Fearless is a sonic journey that embodies the strength and audacity of those who know no fear. Every note in this track tells the story of determination—of someone facing storms without hesitation, moving forward with confident steps into uncharted territory. The driving rhythm and powerful sounds create a musical landscape that gives a voice to those who choose not to run from challenges but to embrace them with absolute courage."

Fearless Reload

Ambient ethereal soundscapes for your pleasure with influenced by sci-fi of the past, future and present.

NEXUS - MILITIA

Reanimation

Yume

[Electronic/Indie/Uplifting/Ambient]-"Yume"

'Moon Phase' is a collection of lush and melancholic ambient pieces by our long time favorite artist, SineRider. Presented in a beautiful 4-panel CDr.

Written and Produced by Devin Powers.
Mastering by Rob Small.
Photography by Alexander Kopatz www.go70north.com 
Archives28 // ArchivesCD009
Archives / 2016

Buy CD/Digital

SineRider - Across Rooftops

In Space

Jaffa

From the 3D Planetarium Full Dome film "CAPCOMGO! The Apollo Story". Score written by Rhian Sheehan. 
Showing in Planetariums around the world now.
nsccreative.com/projects/capcom-go/
www.rhiansheehan.com
(c) NSC Creative

Go For Landing

Place Language is an international non-profit compilation album project inspired by the themes found in Robert Macfarlane’s widely-acclaimed book ‘Landmarks’. In particular it focuses on the book’s extensive topographic glossaries, the “word-hoard” of depictive landscape terms gathered from 30 different languages, dialects and sub-dialects around Britain & Ireland and divided into sections by type of terrain (Flatlands, Uplands, Waterlands, Coastlands, Underlands, Northlands, Edgelands, Earthlands and Woodlands). Relying on these topograms, or “tiny place poems”, as creative prompts, Place Language seeks to both inspire a renewed interest in our surroundings and reinvigorate our appreciation for the audible textures & patterns that characterize a place in keeping with the book’s stated desire to “re-wild” our vocabulary.

The collection features the work of 28 different sound-artists, field recordists, and musicians from around the globe each of whom selected a Landmarks topogram and recorded an impression of it thus adding rich new aspects of dimensionality through the act of sonification. These selections cover all nine of the book’s glossaries along with place-words of new coinage as prompted by the blank one which Macfarlane leaves at the end of the book for readers to fill in from their own experience. The end result is a truly global and collaborative survey of place, language, and sound.

Due for release in September 2019 on Fluid Audio
Artwork by Gregory Euclide

Selvedge

TRACK PREMIERE : Kate Carr - Selvedge

offthesky - 'fallow' (CD / CS / DL)
due out November 1st via Dronarivm

fallow
definition: [verb] - to leave (land) fallow (uncultivated and un-sown for a period of time).

the songs herein are an ode to the still beauty of forgotten light, the smell of dust-covered memory, and time-stained fragments of abandoned space at the edge of winters past.

credits

vocals - rin howell
strings - julie slater
composed effects; all other sounds - jason corder

Buy CD / CS / DL

OFFTHESKY - Bleeds Life

1m88 Happy End (A Baby For Christmas, OST)

Composer from Wellington, New Zealand www.rhiansheehan.com

http://rhiansheehan.bandcamp.com/

Rhian Sheehan is an award-winning music producer and screen composer from New Zealand. Known for his fusion of atmospheric-post-rock with electronic and chamber music, he has released 6 albums and 2 EP’s on Loop Recordings (NZ/Aus), Darla (US), Preco (Japan). His 2013 release Stories From Elsewhere has received much praise; renowned US reviewer John Diliberto (Echoes) calling it “a modern ambient chamber music masterpiece of quietly epic dimensions". His 2018 album, A Quiet Divide, is his most orchestral album to date, merging chamber strings & piano, with emotionally charged cinematic post-rock atmospheres. Releasing the album alongside a 6 date audiovisual live tour around New Zealand, the album reached no.2 on the NZ Top 20.
"A Quiet Divide is an album that swallows you whole, and sends you out the other side a lighter, calmer version of yourself." - Sunday Star Times
His work as a screen composer is diverse, actively writing scores for a wide variety of film, television, documentary, advertising, multi-media exhibits, and 360o Fulldome Planetarium dome show projects around the world, having worked on projects featuring luminaries Andy Serkis, David Tennant, Tim Allen, Martin Scorsese, Rupert Grint, and Jared Leto.  He has written music featured on many notable TV shows and channels, including Top Gear (UK), the hit HBO series Silicon Valley, BBC Horizon, CNN, National Geographic Channel, Discovery Channel, History Channel, Netflix, America's Got Talent, and has written music featured during The US Super Bowl, and The Academy Awards.
Sheehan has composed music for various multimedia installations and exhibits around the world, including UK's National Space Centre, The Kennedy Space Center, London’s Natural History Museum, Ferrari World, World of WearableArt, and Weta Workshop. His score for the 12-part prime-time series The Cult won him a Qantas Film & TV Award (Best original music in a TV series), and he also wrote the score for the Emmy Award winning series Reservoir Hill. Sheehan’s music was used extensively during NBC’s prime-time coverage of the 2012 London Olympics, and he has written music featured in a variety of commercials, including spots for Google, Nike, GoPro, American Express, Sony Pictures, Universal Pictures, and Facebook. He has written for Hans Zimmer's custom music company Bleeding Fingers and Extreme Music. Sheehan has scored music for the acclaimed films Belief: The possession of Janet Moses and Stray, and more recently scored the mixed-reality AR steampunk inspired robot shooting game, Dr. Grordbort Invaders, produced by Magic Leap & Weta Workshop (Peter Jackson & Richard Taylor's award-winning special effects and prop company).
He has written scores for numerous UK and US produced 360o Fulldome 3D Planetarium shows, most notably, We Are Astronomers, We Are Aliens, We Are Stars (for which he was awarded Best Original Score at the Fiske Planetarium Awards), and Back To The Moon For Good, which was produced by Google XPRIZE, the UK National Space Centre, and Robert K. Weiss (producer of The Blues Brothers). Narrated by Tim Allen (Toy Story), Back To The Moon For Good is one of the most popular and watched Planetarium Dome shows ever made; having screened in over 450 Planetariums around the world.