Ambient/experimental track from "burn down my house" album by szelest


Spotify   -  https://open.spotify.com/artist/1IJfN...


DM me with your ambient for future colective project  -  filiptjaworski@gmail.com


Enjoy and have bombastic tasty coffe, love be with you
#ambient
#experimental
#szelest
#undergroundartist
#independentartist

Szelest - Private Crank

Download/buy: https://patros15.bandcamp.com/album/tales-from-the-depth
All links:  https://ffm.to/patros15-tales-from-the-depth

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Thank you for support!

Tales from the Depth

Some Chaos Is Not All That Bad

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I often have dreams about traveling back in time to the days when I was a kid. Sometimes, I'm aware I'm dreaming, sometimes I'm not. Each time I can remember everything vividly. People's faces, the texture of objects, everything. Sometimes I can even remember toys or clothes I had as a kid, but forgot about in waking life.
The last time I was wondering if I would stay in that dream If I could.
The answer, of course is no. I still have a job to do here - make more music :)))
The past is the past. There's nothing left to gain from it, but inspiration.

Places that almost existed

Nature morte

Nature Morte

Check us out on: https://linktr.ee/legacyofthought


In the realm of Toril, amidst the underwater wonders near The Green Sisters, Neria's story unfolded like the undulating currents of a hidden sea. Born into the embrace of this mystical archipelago, her origins were humble but destined for a variety of adventures beneath the waves.

Neria came into the world in a modest underwater grotto, a place surrounded by bioluminescent flora and the gentle hum of aquatic life. The Great Lighthouse of St. Ippen Island, a towering beacon even visible from the depths, watched over her childhood. Her days were spent exploring the vibrant coral reefs, listening to the ancient stories told by the triton elders, and dreaming of the mysteries that lay beyond the light's reach.

Her first taste of the extraordinary came at the age of ten when she ventured into the Whispering Caves, a mystical underwater cavern rumored to be alive with ancient magic. Amongst the phosphorescent flora and ethereal creatures, she discovered an abandoned elven artifact—a talisman that would later become a cherished possession.

As she grew older, curiosity led Neria beyond the familiar waters of The Green Sisters. Her travels took her along the seafloor, where she marveled at the diverse landscapes of the underwater realms and encountered creatures vastly different from her own. These journeys ignited a hunger for knowledge and adventure that would shape her future.

It was during her search for rare pearls in the Gulf of Cordell that fate intervened. In the luminescent glow of coral, casting an otherworldly aura, a figure appeared on the horizon. It was Ariann of Myth Nantar, a seasoned triton whose azure skin and scales reflected the beauty of the ocean depths. Despite her imposing appearance, Ariann swam with a weariness that bespoke a journey both arduous and long.

Neria, with the keen senses of her triton heritage, detected Ariann's approach. Intrigued by the sight of a fellow triton, albeit with unfamiliar azure hues, Neria swam out to greet her. The two tritons exchanged greetings, their voices carried by the currents in a melody known only to the denizens of the sea.

Ariann, though weary, spoke with the eloquence of one well-versed in the ways of the ocean. Neria, equally curious and welcoming, invited her new acquaintance to swim with her to the hidden enclave where her family resided. Under the cool, cerulean waters, they conversed about their respective homes, the wonders of the sea, and the secrets held by the Green Sisters.


Release date: 09-02-2024 on Legacy of Thought label:

The tracks:
01 Roberto Sass - Neria
02 Progeny - 1 - Secrets Of The Green Sisters

Artwork & mastering: Chris Held

Roberto Sass: https://soundcloud.com/dj-rubberman
Progeny-1: https://soundcloud.com/progeny-1-617773258

Secrets Of The Green Sisters  *Neria*

Simon McCorry is a composer based in Gloucestershire creating music and sound design mainly for theatre and contemporary dance, working with companies such as Old Vic Productions, Tiata Fahodzi, House of Absolute, Javaad Alipoor Company & Fabula Collective. Simon is a cellist, often using the instrument in his work processed and combined with electronics, field recordings, and other instruments. His work has been described as “electro-orchestral drone-scapes of, by turns, gauzy intimacy and soaring grandeur” MOJO. He has recently collaborated with artists including Andrew Heath, anthéne, Requiem and, on this record, Wodwo.Wodwo is the alias of Derbyshire-based musician Ray Robinson.

