Bookings: tom@esp-agency.com
Bookings (North America): s@icartists.net

Wednesday December 31st - NYDC @ Cu, London
Saturday January 17th - Ambers, Manchester
Friday January 23rd - NottsGotSoul @ Fisher Gate Point, Nottingham
Saturday January 24th - Southbound @ Village Underground, London
Friday January 30th - STUDIO @ Badaboum, Paris
Saturday January 31st - SSL XL @ The Pitt, Edinburgh
Friday February 6th - HVYWGHT @ Outernet, London
Saturday February 14th - Tim Reaper All Night @ Venue MOT, London
Friday February 20th - Rupture @ Magnolia, Milan
Saturday February 21st - Dinamplatz 5th Birthday @ Corsica Studios, London
Friday February 27th - Seasoning @ Strange Brew, Bristol
Friday March 6th - DVS1 Presents Wall Of Sound @ Lofi, Amsterdam
Friday March 20th - ESC @ The Cornish Bank, Falmouth
Saturday June 27th - Rum & Reggae Festival @ Colwick Country Park, Nottingham
Friday July 17th - SOUNDIT Festival @ Parc Nou, Barcelona
Saturday July 18th - Wild Gardens Festival @ Port Eliot Estate, Port Eliot
Friday July 24th - Outlook Festival @ The Garden, Tisno
Thursday August 20th - Dekmantel Selectors @ The Garden, Tisno

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High Quality Music and Media

I'm a DJ who has made some music.
For all DJ Bookings please contact Dave or Tom at the Bassic Agency - td@bassic.co OR do@constellatetalent.com

Listen to Melodica now: https://found.ee/EDancer-Melodica

Bookings: ed@arcade-talent.com 
Management: phil@onehouse.com

Platinum-selling recording artist, label boss, festival promoter, true innovator in the pantheon of popular music, cultural champion, cracking DJ: there’s a lot to be said about Kevin Saunderson.

His influence runs deep, through both adopted hometown of Detroit, and music culture as a whole: as one of the Belleville Three, the high school trio which also includes Juan Atkins and Derrick May, he irreparably changed the face of electronic music; with Inner City, he gave it some of its most memorable tunes. 

The genesis of today’s enormous techno scene can be retraced straight to Kevin, Derrick and Juan, as their formative experiments on rudimentary hardware sketched a blueprint for a genre that was yet to exist. By absorbing Kraftwerk, cutting-edge funk, local radio stalwart The Electrifying Mojo’s electicism, and all manner of new synthesiser and drum machine-led pop music, the Belleville Three broke new ground as musicians and DJs in the 80s. 

Saunderson’s comparatively late start as a producer – kicking off in ’87 under the moniker of Kreem, with E-Dancer and Reese two of the more well-known names to follow – inadvertently gifted him a headstart. With the eruption of house music a few hours down the I-94 in Chicago, Saunderson married Detroit’s raw sound to more tactile, pop-leaning sensibilities. Inner City was born, and global success followed.

Between “Big Fun”, “Good Life”, debut album Paradise and a number of follow-up singles, Inner City (Saunderson and vocalist Paris Grey) amassed 12 UK top 40 hits and over six million records sold worldwide during their peak. A dancefloor-dominating remix by Luciano in 2008, and a globetrotting reunion tour in 2012, underscores the longevity of Inner City’s classic sound. 

His nickname of ‘The Elevator’ is apt: for his role in transporting Detroit’s new sound to a wider audience; as anyone who has seen him perform live can attest, his high-energy, high-spirit and high-impact DJ sets; and for spending the past 35 years of his life progressing the culture he helped create. 

Operating in tandem to his golden run as a producer in the late 80s and early 90s, Saunderson’s own KMS record label – a remarkable 30 years strong in 2017 – has chronicled the early footsteps of R-Tyme, Blake Baxter, MK, Chez Damier, Derrick Carter, Bicep and even Saunderson’s son and regular DJ partner Dantiez more recently. 

A special 12” series in 2008 called History Elevate, released in tandem with fellow polymath Carl Craig’s Planet E label, brought contemporary names like Mathew Jonson, Simian Mobile Disco and Loco Dice into the fold, proving his nous for fostering relationships with each new wave to come through techno’s gates. 25th anniversary compilations and numerous reissues have followed suit. 

