totally unpredictable and indescribable : )

i dont even need to listen the first second to a collab with stonerjazz and already know how it will end up - highly dope, spychodelic and enjoyable. hahah. this is weird in the most possible way

this is.... hahahahah. so wild and shamanic and just too good!!

As an ancestor I totally approve this cool song - the viking on Leman street

My first vist to this work in quite some time...i am again blown away by your superb production and how quickly this came together..

https://soundcloud.com/user-878853779/all-is-loneliness?si=5928daef79724591a3fe9315a3281829

place without waves (r.s.stropharia + chr.ruoff) 13.08.2021

Emptied

Take a walk along the river

Trying to find the edges in a drone universe.

Photo by Daniel Seßler on Unsplash.

Forest 02

without a voice
the heron would disappear –
morning snow

Widely regarded as one of the most important female haiku poets, Fukuda Chiyo-ni was a Japanese poet of the Edo period. She started writing haiku early in her childhood and was strongly influenced by Basho’s poetry (probably because her teachers were his students).

The fundamentals in Basho’s poetry include: sabi (detached loneliness), wabi (poverty of spirit), hosomi (slenderness, sparseness), shiori (tenderness), sokkyo (spontaneity), makoto (sincerity), fuga (elegance), karumi (simplicity), kyakkan byosha (objectivity), and shiZen to hitotsu ni naru (oneness with nature). Fukuda Chiyo-ni was particularly interested in the latter, since most of her poetry deals with the realm of nature.

Without a voice (naviarhaiku459)

a theme by Marco Lucchi re-imagined by Walter Fini

marzo 2023

Walter Fini - Acqua di Marzo

With the upcoming Keith Rowe celebration in Berlin just around the corner, reflecting upon how Prepared Guitar noise crossed cultural boundaries. Pink Floyd in 66/67 a band of the London arts scene. Legend has it that Keith Rowe influenced Syd Barret to do improper things for the guitar that no other Pink Floyd guitarist cared to explore. I found this idea more plausible than Syd being stoned or aggressive -- although both artists might have found they shared a transgressive feeling for how such noises are the thang to challenge the thinking about the thang. While there's nothing in Syd's guitar sound surpassing anything Hendrix hadn't blown through several times with the vitality of ten thousand cats, it's also more complicated to think it through the Keith Rowe perspective. Hendrix's path, in my reading, was, yes, to found his own sound, gain his freedom, but also to destroy the white western exploitation culture with the rage of the slave uprising through the electrified blues and render, as a result, an American problem and treasure. In the last days, Jimi wanted to bring it back home and play deep electro-acoustic blues and rock the studio like CAN influenced by Stockhausen on shrooms. Keith's sound was already detached from folk traditions, more consciously post-modern (self-historicizing, self-contextualizing -- to lay the emotional guitar down, pushed away from the body), and few people really want to deal with that new kind of wilderness he explored in HARSH, where you see shards of what he maybe transmitted to Syd and which Jimi knew very well but never lived to take out of the rock and roll physicality context. Prepared Guitar music doesn't really exist if the guitar is not really involved, though. This track is all about those cross-over moments between the psychedelic movement and fluxus and free improv and indeterminacy. Syd was still in a rock band rooted in the Black Music of the Colonies and then they got rid of him. Noise has maybe messages beyond human aesthetic.

Syd B Keith R

Disquiet Junto Project 0599: Minimal(ist) Blend

How the sounds were created might best be described as follows: 
- Recorded 5 polyrhythmic guitar tracks (in 3, 4, 5 and 7) live, over the entire duration of the track ~3.5 minutes
- Disguised them, only allowing each to come to the fore occasionally
- Added up-front metallic sounds, single hit percussion and a bassy pad
- Mixed those ingredients to allow different aspects to shine in turn.

Thanks @disquiet and @tobiasreber for this inspiring prompt!
----------------------------------------------------------------------------------------------------------------
More on this 599th weekly Disquiet Junto project, Minimal(ist) Blend (The Assignment: Make a piece of music that combines self-contained minimalist parts), at: https://disquiet.com/0599/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0599-minimal-ist-blend/

Free Download

Enilpicsid [disquiet0599]

trommel faining

01 - Spitfire Audio - Woodwind Evolutions
02 - Spitfire Audio - Labs - Choir from Eric Whitacre Singers at Air Studios

Windy Weather

A PLEASURE TO HAVE PARTICIPATED WITH STONER JAZZ
https://soundcloud.com/user-911083679

The Viking Of Sixth Avenue - STONERJAZZ/P a b l o

P a b l o

Recent comments

vasco ribeiro morais p. 8

STONERJAZZ

joerxworx

Well

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