Känsla

Ashes

Remember Me

Some of my experimental stuff. 
A phrygian scale

Illuminata

https://ffm.to/myths
'Myths' is the opening track from Rhian Sheehan & Arli Liberman's upcoming album, Traces. The track serves as the perfect introduction to the project, with delicately layered electronic, ambient and post-rock soundscapes combining.

"“Plunging into the heart of the sun - an immersive descent into its searing intensity and boundless energy” - Rhian Sheehan

MYTHS [single] - out now on Loop Electronic / Loop Recordings 
https://ffm.to/myths
TRACES [album] - released 12 September 2025
https://ffm.to/traces-album


Traces

Myths

The debut album from APRANA, taking you into deep meditation and relaxation. Using chakra frequencies and binaural mixing. 

Illinois

💜 Our Love Is.
🌆 Spotify Playlist: http://bit.ly/AmbientSpotify

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🧡 Carla Patullo
open.spotify.com/artist/2urxoDnJxtTNJnoxUATRBE
https://instagram.com/carlapatullo
https://www.facebook.com/CarlaPatulloPage

💿 Suggested track: https://youtu.be/tmJZpDhlZ8Q

📷 Photo by Max Ovcharenko
https://unsplash.com/@chestmax

🎶 YouTube Mixes Playlist: https://amg.fanlink.to/Mixes

🎵 Submit your music:
https://submithub.com/to/ambient
💰 For Curators & Influencers
https://submithub.com/by/earnwithambient

#ambient #vocal #cinematic

Watch on YouTube 🧡

Carla Patullo - Our Love Is

Familiar Drift

After months of work, I present my 4th collaboration with Chuncho Productions, and the official soundtrack of "COMPLETELY UNREMARKABLE", a wrestling film full of violence, drama and heartbreak. It's definitely worth a watch and this soundtrack is definitely worth a listen!

I experimented a lot with this one, playing around with rock elements, electronic noise and ambient soundscapes. Together, it's a mix of lots of cool genres and ideas in one, with every track bringing something different to the table. I'm excited to finally share this with you all after finishing it back in April of this year. Thank you guys so much for the support and Carlos for putting together this amazing film for me to work on. Hope y'all love it!

- EVERETT

The Good, The Bad, & The Unremarkable

Twice As Bright

sunset static

Composer from Wellington, New Zealand www.rhiansheehan.com

http://rhiansheehan.bandcamp.com/

Rhian Sheehan is an award-winning music producer and screen composer from New Zealand. Known for his fusion of atmospheric-post-rock with electronic and chamber music, he has released 6 albums and 2 EP’s on Loop Recordings (NZ/Aus), Darla (US), Preco (Japan). His 2013 release Stories From Elsewhere has received much praise; renowned US reviewer John Diliberto (Echoes) calling it “a modern ambient chamber music masterpiece of quietly epic dimensions". His 2018 album, A Quiet Divide, is his most orchestral album to date, merging chamber strings & piano, with emotionally charged cinematic post-rock atmospheres. Releasing the album alongside a 6 date audiovisual live tour around New Zealand, the album reached no.2 on the NZ Top 20.
"A Quiet Divide is an album that swallows you whole, and sends you out the other side a lighter, calmer version of yourself." - Sunday Star Times
His work as a screen composer is diverse, actively writing scores for a wide variety of film, television, documentary, advertising, multi-media exhibits, and 360o Fulldome Planetarium dome show projects around the world, having worked on projects featuring luminaries Andy Serkis, David Tennant, Tim Allen, Martin Scorsese, Rupert Grint, and Jared Leto.  He has written music featured on many notable TV shows and channels, including Top Gear (UK), the hit HBO series Silicon Valley, BBC Horizon, CNN, National Geographic Channel, Discovery Channel, History Channel, Netflix, America's Got Talent, and has written music featured during The US Super Bowl, and The Academy Awards.
Sheehan has composed music for various multimedia installations and exhibits around the world, including UK's National Space Centre, The Kennedy Space Center, London’s Natural History Museum, Ferrari World, World of WearableArt, and Weta Workshop. His score for the 12-part prime-time series The Cult won him a Qantas Film & TV Award (Best original music in a TV series), and he also wrote the score for the Emmy Award winning series Reservoir Hill. Sheehan’s music was used extensively during NBC’s prime-time coverage of the 2012 London Olympics, and he has written music featured in a variety of commercials, including spots for Google, Nike, GoPro, American Express, Sony Pictures, Universal Pictures, and Facebook. He has written for Hans Zimmer's custom music company Bleeding Fingers and Extreme Music. Sheehan has scored music for the acclaimed films Belief: The possession of Janet Moses and Stray, and more recently scored the mixed-reality AR steampunk inspired robot shooting game, Dr. Grordbort Invaders, produced by Magic Leap & Weta Workshop (Peter Jackson & Richard Taylor's award-winning special effects and prop company).
He has written scores for numerous UK and US produced 360o Fulldome 3D Planetarium shows, most notably, We Are Astronomers, We Are Aliens, We Are Stars (for which he was awarded Best Original Score at the Fiske Planetarium Awards), and Back To The Moon For Good, which was produced by Google XPRIZE, the UK National Space Centre, and Robert K. Weiss (producer of The Blues Brothers). Narrated by Tim Allen (Toy Story), Back To The Moon For Good is one of the most popular and watched Planetarium Dome shows ever made; having screened in over 450 Planetariums around the world.