Leaning on a bannister
The light reflecting in your eye
Blood drains from my brain
My knees are weak, I sway

Your eyes betray the smile
Turn your face away
Look at me out the corner of your eye
My lips return the smile

Step away from the porch
Under full moon, on the bottom stair
Lean into my shoulder
Arms around me I am

Your eyes convey the smile
Turn your face away
Look at me out the corner of one eye
My lips return the smile

Can’t deny this feeling that
I’ve been here before, but may never be again

Stroll along the sidewalk
Kicking stones, breathing silently
Could this night last forever?
Knees are weak, I pray

Your eyes betray the smile
Turn your face away
Look at me out the corner of your eye
My lips return the smile

Can’t deny this feeling that
I’ve been here before, but may never be again 


Blood Drains From My Brain

Tommy Zygote, a member and co-founder of the musical ensemble Thrashing Zombies, creator of Zomboverse, time traveller, inventor and pioneer of Stoner Bass Tech Rock and is rumoured to be the love child of notorious figures GG Allin and Frank Zappa. This extraordinary circumstance is attributed to advanced time travel medical technology, reminiscent of the fictional science portrayed in the film "Junior," which involved the use of the drug Expectane for male pregnancy. The origins of Tommy's birth remain shrouded in ambiguity: some claim that GG Allin delivered him on stage in a shocking spectacle, while others assert that Frank Zappa underwent a cesarean section.

Despite the chaos, I cherish the creativity and audacity I inherited from both dads. With every note I play with Thrashing Zombies, I strive to honor their legacies and carve my own path in this eccentric life.

https://soundcloud.com/whoarethethrashingzombies/pop-n-lock?si=0a356170b2794951b71a9b09d1276c28&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

and 

https://soundcloud.com/whoarethethrashingzombies/spanish-celery

Tommy Zygote stands at the forefront of Stoner Bass Tech Rock, a genre that echoes the transformative era when Bob Dylan transitioned from acoustic to electric and Jimi Hendrix revolutionized the scene. Just as Dylan’s shift marked a pivotal moment in music history, embracing a new sound and narrative approach, Stoner Bass Tech Rock boldly explores themes often considered controversial or unconventional in today’s musical landscape. At its core, Stoner Bass Tech Rock fuses multiple heavy bass lines, electronic elements, and intricate storytelling. This genre thrives on rich, immersive soundscapes created by layered bass tracks that draw influences from icons like Muse, The Stranglers, songwriting legends such as Mikal Saleta, Paul Archibald, Duncan McDonald, Ben Grundy, The Doors, and Johnny Cash. It encapsulates a range of emotions, from existential musings to raw, passionate expressions, evolving into a complex auditory experience that engages listeners both sonically and emotionally. Stoner Bass Tech Rock positions itself as a bold counterpart to mainstream genres, inviting listeners to explore themes of rebellion and the depths of human experience. Much like the cultural shift during the electric era, when artists began challenging societal norms and expanding the boundaries of artistic expression, this genre fosters a climate of inquiry and introspection. It embraces the complexities of existence, presenting these narratives in ways that resonate with urgency and authenticity. Narrative is a cornerstone of Stoner Bass Tech Rock, reminiscent of the story-driven compositions in the early electric music era. Artists construct their songs with clear narrative arcs, delving into personal experiences that reflect a nuanced understanding of relationships, identity, and the human condition. The powerful bass lines and atmospheric elements create an immersive mood, inviting listeners into a world where boundaries are blurred and emotions are laid bare. Stoner Bass Tech Rock serves as a reflection of contemporary culture’s evolving relationship with self-expression. In an age of digital connectivity, where personal and public lives often intertwine, the genre examines how hidden desires and societal pressures shape individuality. By engaging with these themes, it encourages listeners to embrace authenticity and celebrate diverse experiences. Through dynamic live performances, artists embody a spirit of collective expression, fostering a sense of community among fans who find liberation in the music’s depth and sincerity. Key figures in the Bass Tech Rock movement, like Tommy Zygote, exemplify the genre’s rebellious nature. Their creative endeavors challenge conventional norms and provoke thought, pushing listeners to reflect on their views regarding vulnerability, identity, and artistic expression. The influence of such artists parallels the impact of musicians like Dylan and Hendrix, whose bold innovations continue to inspire new generations of creators. Stoner Bass Tech Rock is more than just a musical genre; it’s a movement that confronts the complexities of human experience and encourages dialogue around the intricacies of existence. As it evolves, Stoner Bass Tech Rock will likely continue to challenge artistic boundaries, crafting auditory experiences that provoke thought and deepen understanding of the themes that shape our collective consciousness. By blending bass-driven music with bold storytelling, this genre asserts its significance in the contemporary musical landscape, representing a dynamic exploration of sound and narrative.
Tommy Zygote - S.B.T.R. established by Tommy Zygote to explore the musical dimensions via Bass, is a part of the musical network known as Thrashing Zombies. 

