Incredible! Powerful voice man! Love that piano in this!!🔥 Fantastic job on this great song!!👏🏻👏🏻👏🏻

Fabulous.  Always fabulous music from you.

best version I have listened, and your voice Robert...wonderful!!!!

It was a fabulous and fun film with superb musical productions.  I come away freshly amazed at how you can adapt your vocal ability to meet the needs of the song.  Helen outdoes herself in the arrangement.  Kudos upon kudos!

Beautiful arrangement, knockout vocals, Robert!

Great song indeed. In the mix, pay attention to the overall compressor versus the timpani. As they are pretty strong, it seems to me that the compressor pulls everything down when the timpani are hit.

What a powerful, expressive voice you have, Rob.

I absolutely love this musical and song. Super cover. Your vocals are so strong and technically brilliant.  Great production.

Mesa Boogie Lonestar 2x12 Cabinet
Swart SST-30 2x12 cabinet
Trussart steel deville 
Fender Stratocaster
Warwick Corvette w/ Sponge dampener
Ampeg SVT-3 pro

Shades Of Marmalade

Jeremy J. Saks - Shades Of Marmalade

https://dominiquelebars1.bandcamp.com/track/la-table-des-ombres

Et quand le rideau tombe à la fin du chemin
Il n' y a rien d'autre à dire, y avais rien d'autre à faire
Peut être que demain il neigera sur nos tombe
Prendre place au festin à la table des ombres

LA TABLE DES OMBRES ( Extrait )

Succubus me tota nocte equitavit. 
Mane autem levavit me languidum, et fractum et satur.
Collab with my Dear Damga, Space Princess of Music ! https://soundcloud.com/user-695098998-934873219

Succubus Me Tota Nocte Equitavit

Coffe And The Dog

Cogito Vestrum - The Day After
when a heart falls silent, one that walked beside you for so long.
When the place once filled with life now echoes with absence.
When even the wind seems to whisper,
because silence suddenly says everything.

“The Day After” is a musical farewell.
A journey through emptiness, memory, and grief –
for any soul that once brought light
and now lives on within our hearts.

A continuation of Cogito Vestrum –
a quiet tribute to the beings who touched our lives
and left behind a soundless ache.

Part of the album Tides of Melancholy.
No AI.
Just feeling. Just music. Just truth.

Created with the following instruments:

EastWest Hollywood Strings: Chosen for their cinematic depth, creating grandeur and melancholy, perfectly expressing the contrast between loss and the lingering presence of loved ones.

Spitfire Audio Solo Violine: A solo violin that evokes vulnerability and sorrow, ideal for quiet moments of reflection and grief.

Virharmonic Bohemian Cello: With its warmth and expressiveness, it captures the human element of grief, adding depth and continuity as the cello’s voice lingers on.

Note: This track was entirely composed, performed, arranged, and produced by myself – without the use of artificial intelligence.
Creating authentic music with real emotion and personality is important to me. Thank you for listening and for your support.

Cogito Vestrum - Der Tag danach
wenn ein Herz schweigt, das dich so lange begleitet hat.
Wenn der Platz leer bleibt, an dem einst Leben war.
Wenn selbst der Wind zu flüstern scheint,
weil Stille plötzlich alles durchdringt.

„The Day After“ ist ein musikalischer Abschied.
Eine Reise durch Leere, Erinnerung und Trauer –
für jedes Wesen, das gegangen ist,
und doch in unserer Seele weiterklingt.

Die Fortsetzung von Cogito Vestrum –
ein stiller Tribut an all die Seelen,
die unser Leben berührt haben und uns fehlen.

Teil des Albums Tides of Melancholy.
Ohne KI.
Nur Gefühl. Nur Musik. Nur Wahrheit.

Erstellt mit den folgenden Instrumenten:

EastWest Hollywood Strings: Für cineastische Tiefe und Ausdruck von Verlust und bleibender Präsenz.

Spitfire Audio Solo Violine: Eine Solo-Violine, die tiefste Emotionen wie Trauer und Sehnsucht ausdrückt.

