Name: Trilha Mesa Redonda (versão game) by Rafael Filippini
Duration: 30 s
Description: Trilha para chamada institucional do programa Mesa Redonda da TV Gazeta - 2012.

Cyber Kids

O projeto Sons do Horto Florestal, produzido e dirigido por Matheus Tavares, é um programa especial que traz questões e inquietações sobre paisagem sonora e ecologia acústica, rádio-arte, música e o conflito entre Homem e Natureza. O programa traz participações e comentários de especialistas em música, rádio-arte e filosofia. Além disso, são apresentados e inseridos ao longo do programa fragmentos de uma peça radiofônica inspirada na proposta do pesquisador canadense Raymond Murray Schafer, que possui os mais variados sons produzidos no interior e arredores do Parque Estadual Albert Löfgren, também conhecido como Horto Florestal de São Paulo.

Programa especial- Sons Do Horto Florestal -2014

I’ve always appreciated the emotional drive accompanied by thick percussive sounds in Odesza’s music.  After being contacted by them to remix All We Need, I instantly got to work; Here's what I came up with after finishing it a few months ago. If you've seen me play in the past few months, you've definitely heard this track in my sets :)

P.S. If you want to, feel free to <3 on hype machine!
http://hypem.com/track/29m5y/Odesza+-+All+We+Need+(Haywyre+Remix)

Odesza - All We Need (Haywyre Remix)

Composed by Brian Petuch
Performed by andPlay
Sound Engineering by William Gardiner

A note by the composer:
The Pequod is the whaling ship in Moby Dick. I read Moby Dick last summer for the first time while on the coast of Oregon. The immensity of the dark Pacific coast only made the book more real to me. While reading I contemplated the scope of the Pequod’s journey on the vast sea and the scope of Captain Ahab's futile quest to conquer the white whale, which led to the Pequod's inevitable demise. It was both beautiful and terrifying and this piece tries to capture the spirit of the novel. I use the electronics and strings in a way that at times are abrasive and grating in order to feel the immense weight of an unforgiving and impartial world, and other times the music emerges with moments of light simplicity out of the darker more sonically oppressive moments.

andPlay is
Maya Bennardo - Violin
Hannah Levinson - Viola
http://andplayduo.com/


Brian Petuch's Website
www.brianpetuch.com


EDIT: This studio recording is a replacement of the live recording at Cloud City in Brooklyn NY 2/17/16

The Pequod - for Violin, Viola, & Electronics

Stargazer II • Åke Hodell by [por] Elena Wolay

Ana Luisa Pacheco, Livia Di Bartolomeo, Melquir Brito, Marcelo Viesti, Nicolas Paul e Rafael Fillipini.
Adaptação do conto "A queda da casa de Usher"
4º RTV C - Cásper Líbero - Direção de Rádio

A QUEDA DA CASA DE USHER

Buy Lindstrøms album Smalhans from iTunes here: http://tinyurl.com/d2fz2h2

https://www.facebook.com/hplindstrom *********** http://twitter.com/hplindstrom ********** http://www.hplindstrom.com

LINDSTRØM 
“Smalhans” 
Releasedate: 5th November 2012 
Smalltown Supersound / Feedelity

By Rob Young

‘Norwegian cuisine is very characteristic. Traditionally a Norwegian dish does not contain much spices, so the taste of the food is very much straight from nature. Some Norwegian food could be considered a bit hardcore for some, but also enviromentally friendly, as it is built on old traditions of using the resources in your immediate surroundings…’

That’s Hans-Peter Lindstrøm, Norway’s finest disher-up of cosmic techno, who’s whipped up a pumping new album with tracks titled like a tasting menu of his homeland’s underrated cuisine, from soup to nuts. Well, not quite: it’s more like ‘Raakost’ (raw vegetables) to ‘Vafler’ (waffles) – with lashings of ‘Lammelaar’ (dried salted lamb meat), ‘Vossakorv’ (‘a sheep-sausage made in Voss’), and ‘Eggedosis’ (‘what you get when you mix eggs and sugar with a blender. Kids love it… At least, I did when I was younger!’). Yum!

Smalhans was recorded immediately after Lindstrøm’s last, more experimental album Six Cups Of Rebel in July 2011, and its unashamedly 4/4 techno rhythms and bubbling, nutritious analogue synth sounds – mixed by friend and collaborator Todd Terje – are set to inject a vitamin kick to dancefloors everywhere. Lindstrøm’s gorgeous arpeggiations and chord changes can sound mathematical at times (check the clockwork mechanism of ‘Faarikal’), but it’s all born of his intuitive approach to his gear.

‘The process is definitely intuitive. I try all sorts of combination of chords and changes, and just know when something interesting happens. I find myself getting lost in the details. Weighing the ingredients, trying to find the right balance. A little more of this, a little less of that. Making the same dish over and over again, hoping it gets even better. Trying out new recipes and ingredients. Eating it up, and starting again the next day. Just like spending time in the studio…’

Lindstrøm spends a lot of time in that studio, preferring a normal working day and quiet nights at home with his family. In the distant past he has been a folk/country keyboardist, but bought his first sampler around 1999 after moving from his birthplace, Stavanger, to Oslo. With that real-instrument background, he still considers himself an outsider in the hi-tech world of contemporary dance music, but that perspective allows him greater freedom. He has collaborated with Prins Thomas and Christabelle, and remixed LCD Soundsystem, Roxy Music, Franz Ferdinand, Glasser, Best Coast and many more. As a solo artist Lindstrøm has released three albums, It´s A Feedelity Affair in 2006, Where You Go I Go Too in 2008 and Six Cups Of Rebel in 2012, and he’s a several-times winner of the Norwegian Grammy awards.

If today’s minimal dance music is leaving you feeling a bit starved, Smalhans’s full-fat analogue sound will fill you up and keep you glowing. ‘Electronic music is moving in so many directions,’ says Lindstrøm, ‘it’s hard to keep track of all the various twists and turns. Trends come and disappear, new subgenres of subgenres erupt and fade away faster then ever. But the beat lives on, it just comes in new colours and shapes.’

… And flavours. Yes chef!

Lindstrøm Online: 
http://hplindstrom.com/ 
http://www.facebook.com/hplindstrom 
http://www.twitter.com/hplindstrom 
http://www.twitter.com/feedelity 
http://www.smalltownsupersound.com/ 
http://en.wikipedia.org/wiki/Hans-Peter_Lindstr%C3%B8m

Trilha Mesa Redonda (versão game)

Rafael Filippini

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