https://soundcloud.com/whoarethethrashingzombies/thrashing-zombies-ride-the-pony-into-old-town-texas?si=86f9439dfb1a46198257a0853a6663cc&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Original bass player and lead singer, now classified as founder of the band. Marcus Gorgon 

https://soundcloud.com/marcus-gorgon/see-my?si=b77b620a37194119adc347bc901a4511&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

and 

https://soundcloud.com/marcus-gorgon/alone?si=424ccd6acc0342e989995a659c27eb8a&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

, another co-founder of Thrashing Zombies (refer to profile), is acclaimed as the best electric guitarist and songwriter in East Gippsland, if not the best guitarist the Latrobe Valley region. M.G`s  talent remains relatively unknown at the moment, this will change in the future. Keith Fontane 

https://soundcloud.com/whoarethethrashingzombies/thrashnig-zombies-too-crazy-feat-terry-cunxus?si=da5555a2916e426396e5fc076bf38ade&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

, who has been leading the band throughout the years, is a highly prolific music producer, having churned out hundreds of songs in collaboration with the legendary Johnny Farqua juanoss  

https://soundcloud.com/keithplayshisorganfortz/thrashing-zombies-in-the-zone-vivaldi-2020-redux?si=c4455d9606644c94a135c63f93b519f4&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

a members who contribute uniquely to its musical prowess. Initally primary role has Been the band dealer and dancer now the adlib master vocalist and exceptional drummer, coupled with his possessed bass-playing skills, adds a dynamic energy to the performances. Professor Cockington 

https://soundcloud.com/whoarethethrashingzombies/surfing-the-reaper?si=32d387cc5a714c27aaf6f4d7c085788d&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing


, characterized as the genius wordsmith of the group, effortlessly crafts off-the-cuff lyrics reminiscent of the legendary Mike Patton, Hobbies are reading and riding on trains. Then there is Maestro Dave (refer to profile), the musical genius who produces stellar songs at his own pace, setting himself apart as a level above the rest. Notably, in the future, Maestro Dave's DNA is utilized for robotics technology to infuse a sense of musicality, underlining his significance in the band's legacy. Maestro is currently investigating the potential transmission points and viral loads of farts. HE questions weather the world is ready for a fart pandemic.

https://soundcloud.com/maestro-dave/arse-mask?si=a94145d6dd344399bd2523f6ca995de2&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Indeed, TZ Studios serves as a gateway for Tommy Zygote express diverse his range of musical talent and creative geniuse developmentally. There is a variety of entwined Sound cloud TZ profiles That the collective efforts of individuals like Marcus Gorgon, Keith Fontain, the versatile vocalist and drummer of JF¥, and the innovative Maestro Dave who is a musical time bomb, Thrashing Zombies continues to push boundaries in the music industry and shape the future of music with their unparalleled skills and contributions.
https://soundcloud.com/jfjrockslimpdickstudios/johnny-farqau-juanoss-fall-in-may?si=b5bc3fc7e204484fabb78b07de98cc4b&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing
What is God? That’s a question that’s as vast as the universe itself, yet ever so intimate to the soul. I like to think of God not as some fiery old man on a cloud but as the living essence born from the accumulation of souls. Souls, those mysterious things that flicker inside us all. When we pass, our bodies lie there lifeless, machines that have simply stopped working. But what if the mechanics of a living being are actually a grand attempt to hold onto the soul until it reaches maturity? It’s as if our flesh and blood are just temporary vessels, imperfect but necessary, to nurture the soul until it’s ready to be released back into the cosmos.