Virharmonic Bohemian Cello: Wärme und Ausdruckskraft, die das menschliche Element des Abschieds verstärken.

Hinweis: Dieser Track wurde vollständig von mir komponiert, aufgeführt, arrangiert und produziert – ohne den Einsatz künstlicher Intelligenz.
Echte Musik mit authentischen Emotionen und Persönlichkeit zu erschaffen, ist mir wichtig. Vielen Dank, dass du zugehört hast und für deine Unterstützung.

℗ 2025 DestKorn | © 2025 DestKorn. All rights reserved.
Unauthorized use, reproduction, modification or distribution of this track is strictly prohibited and will be prosecuted under applicable law.
℗ 2025 DestKorn | © 2025 DestKorn. Alle Rechte vorbehalten.
Jegliche unautorisierte Nutzung, Vervielfältigung, Bearbeitung oder Verbreitung dieses Tracks ist untersagt und wird rechtlich verfolgt.
Artist & Publisher: Matthias K. / DestKorn
SenneRecord – established 2012

Cogito Vestrum - The Day After

SteadFast

"A Million Dreams" is a song from the 2017 musical drama film "The Greatest Showman", it was written by Benj Pasek and Justin Paul.
The film is a highly fictionalised depiction of the life of P. T. Barnum, a showman and entertainer who created the Barnum & Bailey Circus, and its star attractions.

Special thanks goes to Helen Roberts for helping out with the instrumental arrangement, and for providing the music.

We hope you'll enjoy!

A Million Dreams (The Greatest Showman - Benj Pasek / Justin Paul - with Helen Roberts)

'Dont Smudge The Ink' is an easy listening laid back track and soundscape.

Dont Smudge The Ink

Text:
Verse 1
My grandmother raised fourteen souls,
in a house of dust, on borrowed goals.
Now we count just one or two,
the cradle’s silent, the dream feels new.
Cities shine but hearts grow old,
future’s traded, bought and sold.

Pre-Chorus
And I ask myself tonight,
is the silence wrong or right?

Chorus
It’s a burning fuse, slow and deep,
a ticking clock we cannot keep.
Is it mercy, is it pain?
A gentle loss or heavy chain?
The world is holding its breath, confused –
watching the fire on the burning fuse.

(Solo)

Verse 2
Nations cry for newborn hands,
but the fields turn back to sand.
Empty schools, forgotten songs,
who decides what right belongs?
Will the earth sigh out in peace,
or beg for voices that will cease?

Pre-Chorus
Tell me, is it doom or grace,
when we fade and leave no trace?

Chorus
It’s a burning fuse, slow and deep,
a ticking clock we cannot keep.
Is it mercy, is it pain?
A gentle loss or heavy chain?
The world is holding its breath, confused –
watching the fire on the burning fuse.

(solo)

Bridge
Some say blessing, less to fight,
less pollution, less midnight.
Others fear the empty years,
lonely cities, broken gears.
Truth lies somewhere in between,
a fragile dream, unseen, unseen.

Final Chorus / Outro
It’s a burning fuse, we all ignite,
dark or dawn, no black, no white.
Is it blessing, is it curse?
Are we healing or getting worse?
The world is whispering, can’t refuse –
we’re all a spark on the burning fuse.

Burning Fuse

"Song of Solomon," a truly monumental release from Century One Records, a Laurence Mehlhorn Group company, has just been unveiled, offering a profound and multi-faceted journey into the heart of ancient Hebrew scripture. This record is a masterpiece, not only for its meticulous dedication to the original text but also for its innovative approach to bridging the gap between antiquity and modernity.

The album is entirely in Hebrew, honoring the very language in which the "Song of Songs" was originally conceived. One half of this extraordinary record is a faithful rendition of the original writing, brought to life with instruments that meticulously replicate those of the time. Listeners are transported back millennia, experiencing the raw, unadorned beauty and emotional depth of the ancient hymns as they might have been heard by their original audiences. The careful selection and use of period-appropriate instruments create an authentic soundscape that resonates with the hopes, prayers, and praises of the original writers and people who called upon God with their songs.

