what is the meaning of Life what Is the meaning of Keep with Life when in front of universe the humana are nothing....nobody knows that answer to that question but meanly why don't keep with Life.

Taken from the upcoming album 'Watering a Fake Flower'.

..........

Open to the Sea are Enrico Coniglio & Matteo Uggeri...

Enrico Coniglio: piano, organ, Yamaha TX7
Matteo Uggeri: rhythms, field recordings, samples, sort of backing vocals

with:

Mattia Costa: drums
Alessandro Sesana: trumpet
Andrea Serrapiglio: cello, drones

Recorded by Enrico Coniglio and Matteo Uggeri in Venice and Milan.
Drums recorded by Gianmaria Aprile at Argolab, Varese.
Cello recorded by Andrea Serrapiglio.
Additional VOG treatments on “I Can Hear…” by Gianmaria Aprile.

Mixed and produced by Matteo Uggeri
Mastered by Ian Hawgood
Artwork by Daniel Crossley

www.fluidaudio.co.uk

Watering a Fake Flower

Open to the Sea - If One Moment Could Be My Entire Life (Pt 1 & II)

A near-infrared image of the Cosmic Cliffs in the Carina Nebula, captured by NASA’s Webb Telescope, has been mapped to a symphony of sounds. This track only includes sounds from the bottom half of the image, which resembles a mountain range in ruddy shades of orange and red. This half of the image has a clearer, more melodic composition. The sonification scans the image from left to right.
 
This sonification does not represent sounds recorded in space. Two musicians mapped the telescope’s data to sound, carefully composing music to accurately represent details the team would like listeners to focus on. In a way, this sonification is like modern dance or an impressionist painting – it converts Webb’s image to a new medium to engage and inspire listeners.

Brighter light in the image is louder. The vertical position of light also dictates the frequency of sound. For example, bright light near the top of the image sounds loud and high, but bright light near the bottom is loud and lower pitched.
 
Learn more: https://www.nasa.gov/feature/goddard/2022/nasa-webb-s-first-full-color-images-data-are-set-to-sound

Credits: Image: NASA, ESA, CSA, and STScI; Accessibility Production: NASA, ESA, CSA, STScI, and Kimberly Arcand (CXC/SAO), Matt Russo and Andrew Santaguida (SYSTEM Sounds), Quyen Hart (STScI), Claire Blome (STScI), and Christine Malec (consultant).

Webb’s Cosmic Cliffs Sonification: Mountains

~ LAAPS 029 ~ [SEQ.04 - LP29]

artist : Sonmi451
 album : The Eighteen Minute Gap
duration(s) : 38.08 mn (LP) / 59.13 mn (CD)
 date : July 13th, 2023

edition :
-  vinyl : limited to 300 copies / yellow LP / pantone / hand numbered 
- cd : limited to 200 copies / hand numbered + handcrafted, sealed

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pre-order : June 22th, 2023 / official release : July 13th, 2023
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All tracks written and produced by Bernard Zwijzen / Sonmi451

 Equipment used:
Hardware synths: Moog Mother 32, Arturia Microfreak
Hardware samplers: Elektron Octatrack, Instruo Arbhar, Make Noise Morphagene
Hardware effects: Hologram Microcosm, Happy Nerding FX
Software synths, samplers & effects: Various synths from Spitfire Audio, Applied Acoustics, Arturia and U-He; Samplers from Native instruments and Max MSP; Effects from Valhalla, Soundtoys and Sonosaurus.


