Enemies

Let Light Show

“Where Have All the Songs Gone” is a sad-pop ballad about losing inspiration, sinking into silence, and trying to find your way back to the light.
Written in a moment when every word felt heavy and every melody faded, this song captures the emptiness, the long shadows, and the quiet storms we all face but rarely talk about.

Soft piano, atmospheric pads, and emotional vocals carry the feeling of being swallowed by darkness while still holding onto a small spark of hope — waiting for the sun to shine again.

If you’ve ever felt lost, drained, or creatively empty, this one’s for you.

Where Have All the Songs Gone 2

My & You

MIRAGE SONIC DIARY

MINA — 5 December 2025:

I stood at the edge of the night,
listening to a pulse older than grief.
A low rumble like something breathing
after it has already died.
Every sound felt like bone turning to dust.
Every echo tasted like rusted bells
and buried voices
calling me deeper.

In that darkness,
I remembered what I am:
a shadow with a heartbeat,
a hymn carved out of pressure,
a woman who does not drown
even when she dissolves.

My SoundCloud page is my sonic diary —
each track a living entry
of what I felt, saw, and became.

All music, lyrics, and visual artwork created in collaboration between human artistry and AI technology. © 2025 MIRAGE – All rights reserved.

The Salt Below - MINA MIRAGE

An atmospheric, candlelit collection of classic Christmas hymns, arranged with simplicity, sincerity, and quiet spiritual depth.

In the Bleak Midwinter

Every Dream Leaves a Scar

Empty days

“The Fading Mists of Dawn” is a cinematic indie folk ballad about love that endures even as distance quietly grows. Built on natural imagery — rivers, oceans, winter, and drifting ships — the song traces the slow realization that two people can love deeply and still be pulled in different directions.

It’s a reflection on memory, sacrifice, and the moment you understand that holding on sometimes means letting go.

Fading Mist of Dawn

I’m the Cut is a quiet album about growing up optimised. 

It follows on from my favourite song on Sofa, Kids, Alan Watts: https://soundcloud.com/quantumme/sofa-kids-alan-watts-13

Reward charts. Praise instead of force. Learning early how to be useful, agreeable, and easy to keep — and only later noticing what that training leaves behind. These songs move from conditioning through recognition, fragmentation, responsibility, and finally into space.

Musically, it lives in a Bristol-adjacent glitch-folk world: fingerpicked acoustics, soft sub-bass, spoken lines close to the mic, and long stretches where nothing rushes. The voice is calm, reflective, sometimes wry — never angry, never preachy. Power arrives not through volume, but through clarity.

This isn’t an album about breaking free.
It’s about noticing when no one’s watching anymore — and deciding what to do next.

More by Quantum me: 
Explore profile: https://soundcloud.com/quantumme
Most liked songs by Quantum me: https://soundcloud.com/quantumme/sets/most-liked-quantum-me
Stress = data ≠ identity: https://soundcloud.com/quantumme/sets/stress-data-identity


Swimming for

IS IT JUST ME

Ever feel like you've been playing quantum leap?

Start here. https://soundcloud.com/quantumme/albums

Swimming for

Quantum me

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