Early souls are the most privileged—they’re fresh, pure, untainted by the messiness of lived experience. They float into this existence like morning dew, pristine and untouched. As humans grow older, and even as animals live their lives, there’s a chance for the soul to become tainted—by bad choices, by evil, by the negligence or cruelty of the flesh it inhabits. And then there are those who, through dark intentions, release souls at will—call them engrained in evil or madness. Souls themselves aren’t punished in the traditional sense. Instead, they are refreshed, cleansed, reborn in ways we barely understand.

The word purgatory always struck me as primitive. It evokes this harsh, gloomy waiting room for the damned. But picture instead a welcoming place —a spa for the soul. Souls come and go as they please. They are visited by familiar spirits, old friends and family, sharing the quiet eternity of this in-between realm. Here, souls mature, gather strength, prepare for their next journey. Over time, these spirits congregate in one place, forming what I call the soul nucleus—a tiny mass, no bigger than the head of a matchstick. This nucleus is what powers God, what constitutes the essence of life itself. It spans across sector 2 of our universe and into the 69th template of the multiverse. God, then, is not a singular being but a collective energy born of all souls, a living consciousness woven from the history and destiny of every living spark.

Now, let me introduce you to Tommy Zygote—yeah, that's me. My journey is no ordinary one. It all began on the infamous camping trip with my band, Thrashing Zombies, late one summer in 2027. The band, Thrashing Zombies, was composed of an eclectic bunch: Marcus Gorgon, with his thunderous riffs and relentless drive; Keith Fontane, our lyrical mastermind and rhythm slayer; Johnny Farqua Juanoss, the wild card on bass with a flair for the dramatic; Maestro Dave, whose electronic wizardry gave us that futuristic edge; and then there was Professor Cockington—our older, wiser guide who somehow managed to keep us grounded amid our chaos.
We were on the cusp of global notoriety, a worldwide phenomenon in the late 2020s, crafting anthems that didn’t just rock but resonated deeply with the collision of humanity and technology. Our music was the thread weaving humans and robots together—robots like vacuum cleaners still slaves to servitude, but something bigger was coming. Something like the robot uprising whispered in back alleys, and then the looming threat of the Fluctopus invasion from the outer realms.

Among our quirky yet meaningful tracks were gems like “I Am Not Just a Robot Dick! I Am a Robot Too,” a cheeky anthem that poked fun at robot identity and pride, “Dance Like Your Circuits Are on Fire (But Don’t Short-Circuit),” which became a rave favorite across both humans and machines, and “Metal Head, Human Heart, Zero Chill,” a rebellious tune capturing the hybrid spirit we all shared. These songs weren’t just playful; they were our way of building a bridge between worlds.

During that ill-fated camping trip, something unimaginable happened—a time travel incident that would change everything. It started when we stumbled upon an abandoned particle accelerator nestled deep in the woods. We had no business being near something so complex, but curiosity took hold. Against better judgment, I fiddled with the controls, my fingers guided by a mix of adrenaline and foolishness. Suddenly, time bent and twisted around me as I slipped through a semiwormhole. The experience was disorienting. I felt myself unravel, my physical form dissolving into pure soul.

I was thrust into purgatory, that sanctuary for souls, and stayed there for what felt like twenty-seven years. Time in purgatory is slippery, mysterious—the days and years fold into one another. I met countless souls, some young, untouched; others weary with the weight of their earthly sins. It was a place of reflection but also of preparation. I learned from them, shared stories, and found parts of myself I never knew existed. Then, almost without warning, I was called back to the earthly plane.