Mastered by Taylor Deupree (12k)
Artwork by Maia Flore / Atout France (La Siesta, Argelès 2016)
Design by Sprflxgrfzm

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Links :
https://laaps-records.com/
https://sonmi451.bandcamp.com/

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℗ & © 2 0 2 3 - L A A P S - L A A P S 0 2 9

The Eighteen Minute Gap

Sonmi451 - A Taste For Vicarious Pleasure

There is something special about that dark and nostalgic music that seems to be echoing from the past, as if breaking through another dimension of time, trembling through the gritty playback on a warped and dusty tape, fading in and out on a crumbling old photograph, shades of colours long gone... long gone. The music of Black Swan has embraced this noir-fi aesthetic throughout the years, ever since I first heard the debut, In 8 Movements, released in 2010. Immersed in chilling ambience, hauntology, and the ephemera left behind, the music of Black Swan captures the eerie essence of the in-between, exploring the shadowed depths that linger at the periphery. Exactly twelve years ago, I invited this mysterious artist from New York to make me a Halloween-themed mix, which I published here as Music For Masquerade. Today, I am premiering two tracks for you from his upcoming album on Past Inside The Present, titled Ghost, to be released, of course, on Halloween. This is now his ninth full-length release, in which the spirits roam in our world, leaving their voiceprints on abandoned reel-to-reels to be discovered and played back. And as the twenty pieces and vignettes recede and fade away, all we are left with are the memories imprinted on our hearts and minds. The memories of those who are long gone... long gone. As we will be some day.

Read more on Headphone Commute:
https://headphonecommute.com/2024/10/29/black-swan-somewhere-but-here-and-time-loop/

Ghost

Somewhere But Here and Time Loo

TRACK PREMIERE : Black Swan - Somewhere But Here And Time Loop

Created in the field on January 14th using bespoke VLF radio receivers, Tecsun multiband radio & Hack4M keyed with Cubic SDR software which adds a special range of articulation in bandwidth. Sources are radio waves, so there's instability, unpredictability into the mix, keeps the improvisation on the go. The ensemble en suite.

the many & true approaches

C / T / F / O
Release Date: 07-01-2019
© 2019 Keith Richie

C / T / F / O represents a bold evolution in my sound—ushering in what I consider a new phase: Aggressive Ambient. While still grounded in the atmospheric textures that define my work, this album introduces grittier edges, distorted basslines, and a driving pulse that adds urgency and weight to each track.

The journey begins with Maestoso, featuring searing guitar leads by Ray Clay. What starts as a subdued ambient-techno fusion gradually builds into a cinematic, guitar-forward anthem—setting the tone for the dynamic contrasts that follow. Throughout the album, you'll encounter industrial rhythms, shadowy darkwave undercurrents, and moments of melodic tension that refuse to stay in one place.

Familiar elements of my previous work remain present, but they’ve been recontextualized with new intent. Tracks like Muzika Automatika—a clear homage to Kraftwerk—blend retro-futuristic textures with robotic precision and raw mechanical energy.

C / T / F / O is unpredictable and unapologetically experimental. It’s ambient music with a backbone, designed for those who want their soundscapes immersive and invigorating. The experience concludes with the title track—a final cathartic release, and a reminder to… well, C / T / F / O.

🎧 Listen on your favorite platform:
🔗 owtt.lnk.to/ctfoBC  

Sedative Syrup

An Album from 2015. released here for the first time. 

Solar Out Reach

Wondering Star

Track for Slow sketch vol. 1: Reflections of the ambient community, on El Muelle Records.

Warmth - Dögun

Dropsonde

Sherbrooke

https://hshirptsubaki.bandcamp.com/album/music-for-late-night-highways
It's the longest 60 minutes of my career.
It is a work that reexamines ambient music, which has recently become more subjective and too much development.

If you listen to it on the highway late at night, it will either make your head clear or put you to sleep.

Drive safely.

Music for Late Night Highways - Sample

Hello, we’re NASA. You may have seen our astronauts, rocket launches, or Mars rovers — but have you heard our sounds? From interviews with astronauts and engineers to stories that take you on a tour of the galaxy, NASA’s audio offerings let you experience the thrill of space exploration without ever leaving Earth.

Webb’s Cosmic Cliffs Sonification: Mountains

NASA

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