An award-winning novelist and coveted screenwriter, Robinson's foray into the music world began in 2018, and his gentle ambient guitar and lush neo-classical compositions have quickly attracted a blossoming legion of fans. Ray also records as one half of JARR, alongside fellow Brit, Jon Attwood (Yellow6). Their albums have been released by Hush Hush Records and on the Sound in Silence imprint. Ray's solo output has appeared on NCTMMRN, Soundtracking The Void, Submarine Broadcasting Company and Fallow.

Every Creeping Thing is a celebration of mud and moss and slugs and bugs and roots and damp – songs of the forgotten, the small, the overlooked. A musical approach of letting things unfold and follow their path, passing material back and forth, leaving space and following a philosophy of less is more. A journey that evolved through coincidences, and shared interests in literature and the natural world – the music took its course, taking on its own life. 
 
Guitar, cello, and modular synth are played, processed, and recorded live. Nothing is sequenced or quantised, maintaining an organic breath-like quality flowing throughout the tracks. Through the music’s echoes, whisperings, creeks, calls, fluttering and murmurings – sometimes as walls of sound, often as spiderweb-fine textures – Every Creeping Thing invites the listener to immerse themselves in the intricate net of the beauty of the more-than-human world.

The cover art illustrates John Masefield's lines from The Everlasting Mercy: ‘A rushing comet, crackling, numbing the folk with fear of judgement coming.’ Taken from their collection, The Book of Comets, the artists Christopher Crouch and Cherish Marrington worked together to create something that would be a synthesis of their practices, but which would also propel them into new ways of thinking about representing their ideas. However, these illustrations are less about comets and more about the artists’ retreat into the imaginary.

The track titles for Every Creeping Thing are from Jacob Polley’s wonderful poetry collection, Jackself, which Ray happened to be reading at the time of this collaboration. As the album was coming together, he felt a real connection between the sometimes off-kilter, ‘organic’ music he and Simon were creating and Jacob’s collection. It felt as if they were inhabiting similar worlds: a world of frosty mornings, kidney-coloured pools, rosehips, and buzzards’ wings.

Credits:
Written and produced by Simon McCorry and Ray Robinson
Mastered by Simon McCorry
Art and design by Andrew Heath

The titles in this album are taken from the poetry collection ‘Jackself’ by Jacob Polley (Picador) and reproduced with kind permission.

The artwork is an illustration from ‘A Book of Comets’ by Christopher Crouch and Cherish Marrington, reproduced with kind permission.

Every Creeping Thing

wlr158 Simon McCorry & Wodwo - Every Creeping Thing

Appalachian Spring

2024-03-31

Infinity

This compilation is an ethereal blend of ambient tracks inspired by the mystical allure of gems, minerals, and ancient stones.

Cover picture by Dionis Afonichev with AI
Cover design by Dionis Afonichev (Dionisaf)

Gems and Minerals

Birthstone

left with the residue of what there isn ‛t

SHHH ++++ LET THE ELEMENTALS SPEAK. 

written + produced by alyss + the waters of sequoia national park

ancestårs

minecraft2

Composer with music in shows on National Geographic, Animal Planet, Netflix, Discovery, NBC, TBS, FOX, A&E, The History Channel, VICE TV, TLC, Oxygen and others. Written score for BMW, League of Legends: Wildrift, 《中国奇谭》, various short-films, commercials, and games. 

photo is me, 2004.

I also create 3D art, you can find my work here: https://www.artstation.com/artwork/r9zkrE
rhettericsondahl@gmail.com 
audio-axis

Thank you for the support, you know who you are.

Appalachian Spring

Rhett Dahl (Composer)