Layers of Afternoon

The Broad Belt Of The World (feat. Scott Moore)

Evident (feat. Scott Moore)

Scania

Ashes

Remember Me

https://ffm.to/myths
'Myths' is the opening track from Rhian Sheehan & Arli Liberman's upcoming album, Traces. The track serves as the perfect introduction to the project, with delicately layered electronic, ambient and post-rock soundscapes combining.

"“Plunging into the heart of the sun - an immersive descent into its searing intensity and boundless energy” - Rhian Sheehan

MYTHS [single] - out now on Loop Electronic / Loop Recordings 
https://ffm.to/myths
TRACES [album] - released 12 September 2025
https://ffm.to/traces-album


Traces

Myths

The album: Mystical Cities
Step into the labyrinth of vanished worlds, where forgotten cities whisper in the dark. Beyond maps, beyond memory, they wait in shadows of the ancients...

Release date: 01-08-2025 on Legacy of Thought label:

The tracks:

01 Ambient Indigo - Lyonesse
02 Time Away - El Dorado
03 Aestheia - Ys
04 snurretop - Zerzura
05 Andawan - Rhapta
06 Colin Stevens - Camelot
07 Der Bischof - Kitezh
08 Tuuligan - Paititi
09 Hellweed - Shambhala
10 Sonic Bodhi - Thule
11 Progeny-1 - Agartha
12 Cosmic Cadence - Astradorei
13 Wane of Summer - Atlantis
14 Promethex - Hyperborea
15 Helsinki Project - Ophir

Shambhala

Time's tide

“Through Space & Time” was written during the Depression chapter of “While They Were Sleeping,” and it belongs to the story of my mother a tribute to her love, her fire, and her place in the cosmos of who I am.

This is more than music. It’s memory turned celestial. A way to honor her when words fell short. The melody floats like starlight because that's how I remember her quiet strength, deep sorrow, a gravity I still orbit.

Even when we were oceans apart in silence, in misunderstanding she was still my home. This piece is for her. For everything she carried. For the light she gave me, even when she had so little left for herself.

“Through Space & Time” is the sound of missing someone who never truly left. It’s the sound of love, cosmic and complicated. And eternal.

Through Space & Time

https://ffm.to/-sahar
Rhian Sheehan & Arli Liberman 'Sahar' is the fourth single from Rhian Sheehan & Arli Liberman's album Traces. Showcasing a more ambient side of the project, with the track building tension throughout, evoking a sonic world which feels both futuristic and ancient.

Drawing inspiration from Blade Runner and Peter Gabriel’s Passion score, ‘Sahar’ highlights Arli’s Eastern-influenced guitar work, featuring fretless guitar played with an eBow and processed through modular reverbs and delays. 

Traces immerses listeners in a dreamscape that feels both futuristic and nostalgic, distant and familiar - like a forgotten past or an undiscovered future - offering an immersive, yet intimate cinematic experience that unfolds like the soundtrack to an unmade film, all while staying true to their distinct styles and crafting a vivid and emotive journey.

SAHAR [single] - out now on Loop Electronic / Loop Recordings 
https://ffm.to/-sahar
TRACES [album] - released 12 September 2025
https://ffm.to/traces-album

Sahar

🌹 Three Seven.
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BlauDisS - Three Seven

Aliens Prey is an original cinematic track inspired by the predators clicks from Aliens vs Predator. Thought that using more inspirations like this will improve on my music journey with creating space themed music.

Aliens Prey

Composer from Wellington, New Zealand www.rhiansheehan.com

http://rhiansheehan.bandcamp.com/

Rhian Sheehan is an award-winning music producer and screen composer from New Zealand. Known for his fusion of atmospheric-post-rock with electronic and chamber music, he has released 6 albums and 2 EP’s on Loop Recordings (NZ/Aus), Darla (US), Preco (Japan). His 2013 release Stories From Elsewhere has received much praise; renowned US reviewer John Diliberto (Echoes) calling it “a modern ambient chamber music masterpiece of quietly epic dimensions". His 2018 album, A Quiet Divide, is his most orchestral album to date, merging chamber strings & piano, with emotionally charged cinematic post-rock atmospheres. Releasing the album alongside a 6 date audiovisual live tour around New Zealand, the album reached no.2 on the NZ Top 20.
"A Quiet Divide is an album that swallows you whole, and sends you out the other side a lighter, calmer version of yourself." - Sunday Star Times
His work as a screen composer is diverse, actively writing scores for a wide variety of film, television, documentary, advertising, multi-media exhibits, and 360o Fulldome Planetarium dome show projects around the world, having worked on projects featuring luminaries Andy Serkis, David Tennant, Tim Allen, Martin Scorsese, Rupert Grint, and Jared Leto.  He has written music featured on many notable TV shows and channels, including Top Gear (UK), the hit HBO series Silicon Valley, BBC Horizon, CNN, National Geographic Channel, Discovery Channel, History Channel, Netflix, America's Got Talent, and has written music featured during The US Super Bowl, and The Academy Awards.
Sheehan has composed music for various multimedia installations and exhibits around the world, including UK's National Space Centre, The Kennedy Space Center, London’s Natural History Museum, Ferrari World, World of WearableArt, and Weta Workshop. His score for the 12-part prime-time series The Cult won him a Qantas Film & TV Award (Best original music in a TV series), and he also wrote the score for the Emmy Award winning series Reservoir Hill. Sheehan’s music was used extensively during NBC’s prime-time coverage of the 2012 London Olympics, and he has written music featured in a variety of commercials, including spots for Google, Nike, GoPro, American Express, Sony Pictures, Universal Pictures, and Facebook. He has written for Hans Zimmer's custom music company Bleeding Fingers and Extreme Music. Sheehan has scored music for the acclaimed films Belief: The possession of Janet Moses and Stray, and more recently scored the mixed-reality AR steampunk inspired robot shooting game, Dr. Grordbort Invaders, produced by Magic Leap & Weta Workshop (Peter Jackson & Richard Taylor's award-winning special effects and prop company).
He has written scores for numerous UK and US produced 360o Fulldome 3D Planetarium shows, most notably, We Are Astronomers, We Are Aliens, We Are Stars (for which he was awarded Best Original Score at the Fiske Planetarium Awards), and Back To The Moon For Good, which was produced by Google XPRIZE, the UK National Space Centre, and Robert K. Weiss (producer of The Blues Brothers). Narrated by Tim Allen (Toy Story), Back To The Moon For Good is one of the most popular and watched Planetarium Dome shows ever made; having screened in over 450 Planetariums around the world.