Collabs3000 '2025 EP': https://mute.ffm.to/collabs3000-2025ep
Collabs3000 'Metalism': https://mute.ffm.to/collabs3000-m20

World: javier@analog-a.com
North America: john@analog-a.com
Latin America: larissa@liminal.ag
Italy: alex.ravizza@vivoconcerti.com
MGMT: roland@rlcgmbh.com

Chris Liebing is synonymous with techno. His legacy is long assured, but his craft never stops evolving. Whether as label head, podcast curator, DJ or producer, he continues to challenge himself and his audience to explore new realms in the electronic world. And often ahead of the curve, too, from the early, hard-edged and loopy 90s sound which is back en vogue today, through his more stripped-back turn of the millennium minimalism and onto the cinematic atmospheres and broader alternative electronica of his latest albums on Mute. It's no stretch to say, then, that Chris Liebing's story is closely connected to the story of techno itself. 

Liebing is considered a global techno ambassador, but his ambitious album projects and direct club tracks excite and innovate as much as any new school star. A proudly forward-thinking attitude ensures that is the case as his DJ tools and studio setup constantly evolve. He continues to be an early adopter of emerging technology, too, just as he was with vinyl controllers, Traktor and when leading the way with full hybrid/live DJing. 

These days, Liebing incorporates an ever wider sphere of sound into his own work. After an eight-year break from full lengths, 2018's Burn Slow on Mute was a creative rebirth that received critical acclaim and confounded all expectations. It was a melancholic mediation on gothic moods, looming apocalyptic landscapes and optimistic broken-beat techno that drew from his childhood love of Depeche Mode, Gary Numan and the New Romantic movement. 

Remixes for Depeche Mode and Goldfrapp followed alongside a collaborative single with Charlotte De Witte, and 2021 brought a second album on Mute, Another Day. It found Liebing exploring all new ways of expressing both his euphoric and melodic side, all with high-grade technical skill and meticulous sonic craft with a range of collaborators from Miles Cooper Seaton to Polly Scattergood. This exceptional form continued into 2023 as he returned to the club with his Love Those Who Fight With Passion And Faith EP on CLR, a passionate and politically charged call to the dance floor that joined Liebing and Luke Slater’s remix of Depeche Mode’s iconic ‘Ghosts Again’ in the first half of the year. 

Born in Giessen and active ever since the 1990s, Liebing has always platformed the talent around him as much as himself: a long time before they were commonplace, he famously helmed his own CLR podcast. For many years, it was the scene's most influential series, with a who's who of international pioneers at the helm. After that came the equally important AM/FM radio show, but now following a hiatus, the CLR podcast is back and pushing a fresh techno agenda, as is his iconic label of the same name.

In its first chapter, CLR stood for Chris Liebing Records, then Create Learn Realize, and now Create Learn Repeat - a subtle evolution that is at the heart of everything Liebing does. The label will always be synonymous with exciting techno and is now back hosting parties and festival stages. 

Though his music is underpinned by pulsating menace and a stomping sense of drama, Liebing himself is friendly with a famous smile. It is the music that motivates him and the freedom that comes with increased experience. These days there are no limits, no expectations, but a continued love for the art and craft of techno that is taking him down all new creative pathways.

https://www.christian-loeffler.com/
Booking Requests: ralf@vdhaardt.com
Management: paul@ki-records.com

bookings : alba@cavalebookings.com
insta : @paatraaoo
bandcamp : @p4trao

Un podcast destiné aux femmes, aux hommes qui se posent des questions sur eux-mêmes. Un jeudi sur trois. Une émission animée par Victoire Tuaillon. Un podcast de Binge Audio.

Combining the eclectic talents of Adam Freeland, Steve Nalepa and RY X.

Management:
leon.alexander@redlightmanagement.com

*Cross-Continental Musical Collages*
*Mattress Mixtapes on 90mil radio from @sandra-agudo-1 and @LeoHyde
*Mobile Party Collectif*
*Peloton Festival*
*Shed FM Shows over here: @Shed-FM
*Dreamy travel mixes from Chris here: @kkrid

------------------------------
Past events_
06.05.2025 The Cloud @ Ikii Herrfurth Platz
05.12.2023 - Bongo Joes, Quatre Saisons Album Launch
18.10.2023 - Quatre Saisons Album Launch Berlin
03/08/19 Moon River (Descente du Rhône)
01/08/19  Meanwhile @ audio club
17/05/19   Cache Cache Presents - An Abstract Expression @ Café Jules Verne
05/04/19  @ Studio B (Maison Balkii)
23/03/19  Cache-Cache | 20,000 Leagues Under @ Café Jules Verne
09/02/19  EPIC-Magazine @ Foouund
08/12/18   Cache Cache Collectif x Ozap
02/11/18    Soirée d'ouverture, Geneva International Film Festival (GIFF)
22/09/18  Ça sonne à la porte!
15/09/18   Rentrée Coulou X Cache Cache Collectif
27/07/18   Velo Soundsystem @ Critical Mass
14/07/18   Secret Spot
22/05/18  Radio Usine @ La Makhno

Un podcast pour explorer toutes les questions raciales sur le mode de la conversation et du vécu, par Rokhaya Diallo et Grace Ly.

Yasmine Hamdan first made waves in the music scene with the pioneering Beirut indie electronic duo Soapkills, which she co-founded with Zeid Hamdan in the late 1990s. 

Having moved to Paris in 2005, Yasmine collaborated with Madonna producer Mirwais for the Y.A.S. project, releasing the sleeky clubby Arabology album on Universal in 2009. Since then, she has earned international acclaim as a solo singer-songwriter and producer, elegantly entwining far-ranging elements, from pan-Arabic roots and pop and poetic lyrics, to electronica, soul and guitar melodies. Yasmine has collaborated with filmmakers such as Elia Suleiman, Jim Jarmusch, and has toured globally in support of her albums Ya Nass (2013) and Al Jamilat (2017). 

Her upcoming third album is scheduled for worldwide release in September 2025 on Crammed Discs/ [PIAS].

Photo : Ylias Nao

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