.. of struggle and hope (contrabass quartet and electronics) 2020/2021

Performers : 
Nikolai Matthews 
Inga Margrete Aas
Håkon Thelin 
Jon Åsnes

Recorded by : Ståle Jóhann Fossheim
Mixed by: Martyna Kosecka 
Mastered by: Henning Bortne
The recording was done at Levinsalen, the Norwegian Academy of Music, 22.02.2021

Fixed media composed and recorded at NOTAM during Autumn 2020
Mixed by: Martyna Kosecka 
Mastered by: Cato Langnes

... of struggle and hope (contrabass quartet & electronics) - 2020/2021

For flute, ensemble and electronics
Flute: Sara Antikainen
Conductor: Guillaume Bourgogne

Mouvement de l'Arve

“Rosemary” is the mixture of some relatively irrelative sounds which were recorded with my phone combined with a few layers of recordings of Alto Ghaychak performed by myself back in the summer of 2021.

Arshan Najafi (b. 2001) is a Tehran based Composer, Photographer and Poet. His first encounter with music was when he started playing the Violin at the age of 10. Six years later he decided to study Kamancheh (Persian Spike Fiddle) with #SabaAlizadeh.

04 - Arshan Najafi - Rosemary (Excerpts)

The Cure (Shifā)2022
commissioned by CNZ Zurich
for Trumpet, Flute, Oboe, Horn, Clarinet, Baritone Saxophone, Viola, Violin, Cello and 3 speakers

Collegium Novum Zürich
Yalda Zamani, Conductor

Konzert vom 8. April 2022, Kirche St. Peter Zürich

The Cure (Shifā) - Collegium Novum Zurich 2022

MÁRD for Ensemble
Composer: Parsa Zandi
Dedicated to my dear friend and teacher Mohammad H. Javaheri

Performed on June 29 in Graz the Students of KUG:
Flute: Kate Sabine Lasmane
Oboe: Mark Gradwohl
Clarinet: Jacob Niller
Trumpet: Thomas Kern
Harp: Anna Voronova 
Piano: Stepanka Vojtasova
Violin I: Sofya Agnessa Yakuntsova
Violin II: Jelena Jovovic
Viola: Aleksandra Kanke
Violoncello: Yigit Vural
Conductor: Ihor Kolomiyets

MÁRD (2022) for ensemble

"Revisione"  (2025)  Fixed Media

Composer:  Parsa Zandi
Performed by:  Sepia Ensemble
Conductor: Julia Claver Pater
At Poznań Muaical Spring Contemporary Festival in Poznań,  Poland. 



"Rue de Minuit" (2025) for 14 Musicians | Sepia Ensemble

Adnan Saygun Concert Hall

Instrumentation: Bsn., Fl.
Ankara, Turkey
Live Record

Painting by Zoheir Javaheri

The Distance Between Me and My..Self (for alto flute & bassoon) | 2017

Transmission (2002) for bassoon and electronics

My CCRMA Page:
https://soundcloud.com/moha-ccrma
My Film Scoring/Side Page:
https://soundcloud.com/mohammad-h-javaheri-2
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Composer, Performer
Member of DKV, DEFKOM, and FEM

Mohammad H. Javaheri (1989-), an Iranian composer and performer from Tehran, has gained recognition for his interest in dense, powerful masses of sound and crafting complex textures. He has been named as a promising future composer and internationally in-demand by Germany's NMZ newspaper and Thuringian state newspaper, respectively. Moreover, he received attention in various news articles, including the LA Times. His music has been characterized as 'tense’, 'sensational’, and 'detailed'; and he inherently crafts his ‘own sound’ (Toshio Hosokawa, SYNTHETIS 2019). His versatile compositions span various forms, including electronic and acoustic elements, and have received international awards. His creative focus has consistently revolved around the concepts of "Cycle, Repetition, Trans-formative Blocks," and the interplay of speed with the structure of his compositions, along with the human psyche's evolution, delving into the profound impact of incidents and traumas on human psychology. His music vividly captures the cyclical nature of these changes and their lasting effects on emotions, actions, and life decisions. His pieces have been performed by well-known artists, ensembles, and orchestras worldwide, featured on platforms like SWR2 Radio, and published by Babelscores, Score Follower, and UCLA Music Library.
In 2024, he was awarded an EDGE Fellowship by Stanford University, positioning him to become a member of the cross-disciplinary community of scholars at Stanford.

The Distance Between Me and My..Self (for alto flute & bassoon) | 2017

Mohammad H. Javaheri

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