, a Roland TR-606, TB-303, S-10 and D-110 along with a TEAC 3440 reel-to-reel.
He is a frequent contributor to the Naviar Records' Haiku Challenge and Disquiet Junto projects.

An Empty House [NaviarHaiku512]

mikey_a

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2023donut

Martin Hoogeboom

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mikey_a

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