Saunderson has a behind-the-scenes role to play, too: he is intertwined with the history of Detroit’s flagship Movement (formerly Detroit Electronic Music Festival / Fuse-In). Having produced the event in the mid-2000s, the last handful of years have seen repeated invites from Movement to display his ORIGINS showcase at the festival, bringing acts like Delano Smith, Phuture and DJ Minx under his curatorial umbrella. 

And of course, with a stacked international touring schedule over the decades, playing in nearly every country and at nearly every festival or club worth mention, he has not stopped pushing the feeling of techno on and on. 

The Groove That Won’t Stop, indeed.

Dance music from Montreal, Canada&#13;
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Booking •
N/A + World > BGreenwood@wmeagency.com
EU/UK > Naomi@earth-agency.com + daniel@earth-agency.com
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Management •
mgmt@jacquesgreene.com
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http://jacquesgreene.com
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Thanks for listening

Belfast-born Dominick Martin has spent the last 30 years simply creating. He’s done so with a sort of restrained melancholy that’s broad enough to encompass a myriad of tempos and genres. Over 22 albums, this includes his more song-based experimental LPs, from drum & bass into dub, techno, house, ambient, jazz, soul, blues and folk.

The same can be said of his award winning DJ sets: Fluent within his own vast range, favouring the bookings where space and time allow him to draw out a narrative and provoke emotions, predominantly based on his own material. Calibre sets draw from his own personal spectrum, never resort to hype tactics and are perennially sprung with never-before-heard surprises. Whether you experience him taking over a room for the full 6+ hour trip, or he plays a shorter higher impact role on a bigger bill, his singular signature persists: a soulfully honest sense of the transcendental and a unique perspective and approach.

TREMOR - THE NEW ALBUM - OUT NOW

https://danielavery.ffm.to/tremor

Revered producer and composer Daniel Avery returns with a new album and live show, his most ambitious works to date. Channelling every corner of his sound, Tremor is a bold and transportive body of work through euphoric shoegaze, submerged techno, ambient soundscape and industrial bliss. It remains unmistakably Avery, yet dramatically evolved.


With the album Avery has welcomed an inspiring cast of collaborators, including the likes of Alison Mosshart (The Kills), Walter Schreifels (Quicksand / Rival Schools), bdrmm, Julie Dawson (NewDad), yeule, Ellie, Art School Girlfriend, yunè pinku, and Cecile Believe. Each artist leaves their indelible mark, yet the record’s true power lies in the communal spirit at its core.

“This is a living and breathing collective,” says Avery. “Since the earliest recordings, Tremor felt like a studio in the sky, a space in time through which we could all pass as artists”, he reflects. “It’s the welcoming spirit of acid house with the doors flung open wider still to allow in every influence from my musical journey: the warmth of distortion, the stillness inside intensity, the transcendental beauty of noise... They have always been there in my music but now it feels like those ideas are being transmitted in Technicolor. This is a record for the post-rave comedown kids, the guitar heads and anyone else who wants to come along for the ride. Everyone is welcome.”

Tremor will be released by Avery’s new home of Domino on 31st October.

Since 1995, Kasm has covered the spectrum of breakbeat influenced music from future bass, downtempo, afrobeat, dub and broken beat styles. Playing alongside acts as diverse as Amon Tobin, Coldcut, Clifford Gilberto, Spooky, Dieselboy, Luke Vibert, Thomas Bangalter and Banco de Gaia, Kasm's sets are known to bind and adapt to different crowds and environments. As one of the original founders of Balanced and current label manager, Kasm has been integral to the label's growth and identity both on the international stage and with cultivating artists from the flatlands. Recent projects include a remix of Cravo E Canela on Pronto Musique, Rise Ashen's Atma, the Iraqi French troupe Aiwa on Wikkid Records, forming Leaf System, the dub influenced trio with Rise Ashen and The Seed Organization and partnering with an eclectic mix of Manitoba musicians to create the Maestro Ayahuasquero project which is based on the songs of a Peruvian shaman. He also co-hosts Quadrafunk, Winnipeg’s longest running DJ show on CKUW which has been on the airwaves since 1999 and is one of the Artistic Directors of the Manitoba Electronic Music Exhibition (MEME).

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