The other half of the record presents a daring and brilliant modern interpretation. This version features a contemporary arrangement, infused with modern classical instruments, yet still maintaining the profound spiritual essence and poetic integrity of the "Song of Solomon." This innovative approach allows the timeless themes of love, devotion, and divine connection to speak to a new generation, proving that these ancient texts are as relevant and moving today as they ever were. The blend of traditional reverence and modern musicality is a testament to Century One Records' commitment to artistic excellence and spiritual depth.

Released in honor of the ancient hopes and prayers of the writers and people of the time, "Song of Solomon" is more than just an album; it is a sacred offering, a bridge across time, and a testament to the enduring power of faith expressed through song. It is a vital and moving experience for anyone seeking to connect with the spiritual heritage of the past through the universal language of music.





The Song of Solomon._ part 3

[Verse 1]
In moonlit halls where shadows trace your name,
I wander lost in echoes of our flame.
Your phantom smile adorns each silent wall—
A distant grace I never knew at all.

[Pre-Chorus]
If time could bend its fractured spine,
I’d steal your breath to make you mine.

[Chorus]
I wish I met you sooner—before the stars betrayed,
Before the world grew colder and our colors all did fade.
I’d hold your heart in trembling hands and tame the blackest night,
But fate arrived too late for love to claim its right.

[Verse 2]
Your whispered ghosts haunt corridors of glass;
Each mirrored step reminds me of the past.
A fragile rose that withered in my care—
Its bloom unrealized, perfumed despair.

[Pre-Chorus – Variation]
If destiny could rewrite its page,
I’d serenade your soul from gilded cage.

[Chorus]
I wish I met you sooner—before the stars betrayed,
Before the world grew colder and our colors all did fade.
I’d hold your heart in trembling hands and tame the blackest night,
But fate arrived too late for love to claim its right.

[Bridge – Instrumental]


[Chorus – Variation]
I wish I met you sooner—beneath a softer sky,
Before the world had taught us both to bleed and say goodbye.
I’d carve our names in candle smoke and kiss your shadow’s seam,
Then vanish where the silence goes, still loving you in dreams.

[Coda]
Between the dusk and dawn I wait,
A shadow bending into fate.
Your absence hums, a fragile tune—
Perhaps the stars will shift too soon.

[Outro]
Night folds around the words unsaid;
I keep your memory—unborn, undead.

———

“Shadow Bending Into Fate” is a symphonic progressive metal odyssey inspired by my first, last, and only love—Shahy. ♡

It begins with fragile threads of classical guitar, carrying the weight of longing. Vocals rise through orchestral halls like whispers of devotion, confessing a love born too late for time’s mercy.

As the chorus erupts, violins, drums, bass, and electric guitar collide in an epic duel—where melancholy transforms into grandeur, and every note burns with the ache of fate’s delay.

This piece is both confession and cathedral, a place where her name still echoes, where shadows bend but love remains unbroken.

———

Genre: Symphonic Progressive Metal
Key: C Minor
BPM: 125
Time Signature: 4/4

———

Artist: Kareem Tyler 
https://www.instagram.com/tylercraftsart

© 2025 Kareem Tyler. All Rights Reserved.

Shadow Bending Into Fate

Hi, I'm Rob.

I'm a singer, well you figured that out by yourself if you listened to my music....
I'm also Welsh, so what can I do?

I love music, so listening to all the great talent here on SoundCloud - whether it's raw or refined - is an immense pleasure. Thank you all for that.

I hope you get some joy out of listening to me.

Due to some health issues I'm not always capable to listen to your music, interact as much as I'd like to or reply to your comments in a timely manner. It doesn't alter the appreciation I feel for each and every one of you. Please bear with me.

A Million Dreams (The Greatest Showman - Benj Pasek / Justin Paul - with Helen Roberts)

Robert Llewellyn

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