firstly i took the image associated with this project and edited it via the Image Glitch Tool on github (https://snorpey.github.io/jpg-glitch/)

I took this image and then found an online png to wav converter (as found here: https://nsspot.herokuapp.com/imagetoaudio/) which created a 20 second sound snippet.

I took this in ableton and repitched the parts and jammed it out on my pc keyboard.


More on this 557th weekly Disquiet Junto project – Condensation Is a Form of Change (The Assignment: Interpret a graphic score that depicts four phases) – at: https://disquiet.com/0557/

More on the Disquiet Junto at: https://disquiet.com/junto/ 1

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0557-condensation-is-a-form-of-change/.

Phototechnika [disquiet0557]

i saw the picture, saw the movement in the prints
jammed with my op-1
4 footprints, 4 buttons, recorded in TX-6

probably 4 musical parts

rotating glass imprints(disquiet0557)

An electronic composition in four parts derived from a sequence created in Pure Data using four basic sounds.

More on this 557th weekly Disquiet Junto project – Condensation Is a Form of Change (The Assignment: Interpret a graphic score that depicts four phases) – at: https://disquiet.com/0557/ 1

More on the Disquiet Junto at: https://disquiet.com/junto/ 1

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0557-condensation-is-a-form-of-change/.

Four x Four (disquiet0557)

More on this 557th weekly Disquiet Junto project – Condensation Is a Form of Change (The Assignment: Interpret a graphic score that depicts four phases) – at: https://disquiet.com/0557/ 

More on the Disquiet Junto at: https://disquiet.com/junto/ 

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0557-condensation-is-a-form-of-change/.

Bottom Left, Top Right & Back (disquiet0557)

for the disquiet junto //

ambient(ish), jittery glitched sounds of wood, water, and glass, on a bed of audio produced by putting the project's image through photosounder

Tidings of Transfiguration

[disquiet0557] Tidings of Transfiguration

A table by the sea and the condensation water of some bottles have left their mark. I like that. 

I interpreted the score as follows:

1. first, I see grains of sand on a surface. The grains suggest - simply put - a granular treatment of a pad or surface. 
2. the circles reminded me of the loop representation of the loopy app. So I recorded four loops. Wherever two "grooves" were visible, I played two notes, otherwise, I used just one; the fatter a groove, the greater the amplitude. I used Bardzo, Pigments, and SQ80-V. 
3. I ignored the fifth circle discreetly because it didn't fit into the piece anymore. Shame on me. 

First, the "table" (drone) starts, then the bottles (loops) are introduced with one time each. Once all four have played twice, they are removed again, until the piece ends. 

_______________________________________________________________

Disquiet Junto Project 0557: Condensation Is a Form of Change
The Assignment: Interpret a graphic score that depicts four phases.

A combined play on a Brian Eno phrase and a John Cage visual motif is pretty much foundational Disquiet Junto territory. This week, interpret this image as a graphic score:

Eight Important Steps When Your Track Is Done:

Step 1: Include “disquiet0557” (no spaces or quotation marks) in the name of your tracks.

Step 2: If your audio-hosting platform allows for tags, be sure to also include the project tag “disquiet0557” (no spaces or quotation marks). If you’re posting on SoundCloud in particular, this is essential to subsequent location of tracks for the creation of a project playlist.

Step 3: Upload your tracks. It is helpful but not essential that you use SoundCloud to host your tracks.

Step 4: Post your track in the following discussion thread at llllllll.co https://llllllll.co/t/disquiet-junto-project-0557-condensation-is-a-form-of-change/

Step 5: Annotate your track with a brief explanation of your approach and process.

Step 6: If posting on social media, please consider using the hashtag #DisquietJunto so fellow participants are more likely to locate your communication.

Step 7: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Step 8: Also join in the discussion on the Disquiet Junto Slack. Send your email address to marc@disquiet.com for Slack inclusion.

Note: Please post one track for this weekly Junto project. If you choose to post more than one, and do so on SoundCloud, please let me know which you’d like added to the playlist. Thanks.

Additional Details:

Deadline: This project’s deadline is the end of the day Monday, September 5, 2022, at 11:59pm (that is, just before midnight) wherever you are. It was posted on Thursday, September 1, 2022.

Length: The length is up to you.

Title/Tag: When posting your tracks, please include “disquiet0557” in the title of the tracks, and where applicable (on SoundCloud, for example) as a tag.

Upload: When participating in this project, be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Download: It is always best to set your track as downloadable and allowing for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution, allowing for derivatives).

For context, when posting the track online, please be sure to include this following information:

More on this 557th weekly Disquiet Junto project — Condensation Is a Form of Change (The Assignment: Interpret a graphic score that depicts four phases) — at: https://disquiet.com/0557/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0557-condensation-is-a-form-of-change/.

Four on a Beach  [disquiet0557]

This track was inspired by the Disquiet Junto Project 557: A photograph with four prints left by a glass on a table was read as graphical score.
The scores for the 4 phases/sections of the track were interpreted as polar coordinates. The origin of the coordinate system is always at the centre of the circular print. The angle is defined as time, 10° being equal to 1 s, and the radius as pitch (or frequency).
Sections of the frequency-range were assigned to different instruments.

More on this 557th weekly Disquiet Junto project – Condensation Is a Form of Change (The Assignment: Interpret a graphic score that depicts four phases) – at: https://disquiet.com/0557/ 1

More on the Disquiet Junto at: https://disquiet.com/junto/ 1

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0557-condensation-is-a-form-of-change/.

Change might occur in Phases (Disquiet0557)

I primi 4 simboli sono stati usati come immaginari canali di disturbo (rumore e fascia ambientale). L'ultimo simbolo come base per la parte strumentale/percussiva che entra nella seconda e parte finale del pezzo. Le note, distribuite e combinate in modo random, sono quelle usate da Eno in Music for Airports. Alla fine molto Japan, come spesso mi succede.

The first 4 symbols were used as imaginary disturbance channels (noise and environmental band). The last symbol as the basis for the instrumental/percussive part that enters the second and final part of the piece. The notes, distributed and combined in a random way, are those used by Eno in Music for Airports. In the end a lot of Japan, as often happens to me.

577 Bamboos [disquiet0557]

Miro

ETHEREAL AMBIENT SOUNDSCAPES INSPIRED BY GAME OF THRONES AND THE  LORD OF THE RINGS AND MANY OTHERS. RELAX, ENJOY AND DRIFT AWAY.

CTHULHU MYTHOS - THE DEAD CITY

time limit_2

Abstract Sound Structures, Musique Concrète & Live Electronics.
Experimental abstract animation videos.
It is my aim to create and/or edit my tracks & videos using free or open-source software only.
Influences include: J.S. Bach, John Cage, Iannis Xenakis, Giacinto Scelsi, Mauricio Kagel, Conlon Nancarrow, Christian Wolff, Harry Partch, Luc Ferrari, Morton Feldman, Cornelius Cardew, Bernard Parmegiani, Ana-Maria Avram, David Tudor, Alvin Lucier, Pauline Oliveros, Renaissance Polyphony.
All my work is published under a Creative Commons licence & can be freely downloaded (as wav) or remixed.

Four x Four (disquiet0557)

ray_cobley

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Pattie Vicini

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