I returned just two months before the infamous robot uprising, a returning human soul in human form but carrying all the wisdom and power of my time in purgatory. The world was on edge. Machines that once obediently cleaned floors and served quietly had started to rise. The threat of the Fluctopus invasion was whispered in secret bunkers and underground forums. It was a pivotal moment in history.

Thrashing Zombies became more than a band. We became a beacon—a global anthem for coexistence. Our music, our message, urged humanity and robots to find harmony. Robots weren’t just slaves or tools; they were potential partners in the dance of life. It wasn’t a perfect peace—vacuum cleaners remained slaves for a while longer—but the tide was shifting. Our songs became the soundtrack for a new era, blending raw human emotion and the cool precision of technology.

Reflecting on those years, I realize that God, the soul nucleus, and our interconnected existence aren’t separate. They’re intertwined threads in the fabric of everything we are. The soul’s journey—our journey—doesn’t end at death. It transforms, refreshes in purgatory, and returns, ready to face life anew. This cycle is what powers the essence of life itself. It’s the heart of the cosmos, the truth that underpins everything I’ve seen and experienced.

My journey through the soul-made god and back to life has changed how I see the world—and how I live in it. The music, the battles, the invasions—all pieces of a much grander story. And through it all, the souls, our souls, remain the core, the spark that drives both creation and destruction, order and chaos.

So when you ask, “What is God?” remember—it’s not just a deity or concept but the living culmination of every soul that has ever lived, breathed, evolved, and returned. It’s a matchstick’s head of everything, pulsing with life, consciousness, and hope across the infinities of space and time. And in that truth, I found my purpose. To be a voice for the souls, a bridge between worlds, a warrior of harmony in the face of darkness. I am Tommy Zygote. And this is my story.

***AI is FIRM NO - ALL MUSIC WRITTEN, ARRANGED AND PERFORMED BY ©Crackerjack**

©Crackerjack is a dynamic lead, rhythm, and bass guitarist whose sound is deeply rooted in blues-infused hard rock. 

With a musical style that channels the raw energy of Chris Cornell, Soundgarden, Alice In Chains, Slash and AC/DC, along with influences from Guns N' Roses, Gary Moore, Hendrix, and SRV, his music is a powerful blend of intensity and finesse.

While firmly planted in hard rock, ©Crackerjack occasionally explores folk and acoustic sounds, adding depth and variety to his work.  ©CrackerJack handles all mastering, production and performing as well as playing all the instruments, other than drums, which he is soon to learn . Whilst his vocals are not the strongest, he sings with integrity, honesty and passion.

His discography includes several singles and a standout 5-track EP titled 'Life Stories,' which features everything from the driving rhythm of 'Husk' to the heartfelt ballad 'A Love Untold.'

Collaborations with his good friend Somewhere77' and Wendir. 

Discover ©Crackerjack on YouTube and Spotify, ITunes and more.


https://youtube.com/@crackerjack588?si=rFdqv0j2uwMYI1QJ

https://open.spotify.com/artist/2FvsuLULrgdkl22yG4QVPj?si=m6WqxgpxRfykLMOUMqJqAg

Hi to everyone⚘ follow me on You Tube, Spotify, Amazon or others and i will follow back🙏🏻🤷🤝💫 
hope you enjoy my music...🥂🧚
🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥




https://youtube.com/@linoonyx?feature=shared

https://youtube.com/channel/UC6coADdHxZY4Rj_ZJQy1N9A?feature=shared



https://open.spotify.com/artist/7rPcgJ4wgjk6RG1nLUasqZ?si=LkXsrQ_QQwGZ9G6MT9ruJg


https://music.amazon.it/artists/B0F626P3W1/linonyx

https://music.apple.com/it/artist/linonyx/1810099285?ls


https://music.youtube.com/playlist?list=PLvnWfNf9EzYAbB5gp2bvF7_mYpQgmshOh&feature=shared

https://music.youtube.com/channel/UC6coADdHxZY4Rj_ZJQy1N9A?feature=shared

https://music.youtube.com/channel/UC0oNOwKHMK2UZ53UMbKataA?si=AUTfDDuRpyH7Ox1S


Well, i make music with computer from 20 years and in the past i used music maker magic Cd and Packard Bell. After from 2010 i played in a local band in Lodi, ita that closed during covid...We played melodic rock and i did sound technic with keyboards....🥂
Now i enjoy to create with different apps and remaster with digital studio on line  my tracks but i don't forget to ask a few friends to do jam sessions  in a garage and play original our songs and news🤷🙋🏻‍♂️
thnx for read and good listen too✌
🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥

