@newglam my label
Galician in Berlin
Hard Stuff
Promos/Requests: Braisdjmusic@gmail.com


HARGA CULT is the new alias of Portsmouth born DJ and electronic producer Elliott Cronin. With over a decade of experience releasing music and performing, Elliott is best known for his previous project Taro Division and for running the label Taro Records.

Drawing inspiration from artists like Blawan, Daniel Avery, and Randomer, HARGA CULT channels the raw energy of Berlin’s underground techno scene. Expect experimental textures, musique concrète influences, metallic percussion, and the relentless drive of distorted analogue machines.

Resident: https://soundcloud.com/unmade-radio

X @tommyfourseven
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THE FINAL CHAPTER: TEN YEARS [47047] - OUT 10.10 / BANDCAMP.

Legowelt
♫ ♫ ♫ Renegade of a New Age ♫ ♫ ♫

http://www.legowelt.org
Bandcamp:  https://legowelt.bandcamp.com

for International bookings contact: 
rene@octopus-agents.com
https://octopus-agents.com/legowelt

Other enquiries mail:  info  (AT) legowelt . org

DJ & live bookings chris@elitemm.co.uk

Perc - Under Club (3hr set)
soundcloud.com/perc/perc-under-club-buenos-aires

Perc - Essaim, Paris (4 hours)
soundcloud.com/essaimparis/perc-all-night-long-excerpt-essaim-paris-20june2025

UK based techno label. Perc, Ansome, Ghost In The Machine, Steve Redhead, Million, Scalmeriya and many more.

https://perctrax.bandcamp.com

At midnight, on March 13th 1991, a basement door opened at Leipziger Strasse 126, Berlin. Through this door, many passed, on their way to defining new terrains in electronic music. There they found a dance floor in the vaults of a closed-down department store, with a unique sound bound to dense fog, building night after night a history that was also a vision of the future. 

This history has seen in Jeff Mills’ first sets on three turntables, Underground Resistance's first live appearances in Europe, grandiose Tresor Park parties, to various chapters of the Loveparade with Sven Väth in the 90s and since then countless generation-spanning parties. These moments represent the highlights of infinite personal clubbing experiences. It is the manifestation of the Berlin spirit, emerging from its considerable strife. This history is not without its complications - from temporary closure by the authorities and several raids in the early years to closure and demolition of the old location in 2005. What followed was years of wandering in exile and, finally, resurrection in the new home in Kraftwerk Berlin.

These stories, conversations and shared experiences within our walls forge a resilience that drives towards a shared ideal, the Tresor sound: community, resistance, and the world to come. This was observed in the newly re-unified German youth, who danced and celebrated together from the club’s inception, and into the present day through ongoing community work in Detroit. 

Tresor Records was founded in the same year and began to serve as a platform for exporting the new sounds associated with Tresor all around the world. Emergent musicians from Michigan, such as Juan Atkins, Underground Resistance and Drexciya, were pivotal in shaping these early years. Their visits to Berlin would kick-start dialogue between the youth movement in Europe and these musicians. This story is one of friendship and community-building, inextricably linked with cities like Detroit, Birmingham or Edinburgh, where like-minded friends built something truly special, where revelatory rhythms soundtrack decaying industry in corrupted metropoles. 

Tresor Records has been the fertile soil for dozens upon dozens of creative minds, from the very luminaries of the scene who developed electronic music over the last three decades through to contemporary protagonists who are currently defining the sound of the future -  A more than 300 strong catalogue displays an unmistakable identity - the Tresor spirit.

To those that have danced before, and to those that will dance in the future: the light at the end of the long Tresor tunnel is a signal. A flicker amidst the fog. This is our future. This is our place.

Hey, Gareth here, I'm a graphic designer who start designing for clubs, parties, and labels in the late 90s. Back then, mix CDs were the holy grail of both design and music. I loved them.

But I wasn't the only one, mix cds were the soundtracks of our nights, our days, our afterparties and lives, for everyone. Yet in today's internet age, the art form has been lost (or just changed) to 2-3 hour online mixes and streaming videos, which just don't create the same magic your CD collection did. Just 60 minutes of music and incredible artwork.

The Classic Mix CD Series celebrates these discs, their soundtrack, their box art and your memories. We hope you enjoy it.

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Also, we try to help you find and buy them again by sharing Discogs links on all featured CDs and or direct links to labels where possible.

* We fully support labels and artists. If any disc creates a copyrighting issue let me know and it will be immediately removed. 

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About Gareth:
Digital creative type, gamer, music lover and occasional DJ. Currently living between Dubai & Seoul after setting sail from Sunderland in 2010. As a young designer, club and music culture was the driving force for his work, producing artwork for local club nights and record labels in the North East of England. In particular, DJ mix cds and their packaging were always his 'holy grail of design', especially those from Renaissance, Global Underground and Good Looking Records. It's a pleasure to share these discs back with people and they still influence our tastes to this day. 

For any CD recommendations, bookings, mixes or feedback you can catch me as @asapgareth on Instagram. Or you can check our my design work at www.acid.works

rich808 is following