Remixes and Releases have appeared on the following labels 

2020 Vision
Above Machine
Ashigaru Sounds
Automatism
Bird Scarer
Café Del Mar
Claremont 56
Days Of Being Wild
El Diablos Social Club
FOTO Recordings
Futureboogie
Heavenly
Higher Love
Instruments of Rapture
Is It Balearic
Leng
Lowdown
Low Life
Magic Feet
Magic Wand
Ministry of Sound
Neapolis
Nein
Paper
Rebirth
Robsoul
Secret Fusion
Spin On This
Suara
Ten Lovers Music
Throne Of Blood
To Rack And Ruin
Tone Dropout
Tsuba
Wonder Stories

DJ just jess
0ne half of DJ duo "Funkliners"
Owner and promoter of "Eclectronica"
Owner and promoter of "Funk Yo' Couch"
Resident DJ at Remedy, Leeds
Resident DJ at Psychedelic Breakfast, Alchemy Fest
Resident DJ at Aspire HDTV

to book "just jess" email jayparker1095@gmail.com 
to book "Funkliners" email funkliners@gmail.com

Hi, I'm grey-ham aka jimmy trimbollok fka FISTO.

I'm a massive bumlord, I moved to skelton so my fave dogging spot was within walking distance of home (can only escape my GF for an hour or so per night) but now I'm well fucked off like as they've cut down all the hedges I used to cruise in. Now I have to suck off randoms in plain sight and risk having the whole house of cards I've built up come crashing down on me.

It ain't easy being sleazy.......

G

The Classic Music Company by Luke Solomon & Derrick Carter continues to play the game under their own conditions. As a label it never died it just retreated for a while in order to come back stronger. All hail the king because the king is back. Long live Classic!

we always dance together

+ booking +
worldwide: fh@t-s-agency.com
italy: aa@3d-agency.it
* dj dates * https://hunee.world
- website - https://lifetones.substack.com

History = Duff Disco, Duffstep, Echer, Join The Dots Music
www.jeremyduffy.co.uk

Bookings: matt@thepool-london.com 
Promos: promo@gregwilson.co.uk 
DJ Dates: https://blog.gregwilson.co.uk/upcoming-dj-dates/
Greg began DJing in 1975 and is regarded as one of the most important figures on the UK dance scene. He enjoyed hugely popular residencies in the early eighties at Wigan Pier and Manchester’s majorly influential Legend, having originally started out in his hometown, New Brighton. A pioneer of mixing in the UK, he became the first ‘dance music’ specialist hired for a regular weekly session at Manchester’s now legendary Haçienda club in 1983. Greg was instrumental in breaking the new electronic, post-disco records coming out of New York, a sound he has dubbed ‘Electro-Funk’.

In 2003 he set up electrofunkroots, a website documenting this crucial era in the evolution of dance culture. After a two decade hiatus from the booth, he returned to DJing and soon welcomed bookings throughout Europe and, subsequently, worldwide.

Greg was the first DJ to mix live on British TV, putting together the first UK radio mixes of their type for Piccadilly 261 in Manchester and showing a certain Norman Cook (later Fatboy Slim) how to scratch.

Nominated by DJ Magazine for outstanding contribution, and also named amongst their top twenty remixers of all-time, Greg’s remix credits include Grace Jones, The XX, Groove Armada, Bryan Ferry, Confidence Man, Gilberto Gil and Simian Mobile Disco, whilst he’s edited tracks by A Guy Called Gerald, Talking Heads, O.M.D., Electronic, Imagination and Missy Elliot.

In January 2009 Greg’s reputation was further enhanced when his Essential Mix on BBC Radio 1 received almost universal acclaim and was selected as one of 10 classics that spanned the show’s near 17 year history.

Greg’s Blog, ‘Being A DJ’, was launched in June 2010 for observations on various aspects of club culture now an online touchstone for an ever-increasing amount of dance enthusiasts and aficionados.

In August 2010 he co-curated areas at the inaugural Vintage Festival at Goodwood, which was named ‘Best New Festival’ at the UK Festival Awards.

He has produced a series of documentary podcasts, Time Capsule, Random Influences and Early 80’s Floorfillers, as well as the long-running blog series, Living To Music.

Greg has given talks on music and DJ culture at a number events at venues The Tate Gallery in Liverpool and London's Southbank and Institute Of Contemporary Arts, whilst in 2013 he was invited onto a panel alongside legendary figures Nile Rodgers and Giorgio Moroder @ ADE in Amsterdam. 

In 2014 he unveiled the multi-media label Super Weird Substance, focusing on recording and live events. In 2015, the label released 8 vinyl singles, brought together in the 2 CD comp, 'Greg Wilson Presents Super Weird Substance'. September 2015 saw a memorable Festival No.6 Happening in Portmeirion and Greg rounded off the year with the Liverpool-based celebration of the 40th anniversary of his first club date in 1975 as well as being presented with DJ Magazine's Industry Icon award.

Greg launched his Credit To The Edit club collective at 2016's Festival No.6 and since then has taken it to Liverpool, Berlin, Brixton, Bethnal Green and finally back to Portmeirion for Festival No.6 2017.

2017 saw his label host the epic 14 Hour Super Weird Happening at Liverpool's Florrie, following a mixtape collaboration with Alan Moore, who also appeared at the Happening, whilst it also saw the digital release of The Super Weird Society's 'Gone With The Vibe', released the following year on the first Substance Select 12" vinyl alongside 'The Ghosts Of Watling Street', 'The Best Is Yet To Come' and 'Summer Came My Way'. 2018 also saw the release of Vol.3 in Greg's long-running Credit To The Edit compilation series.

After a handful of further releases, the label was put into hibernation with the onset of covid. Diversifying, ‘Greg Wilson’s Discotheque Archives’ was issued during 2020 lockdown as a limited run paperback, with more books, both Wilson’s own projects and by other authors, now planned.

This is the Dimitri From Paris official Soundcloud page. The purpose of this page is to act as a showreel for my skill as an artist, producer, remixer or editor. 
Please note that due to the host's strict copyright policies NO DOWNLOADS will be possible unless I have a written authorisation from copyright holders.

Ria Briggs is following