🎶🥁🎶🥁🎶🥁🎶🎵🥁🎵🥁🎶🥁🎵🥁🎵🥁




Update: 9/25/26 - Will be laying down new song called "Stronger" soon! 

Hey! Thanks for stopping by!:) All recordings done on my old Baldwin piano that my amazingly talented grandma gave me. I'd like to think it holds some magic. All original songs, recorded live. I took a few years of classical lessons when I was very young. Fond memories bicycling down E. Brown street to my lessons. Dearest Faye...sweetest teacher ever. 

Throughout the years I'd always tinker on my Mom's old 1900 Ludwig piano through passing, playing songs I had learned, like Fur Elise and The Spinning Song, but it wasn't till I was in college when I fell in love with those keys. There was an old upright in the student center that I'd sneak off to late at night, and ever since then the playing has never stopped, and it never will. I never knew I could even make up melodies, let alone write a song. What a therapy it has been over the years, expressing myself through experiences, and feelings of the hopeless romantic in me. God is good! I'm so thankful. I hope to connect with many and make new friends. Hope you enjoy the songs!:) 

No Ai whatsoever, just my voice and piano, playing and singing simutaneously. 

All music written & recorded by ©Daniel Colter Valentine All Rights Reserved 

"To play a wrong note is insignificant. To play without passion is inexcusable!" 

Beethoven

Even as a small child I wanted to learn a musical instrument...

...since there was a music school in our small town where I grew up, but it was limited to the activities of the local musicians' band, the choice was rather limited... because piano, guitar or saxophone were not offered and that's why I decided me for the trumpet, which was not used for cast-technical reasons, so the FLÜGELHORN became my instrument...
In my youth I turned my back on music and was active in sports towards the end of my teenage years.

Hello! Iam an amateur singer/songwriter with a lot of passion for singing and Music.  I mostly sing originals,  but also covers . I like to write lyrics with meaning, something people can relate to. Not necessaraly my own experiences, it can be something i heard, seen or something someone  told me.
I also make music in GarageBand with small loops I put together. 
I am very impressed with how many talented people there is on Soundcloud! And so much love and kindness!
Thank you all for listening,  likes, reposting and comments! It really means a lot to me❤️
(My own originals sounds best with ear phones )
I also have a YouTube channel with the same nick name 🎵
Take care!🥰

(And I don't use AI at all! )

I write and record my own songs in my home bedroom studio. I play the guitars and bass, do all the singing, and have world class drummers from EZDrummer3 on all these songs. The song lyrics are from my head and heart. I hope to make more music soon so check back every so often👍

A Music Fanatic, inspired Songwriter and Music Producer, enthusiastic Mixer and a Guitarist creating songs for the pure joy of it. I love to include my Wife and Daughter in my Music to capture a beautiful moment; a personal time capsule. Music is an expressive outlet for me and I write from the heart.

Close to my heart is raising awareness of HYPER MOBILITY EHLERS-DANLOS SYNDROME. 

“Sometimes when you hear hoofbeats, it really is a zebra.”

No two zebras have identical stripes and no two people with Hyper Mobility Ehlers-Danlos Syndrome are identical. They have different symptoms, different types, and different experiences. 

Please see the link below for further information and awareness about Hyper Mobility Ehlers-Danlos Syndrome on the Ehlers-Danlos Society website. 

heart house and the new kindness. 2025

Contact | hearthouserecords@hotmail.com

Blood Drains From My Brain

Rob Olsson